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Winner of the Locus Award • Winner of the Endeavor Award "[Le Guin] can lift fiction to the level of poetry and compress it to the density of allegory—in The Telling, she does both, gorgeously." —Jonathan Lethem Sutty, an Observer from Earth for the interstellar Ekumen, has been assigned to a new world—a world in the grips of a stern monolithic state, the Corporation. Embracing the sophisticated technology brought by other worlds and desiring to advance even faster into the future, the Akans recently outlawed the past, the old calligraphy, certain words, all ancient beliefs and ways; every citizen must now be a producer-consumer. Their state, not unlike the China of the Cultural Revolution, is one of secular terrorism. Traveling from city to small town, from loudspeakers to bleating cattle, Sutty discovers the remnants of a banned religion, a hidden culture. As she moves deeper into the countryside and the desolate mountains, she learns more about the Telling—the old faith of the Akans—and more about herself. With her intricate creation of an alien world, Ursula K. Le Guin compels us to reflect on our own recent history. Though The Telling is often considered the eighth book of the Hainish Cycle, Le Guin maintained that there is no particular cycle or order for the Ekumen novels.
A chilling new novel about a girl who must delve into her past if she wants to live long enough to have a future when a series of murders that are eerily similar to the dark stories her brother used to tell start happening in her hometown. Lana used to know what was real. That was before, when her life was small and quiet. Her golden stepbrother, Ben was alive. She could only dream about bonfiring with the populars. Their wooded island home was idyllic, she could tell truth from lies, and Ben’s childhood stories were firmly in her imagination. Then came after. After has Lana boldly kissing her crush, jumping into the water from too high up, living with nerve and mischief. But after also has horrors, deaths that only make sense in fairy tales, and terrors from a past Lana thought long forgotten. Love, blood, and murder.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Entertainment Weekly • Kirkus Reviews • The Christian Science Monitor In the picturesque village of Guzmán, Spain, in a cave dug into a hillside on the edge of town, an ancient door leads to a cramped limestone chamber known as “the telling room.” Containing nothing but a wooden table and two benches, this is where villagers have gathered for centuries to share their stories and secrets—usually accompanied by copious amounts of wine. It was here, in the summer of 2000, that Michael Paterniti found himself listening to a larger-than-life Spanish cheesemaker named Ambrosio Molinos de las Heras as he spun an odd and compelling tale about a piece of cheese. An unusual piece of cheese. Made from an old family recipe, Ambrosio’s cheese was reputed to be among the finest in the world, and was said to hold mystical qualities. Eating it, some claimed, conjured long-lost memories. But then, Ambrosio said, things had gone horribly wrong. . . . By the time the two men exited the telling room that evening, Paterniti was hooked. Soon he was fully embroiled in village life, relocating his young family to Guzmán in order to chase the truth about this cheese and explore the fairy tale–like place where the villagers conversed with farm animals, lived by an ancient Castilian code of honor, and made their wine and food by hand, from the grapes growing on a nearby hill and the flocks of sheep floating over the Meseta. What Paterniti ultimately discovers there in the highlands of Castile is nothing like the idyllic slow-food fable he first imagined. Instead, he’s sucked into the heart of an unfolding mystery, a blood feud that includes accusations of betrayal and theft, death threats, and a murder plot. As the village begins to spill its long-held secrets, Paterniti finds himself implicated in the very story he is writing. Equal parts mystery and memoir, travelogue and history, The Telling Room is an astonishing work of literary nonfiction by one of our most accomplished storytellers. A moving exploration of happiness, friendship, and betrayal, The Telling Room introduces us to Ambrosio Molinos de las Heras, an unforgettable real-life literary hero, while also holding a mirror up to the world, fully alive to the power of stories that define and sustain us. Praise for The Telling Room “Captivating . . . Paterniti’s writing sings, whether he’s talking about how food activates memory, or the joys of watching his children grow.”—NPR
"In Between the Listening and the Telling, Mark Yaconelli leads readers into an enchanting meditation on the power of storytelling. From personal meaning-making to school shootings, climate change, and immigration justice, stories help us connect to out human longings and deep scurrents of hope."--Provided by publisher.
From the bestselling author of Longbourn comes a ghost story that is a thrilling—and sometimes chilling—tale about two women, separated by almost two centuries, grappling with change and loss. After her mother dies, Rachel sets off alone to pack up and sell off the remnants of her family’s isolated country house. But from the moment she steps through the front door, she feels that the house contains more than she had expected. Generations earlier, a young housemaid, Lizzy, called the same dwelling home. On course for a life of service no different from her mother and her mother’s mother before her, Lizzy’s world is upended by the arrival of a mysterious lodger. Interweaving the two narratives, Jo Baker brings these women, both struggling against their stations and their duties, vividly to life.
A prophet never loses his calling, only his way. Disfigured with a hideous scar from his stepmother, Zeph Walker lives his life in seclusion, cloistering himself in a ramshackle bookstore on the outskirts of town. But Zeph is also blessed with a gift, an uncanny ability to foresee the future,to know peoples’ deepest sins and secrets. He calls it the Telling, but he has abandoned this gift to a life of solitude, unbelief, and despair until two detectives escort him to the county morgue where he finds his own body lying on the gurney. On the northern fringes of Death Valley, the city of Endurance is home to llama ranches, abandoned mines, roadside attractions...and the mythical ninth gate of hell. Now, forced to investigate his own murder, Zeph discovers something even more insidious behind the urban legends and small-town eccentricities. Early miners unearthed a megalith, a sacred site where spiritual and physical forces converge and where an ancient subterranean presence broods. And only Zeph can stop it. But the scar on Zeph’s face is nothing compared to the wound on his soul. For not only has he abandoned his gift and renounced heaven, but it was his own silence that spawned the evil. Can he overcome his own despair in time to seal the ninth gate of hell? His words unlocked something deadly, And now the silence is killing them.
As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being. - Carl Jung
A kaleidoscopic examination of the influence of one woman's childhood sexual abuse on her identity as a mother and woman.
Today everyone—whether they know it or not—is in the emotional transportation business. More and more, success is won by creating compelling stories that have the power to move partners, shareholders, customers, and employees to action. Simply put, if you can’t tell it, you can’t sell it. And this book tells you how to do both. Historically, stories have always been igniters of action, moving people to do things. But only recently has it become clear that purposeful stories—those created with a specific mission in mind—are absolutely essential in persuading others to support a vision, dream or cause. Peter Guber, whose executive and entrepreneurial accomplishments have made him a success in multiple industries, has long relied on purposeful story telling to motivate, win over, shape, engage and sell. Indeed, what began as knack for telling stories as an entertainment industry executive has, through years of perspiration and inspiration, evolved into a set of principles that anyone can use to achieve their goals. In Tell to Win, Guber shows how to move beyond soulless Power Point slides, facts, and figures to create purposeful stories that can serve as powerful calls to action. Among his techniques: * Capture your audience’s attention first, fast and foremost * Motivate your listeners by demonstrating authenticity * Build your tell around “what’s in it for them” * Change passive listeners into active participants * Use “state-of-the-heart” technology online and offline to make sure audience commitment remains strong To validate the power of telling purposeful stories, Guber includes in this book a remarkably diverse number of “voices” —master tellers with whom he’s shared experiences. They include YouTube founder Chad Hurley, NBA champion Pat Riley, clothing designer Normal Kamali, “Mission to Mars” scientist Gentry Lee, Under Armour CEO Kevin Plank, former South African president Nelson Mandela, magician David Copperfield, film director Steven Spielberg, novelist Nora Roberts, rock legend Gene Simmons, and physician and author Deepak Chopra. After listening to this extraordinary mix of voices, you’ll know how to craft, deliver—and own—a story that is truly compelling, one capable of turning others into viral advocates for your goal.
"Two young women, a generation apart, travel to opposite sides of the world on fraught journeys of self-discovery. 1958: Gabrijela yearns to escape the confines of bleak post-war Yugoslavia and her tiny fishing community, but never imagines she will be exiled to New Zealand - a new immigrant sent to housekeep for the mysterious and surly Roko, clutching a secret she dare not reveal.1989: Luisa, Gabrijela's daughter, departs on her own covert quest, determined to unpick the family's past. But not all decisions are equal and amid Yugoslavia's brewing civil unrest, Luisa's journey confronts her with culture shocks and dark encounters of her own"--Back cover.