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The work of the French literary review, intellectual grouping, and publishing team Tel Quel had a profound impact on literary and cultural debate in the 1960s and '70s. THE TEL QUEL READER presents, for the first time in English, many of the key essays written by the Tel Quel group. The collection filled a much-needed gap in the literature available on the postculturalist movement.
The Tel Quel Readerpresents for the first time in English many of the key essays that played an instrumental role in shaping the contours of literary and cultural debate in the 1960s and 1970s. Tel Quelwas a French journal and publishing team that printed some of the earliest work by Derrida, Bataille, Kristeva, Barthes, Foucault and Deleuze. From its beginning in 1960 to its closure in 1982, TQpublished some of the key essays of major poststructuralist thinkers. The Readerincludes essays available in English for the first time by Kristeva and Foucault, and a fascinating interview with Barthes. It provides a unique insight into the poststructuralist movement and presents some of the pioneering essays on literature and culture, gender, film, semiotics and psychoanalysis. Although articles included here cover diverse areas--from the semiology of paragrams to the readability of Sade, a common perspective runs through them: the recognition of excess and the seduction of writing. The Tel Quel Readerfills a crucial gap in the English literature on literary and cultural theory and presents a case for the enduring value of the journal's enterprise.
* The first full-length study in any language of one of the most important elements in post-war French intellectual and cultural life. The journal Tel Quel was the focus of much of the intense theoretical activity of Paris in the 1960s and 1970s and played a vital role in the development of the key thinkers of the time: Roland Barthes, Michel Foucault, Louis Althusser, Jacques Lacan, Julia Kristeva, and Philippe Sollers. Patrickffrench traces its history, across the 'time of theory' and the catastrophe of May 1968, to the review's controversial affirmation of literature as akin to theology in the late 1970s. Beyond its documentary and historical significance, the book maps a 'genealogy' of theory, from its structuralausterity and 'terror' to a new time 'after theory'.
"A comprehensive encyclopedia of literary and cultural theory. Covers Literary Theory from 1900 to 1966, Literary Theory from 1966 to the present, and Cultural Theory. This encyclopedia provides accessible entries on the important concepts, theorists and trends in post-1900 literary and cultural theory. With explanations of complex terms and important theoretical concepts, and summaries of the work and ideas of key figures, it is a highly informative reference work for a multi-disciplinary readership"-- Nota de l'editor.
A rare and unique publication of Roland Barthes' notebooks from his travels in China. The notebooks document Barthes' thoughts during his 1974 visit to China, just as the last campaign of the Cultural Revolution was getting underway.
Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who’s who of French thinkers, writers, and artists, spurred by China’s Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life. Wolin’s riveting narrative reveals that Maoism’s allure among France’s best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.
No text has its meaning alone; all texts have their meaning in relation to other texts. Since Julia Kristeva coined the term in the 1960s, intertextuality has been a dominant idea within literary and cultural studies leaving none of the traditional ideas about reading or writing undisturbed. Graham Allen's Intertextuality outlines clearly the history and the use of the term in contemporary theory, demonstrating how it has been employed in: structuralism post-structuralism deconstruction postcolonialism Marxism feminism psychoanalytic theory. Incorporating a wealth of illuminating examples from literary and cultural texts, this book offers an invaluable introduction to intertextuality for any students of literature and culture.
Roland Barthes (1915-1980) was a major French writer, literary theorist and critic of French culture and society. His classic works include Mythologies and Camera Lucida. Criticism and Truth is a brilliant discussion of the language of literary criticism and a key work in the Barthes canon. It is a cultural, linguistic and intellectual challenge to those who believe in the clarity, flexibility and neutrality of language, couched in Barthes' own inimitable and provocative style.
Tales of life in North Africa that flirt with strategies of revelation and concealment, by the first openly gay writer to be published in Morocco. Tangier is a possessed city, haunted by spirits of different faiths. When we have literature in our blood, in our souls, it's impossible not to be visited by them. —from Another Morocco In 2006, Abdellah Taïa returned to his native Morocco to promote the Moroccan release of his second book, Le rouge du tarbouche (The Red of the Fez). During this book tour, he was interviewed by a reporter for the French-Arab journal Tel Quel, who was intrigued by the themes of homosexuality she saw in his writing. Taïa, who had not publically come out and feared the repercussions for himself and his family of doing so in a country where homosexuality continues to be outlawed, nevertheless consented to the interview and subsequent profile, “Homosexuel envers et contre tous” (“Homosexual against All Odds”). This interview made him the first openly gay writer to be published in Morocco. Another Morocco collects short stories from Taïa's first two books, Mon Maroc (My Morocco) and Le rouge du tarbouche, both published before this pivotal moment. In these stories, we see a young writer testing the porousness of boundaries, flirting with strategies of revelation and concealment. These are tales of life in a working-class Moroccan family, of a maturing writer's fraught relationship with language and community, and of the many cities and works that have inspired him. With a reverence for the subaltern—for the strength of women and the disenfranchised—these stories speak of humanity and the construction of the self against forces that would invalidate its very existence. Taïa's work is, necessarily, a political gesture.