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Best Book of the Year NPR • The Washington Post • Boston Globe • TIME • USA Today • Entertainment Weekly • Real Simple • Parade • Buzzfeed • Electric Literature • LitHub • BookRiot • PopSugar • Goop • Library Journal • BookBub • KCRW • Finalist for the National Book Award • One of the New York Times Notable Books of the Year • One of the New York Times Best Historical Fiction of the Year • Instant New York Times Bestseller A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence. Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony. With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets fearlessly reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.
The Seeker of Truth embarks on his perilous training in wizardry in the 2nd novel of the #1 New York Timesbestselling author’s epic fantasy series. In Wizard’s First Rule, forest guide Richard Cypher becomes a Seeker of Truth in order to defeat the tyrannical Wizard Darken Rahl—only to discover that he is in fact Darken’s son. Now, with Darken vanquished, Richard and the beautiful Kahlan Amnell head back to the Mud People to be married. But their adventures are far from over. As the wedding day approaches, Richard is visited by three Sisters of Light who insist on bringing him to the Palace of the Prophets to be trained as a Wizard. Meanwhile, the veil to the underworld has been torn, and the Stone of Tears has passed through. According to prophecy, the only person who has a chance at closing the veil is the one bonded to the blade, the one born true.
As a vast Holy War begins, a powerful new force emerges in the second book of this “violent, passionate, darkly poetic” fantasy series (SFSite.com). The first battle against the heathen has been won, but while the Great Names squabble over the spoils, Kellhus draws more followers to his banner. The sorcerer Achamian and his lover, Esmenet, submit entirely—only to face an unimaginable test of faith. The warrior Cnaiur falls ever deeper into madness. The skin-spies of the Consult watch with growing trepidation. And across the searing wastes of the desert, a name—a title—begins to be whispered among the faithful. Who is the Warrior-Prophet? A dangerous heretic who turns brother against brother? Or the only man who can avert the Second Apocalypse? With the fate of the Holy War hanging in the balance, the great powers will have to choose between their most desperate desires and their most ingrained prejudice. Between hatred and hope. Between the Warrior-Prophet and the end of the world . . .
Lance Shabazz life was the Nation of Islam. This book journey's over fifty personal years traveling thousands of miles and many dozens of interviews culminating my Decision to walk away from it all. I realized my beliefs and principles gained as a follower of the Honorable Elijah Muhammad is rejected, altered, modified and the last trick our messenger warned us all to stay away from what today's so-called followers accept. Lip profession counts for naught unless carried into practice. I therefore share some of my history for the family and students of the Nation of Islam.
In this comprehensive and thought-provoking study, Terence Fretheim focuses on the theme of divine suffering, an aspect of our understanding of God which both the church and scholarship have neglected. Maintaining that "metaphors matter," Fretheim carefully examines the ruling and anthropomorphic metaphors of the Old Testament and discusses them in the context of current biblical-theological scholarship. His aim is to broaden our understanding of the God of the Old Testament by showing that "suffering belongs to the person and purpose of God".
NOW A NEW YORK TIMES, PUBLISHER'S WEEKLY, INDIEBOUND, LOS ANGELES TIMES, WASHINGTON POST, CHRONICLE HERALD, SALISBURY POST, GUELPH MERCURY TRIBUNE, AND BOSTON GLOBE BESTSELLER | NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: The Washington Post • Bustle • Men's Journal • The Chicago Reader • StarTribune • Blavity• The Guardian • NBC New York's Bill's Books • Kirkus • Essence “One of the most frank and searing discussions on race ... a deeply serious, urgent book, which should take its place in the tradition of Baldwin's The Fire Next Time and King's Why We Can't Wait." —The New York Times Book Review Toni Morrison hails Tears We Cannot Stop as "Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish." Stephen King says: "Here’s a sermon that’s as fierce as it is lucid...If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know—what this white man needed to know, at least. This is a major achievement. I read it and said amen." Short, emotional, literary, powerful—Tears We Cannot Stop is the book that all Americans who care about the current and long-burning crisis in race relations will want to read. As the country grapples with racist division at a level not seen since the 1960s, one man's voice soars above the rest with conviction and compassion. In his 2016 New York Times op-ed piece "Death in Black and White," Michael Eric Dyson moved a nation. Now he continues to speak out in Tears We Cannot Stop—a provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted. "The time is at hand for reckoning with the past, recognizing the truth of the present, and moving together to redeem the nation for our future. If we don't act now, if you don't address race immediately, there very well may be no future."
In the summer of 634, an Arab army appears by surprise out of the trackless desert of Eastern Syria, moving across the land with a simple message: Convert to Islam, submit, or die. While the war-weary Byzantine Empire struggles to understand and meet this new threat, an adventure-seeking young Syrian Arab named Bashour, disenchanted with the theological controversy that wracks Christendom, accepts Islam because of its attractive simplicity and joins the invaders. Taken as booty from a town that resisted, a girl named Tamara is raped and forced into a sham marriage with a marauding Muslim. Bashour finds more adventure than he bargained for. Distinguishing himself in a rash act of bravery, he's offered a reward and chooses Tamara, whom he has admired from afar. She's the object of his adoration, but to her he's potentially one more in a line of rapists since she'd been captured. As they endure the hardships of an army on the move and a series of desperate battles, he tries to win her with kindness and heal her trauma. She, in turn, plants seeds of doubt in his new faith. Bashour must confront his crisis of faith as the war climaxes with a prolonged siege of Damascus and the treacherous betrayal of a peace pact after the city surrenders. If he makes the wrong choice, it could mean death - or his immortal soul. This story takes the reader from the Byzantine Imperial court to the command tent of the invading Muslims, the army's training grounds to intense pitched battles across the Syrian countryside. It plunges the reader into the religious and political controversies of the period, and gives the modern reader a view into the foundations of the current conflict wracking Syria. Timely and relevant to today's headlines, it provides a window into to a little-known era and provides a springboard for the reader interested in examining the earliest days of Islam.