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The Tattooed Heart finds June Grey dreaming a summer alone with her grandmother in a large isolated house at Grey's Neck on the Long Island shore. Wooded hills surround the house and gives way to beach and sea. It is there she meets Ronny, a young man still firmly anchored in the fantasies of childhood. The young couple becomes cruelly caught in the complicated motives and desires of their elders as their erotic summer draws to a close. My Name Is Rose is an equal mix of journal entry and conventional narrative. Keogh's novel is an unwavering "examination of conscience" by a young wife whose marriage is breaking up after seven years. Original in perception, story, and a highly personal idiom, My Name is Rose is an enthralling work alive with the mystery and pulsating quality of life.
This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.
Originally published in 1989 by Ticknor & Fields, Brian Kiteley's Still Life with Insects is the intensely focused chronicle of Elwyn Farmer, an amateur entomologist, who uses the field notes of his insect sightings to examine and reweave the tattered fragments of his life. In a series of visually powerful and emotionally breathtaking vignettes Kiteley distills the transient beauty of the natural world and lays bare the suffering and joy of one man's life from his maturity in the post–war years to very old age in the 19809's. His striking narrative technique aptly captures the experience we all have as we struggle to make sense of what it means to be human in the face of the inevitable passage of time.
Populated by strangers, ghosts, and other shadowy figures, the thirteen stories in The Unsettling attend to those startling moments when what we have understood as familiar is suddenly revealed as mysterious and foreign. A lonely man saving library books from an outbreak of mold listens to a coworker's tale about a blind woman and imbues it with his own sense of romance; a woman drives a Gold Firebird through the desert with a television playing "Rockford Files" reruns on the passenger seat; and a girl returns to her childhood home to spy on its new inhabitants, not realizing they are aware of her surveillance; a Poe–obsessed medical examiner constructs ornate scenes in an attempt to provoke hope in the forgotten lives of a dark and desperate city. Told through Rock's imaginative and wholly original voice, these are haunted tales about fascination, transformation, and the relationship between the two.
In this funny and telling portrait of the artist as a young pornographer, Bernard Wolfe chronicles his own unlikely entrance into the world of letters. The year was 1936, and Depression laden America had no great need for a Yale Phi Bete whose primary talent was for words. After working variously as a secretary–bodyguard for Leon Trotsky in Mexico, a cataloger of the Irving Fisher papers, and a hopelessly inept drill–grinder, Wolfe landed his first professional writing job: turning out piecework porn at $2.00 a page for an Oklahoma millionaire. He credited his pornographic efforts with teaching him to write to specified lengths while facing deadlines: "I acquired the work discipline of a professional writer, capable of a solid daily output."
Based on the life of bronc rider Doughbelly Price, The Diamond Hitch tells the story of Dewey Jones, western cowman and rodeo hooligan, as he travels the circuit throughout the Southwest in search of that one big purse that will punch his ticket out of rodeo bumming and into a more normal life. O'Rourke effectively evokes the sights, sounds and smells of the cowboy way presenting an unvarnished glimpse into this vanished way of life.
In these tales, with one foot firmly planted in the present, Maxwell brings a certain sophisticated urbanity to the oral traditions of the fable and fairy tale. "The total effect is of something midway between the Brothers Grimm and Kafka, with perhaps a touch of Zen." (NYRB April 1966) While modern enough in locale and context, they are as old as humanity itself in what concerns them. And always that voice, the age old voice of the storyteller, the eternal magic of the speaking human voice. Such simplicity takes true artistry and Maxwell has that in spades.
Stark, brooding, and enormously controversial when first published in 1905, this astonishing novel juxtaposes impressions of fin–de–siècle Stockholm against the psychological landscape of a man besieged by obsession. Lonely and introspective, Doctor Glas has long felt an instinctive hostility toward the odious local minister. So when the minister's beautiful wife complains of her husband's oppressive sexual attentions, Doctor Glas finds himself contemplating murder. A masterpiece of enduring power, Doctor Glas confronts a chilling moral quandary with gripping intensity.
A collection of essays first published in 1986, Having Everything Right revolves around the history, folklore, and physical beauty of the Pacific Northwest. In terms of genre the book comes closest to books like Wallace Stegner's Wolf Willow or the essay collections of Edward Abbey and Wendell Berry, books that blend personal vision and regional evocation. Stafford's essays in this tradition range from the direct exploration of "A Walk in Early May" to the abstract meditation of "Out of This World with Chaucer and the Astronauts," to the familial and social reflections of "The Great Depression as Heroic Age." Animating them all is the sense that there is joy in knowing the world–and the belief that true knowing brings, as Stafford says, "a change of heart." Stafford writes poetic and evocative prose as he reflects on such subjects as Indian place names, bears, and local eccentrics.
In the Willapa Hills of southwest Washington, both the human community and the forest community are threatened with extinction. Virtually every acre of the hills has been logged, often repeatedly, in the past hundred years, endangering both the land and the people, leaving dying towns as well as a devastated ecosystem. Weaving vivid portraits of the place and its inhabitants—animal, plant, and human—with the story of his own love affair with the hills, Robert Michael Pyle has written a book so even–handed in its passion that it has been celebrated by those who make their living with a chain saw as well as by environmentalists. As he writes, 'My sympathies lie with the people and the woods, but not with the companies that have used them both with equal disregard. In his vivid portrayal of the land, plants, people and animals of the Willapa Hills of Washington State, Bob Pyle makes the modest patch of land he writes about a metaphor for the world.