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"The Countess Nattatorrini, nee Ella Poore, has returned home to Iowa after twenty tempestuous years on the Continent. Time has stood still in Maple Valley--a Cedar Rapids look-alike whose residents are seen as little more than animated rocking chairs who chew gum, gossip on their front porches, enjoy euchre parties and buckwheat griddle cakes, and brag endlessly of the new waterworks. Into this complacent town bursts the Countess, a full-blown, impulsive widow who dares to dye her hair, smokes cigarettes in public, wears her gowns cut low and her jewels in layers, and admits that after her lips are made up she can say things she could never have said before. Needless to say, the good folks of Maple Valley are awestruck--but not struck silent--by this exotic vision. Just as the Countess finds herself bored beyond endurance, she meets the one boy in Maple Valley who deserves a good education"--Back cover.
From his birth in rural Kentucky during the Great Depression to his suicide in Manhattan in 1985, Coleman Dowell played many roles. He was a songwriter and lyricist for television. He was a model. He was a Broadway playwright. He served in the U.S. Army, both abroad and at home. And most notably, he was the author of novels that Edmund White, among others, has called "masterpieces." But Dowell was deeply troubled by a depression that hung over him his entire life. Pegged as both a Southern writer and a gay writer, he loathed such categorization, preferring to be judged only by his work. Fever Vision describes one of the most tormented, talented, and inventive writers of recent American literature, and shows how his eventful life contributed to the making of his incredible art.
For a half-century - from Edward Eggleston's pioneering novel The Hoosier Schoolmaster in 1871 through the dazzling early work of Hart Crane, F. Scott Fitzgerald, and Ernest Hemingway in the 1920s - Midwestern literature was at the center of American writing. In The Midwestern Ascendancy in American Writing, Ronald Weber illuminates the sense of lost promise that gives rise to the elegiac note struck in many Midwestern works; he also addresses the deeply divided feelings about the region revealed in the contrary desires to abandon and to celebrate. The period of Midwestern cultural ascendancy was a time of tremendous social and technological change. Midwestern writing was a reflection of these societal changes; it was American literature.
"Anyone suffering Downton Abbey withdrawal symptoms (who isn't?) will find an instant tonic in Daisy Goodwin's The American Heiress. The story of Cora Cash, an American heiress in the 1890s who bags an English duke, this is a deliciously evocative first novel that lingers in the mind." --Allison Pearson, New York Times bestselling author of I Don't Know How She Does It and I Think I Love You "For daughters of the new American billionaires of the 19th century, it was the ultimate deal: marriage to a cash-strapped British Aristocrat in return for a title and social status. But money didn't always buy them happiness." —DAISY GOODWIN IN THE DAILY MAIL Traveling abroad with her mother at the turn of the twentieth century to seek a titled husband, beautiful, vivacious Cora Cash, whose family mansion in Newport dwarfs the Vanderbilts', suddenly finds herself Duchess of Wareham, married to Ivo, the most eligible bachelor in England. In "The Duchess's Tattoo", Cora Cash is desperate to be a fashionable lady of society. Despite her title and her wealth, she finds that English society is not that welcoming to "The American Duchess." When Cora spies a distinctive snake tattoo on her mother-in-law's wrist, she decides that she must have one as well. It is up to the talented tattoo artist to save "The American Duchess" from herself. In addition to the short story, "The Duchess Tattoo", this also contains a letter from the author, Daisy Goodwin, on writing THE AMERICAN HEIRESS, an excerpt from "Titled Americans", an authentic quarterly publication from 1890 which listed all of the eligible titled bachelors still on the market, and an excerpt from AN AMERICAN HEIRESS, a moving and brilliantly entertaining debut novel coming from St. Martin's Press in June.
Important American periodical dating back to 1850.
E=artnow presents to you the complete novels by one of the greatest novelists of all time, Sinclair Lewis: Babbitt Free Air Main Street The Trail of the Hawk The Innocents The Job Our Mr. Wrenn Arrowsmith Mantrap Elmer Gantry The Man Who Knew Coolidge Dodsworth Ann Vickers Work of Art It Can't Happen Here The Prodigal Parents Bethel Merriday Gideon Planish Cass Timberlane Kingsblood Royal World So Wide Sinclair Lewis (1885-1951) was an American writer and playwright. In 1930, he became the first writer from the United States to receive the Nobel Prize in Literature. He is best known for his novels Main Street, Babbitt, Arrowsmith, and It Can't Happen Here. His works are known for their critical views of American capitalism and materialism in the interwar period. He is also respected for his strong characterizations of modern working women.