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The diaries of the author's years as editor-in-chief of Vanity Fair also serves as a portrait of the 1980s in New York and Hollywood, describing her summons from London in the hopes of saving Condé Nast's periodical and her experiences within the world of glamour magazines
In 1713, soon after publication of the Spectator had come to an end, its place on breakfast tables of Queen Anne's London was taken by the Guardian. Richard Steele, continuing in the new paper the blend of learning, wit, and moral instruction that had proved so attractive in the Tatler and Spectator, was the editor and principal writer; in the 175 numbers of the Guardian he included 53 essays by Joseph Addison, as well as contributions by Alexander Pope, George Berkeley, and several others, some of whom doubtless transmitted their papers through the famous lion's head letterbox that Addison had erected in Button's coffeehouse. "These papers," as John C. Stephens writes in the introduction to his edition of the Guardian, "helped to form and to shape the morals and manners of countless generations in Britain and abroad." This first modern edition of the Guardian was prepared from the original printing of the papers, is fully annotated and indexed, and includes a comprehensive introduction discussing especially the authorship of the individual essays.
Collection of essays includes selected complete numbers of the Tatler and the Spectator, along with single essays from later publications. Known or "reasonably conjectured" authorship indicated. Several of the selected works are by Addison or Steele.
The must-read memoir about the dazzling days and dark nights of a Chelsea childhood . . . 'Brilliant and moving' The Times 'Dazzling' Evening Standard 'Beautifully written' Marian Keyes 'Unflinchingly honest Sunday Times 'Superbly written' Guardian 'A triumph' i _______ Her father was a hairdresser to the rich and famous - he was also their drug dealer. Her mother was an alcoholic fashion model. Her days and nights were non-stop parties - she spent them taking care of her little sister and putting out naked flames. And when her sister dies aged nine, Gavanndra is left alone with her grief. Growing up in the dazzling days and dark nights of her parents' social lives, surviving means fitting into their dysfunctional world, while stopping the family from falling apart . . . _________ 'A redemptive tale of an emotional reckoning' i 'This story will stay with you long after you put the book down' Emma Gannon 'There are scenes that will reduce you to tears, but there's also humour, forgiveness and uplifting optimism. By the end of this dazzling debut you just want to give her a huge cheer for coming through' Evening Standard 'A masterful writer with a gift for storytelling' i