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In this deck of intense grace and powerful beauty, Gaudenzi pays tribute to the amazing style and skill of 16th century painter Albrecht Durer. By combining the symbolism of the Tarot with style of the Northern Renaissance, we get a refreshing representation of the Tarot archetypes. Gaudenzi does not slavishly copy Durer's style; his use of bright yet delicate colors ensures that the finished product will be pleasing to contemporary eyes. In addition to being faithful to traditional Tarot meanings, Gaudenzi incorporates an animal in each card, each one providing a symbolic message.
The 'Tarot of the Most High' is a tarot card deck inspired by the Bible. WARNING: THIS IS ONLY A GUIDEBOOK AND DOES NOT INCLUDE A DECK OF TAROT CARDS. It includes depictions of events from the Old Testament, New Testament, and the Apocrypha. Each card includes an image, a key word (describing the overall theme of the card), and a section containing relevant Bible verses - providing ample symbolism/themes for enhanced tarot readings. These are not cards with fluffy inspirational Bible verses on them, but like the Bible, contain mature content documenting the interaction between God and human-beings, and human's struggles with evil throughout history. You can learn from the sins, temptations, adversity, and struggles of Biblical characters, for your personal growth, and/or reflect on God's interaction with mankind in the past, present, and future.
This is one of the best resources for understanding the Tarot's mystical symbolism. It includes an updated history based on Place's The Tarot: History Symbolism and Divination, which "Booklist" said " may be the best book ever written on ...the tarot." This edition adds color illustrations of key works and comparative illustrations from the Renaissance, from alchemical texts, from ancient Egypt, and from occult sources. It views the Tarot as a 500-year visual conversation between artists, mystics, and occultists. The work is based on the 2010 Tarot exhibition at the LA Craft and Folk Art Museum, curated by Place, and includes the Visconti-Sforza Tarot, the 1st Italian printed deck, the oldest Tarot of Marseille, The 1st occult reference, the 1st occult Tarot, the 1st modern Tarot, the 1st New Age Tarot, and examples from popular modern decks including the Twilight Tarot, the Legacy Tarot, the Deviant Moon Tarot, the Annotated Tarot of the Sevenfold Mystery, and Place's Alchemical Tarot.
The Tarot is one of the few books that cuts through conventional misperceptions to explore the Tarot deck as it really developed in the Middle Ages and Renaissance Europe-not, as some would suggest, in the far reaches of Egyp-tian antiquity. Mining the Hermetic, alchemical, and Neoplatonic influences behind the evolution of the deck, author Robert M. Place provides a historically grounded and compelling portrait of the Tarot's true origins, without overlooking the deck's mystical dimensions. Indeed, Place uncommonly weds reliable historiography with a practical understanding of the intuitive help and divinatory guidance that the cards can bring. He presents techniques that offer new and valuable ways to read and interpret the cards. Based on a simple three-card spread, Place's approach can be used by either the seasoned practitioner or the new inquirer.
This handsome hardcover book offers a gorgeous full-color gallery of nearly one hundred decks. Organized by family--historical, esoteric, artistic, cultural, and metaphysical--each deck is represented by eleven cards (in their actual size) from major and minor arcana. Artwork from the front and back of the cards showcases the stunning imagery and characteristics of each unique tarot. For decks with gold/silver foil features, an actual card is adhered to the page.
Albrecht Durer's (1471-1528) travels across Europe in the early Renaissance led to a fascinating interchange of ideas with his fellow artists, both northern and southern. This book explores Durer's extensive influence on his contemporaries and his sources of inspiration, bringing together paintings, drawings, sculptures, glass, and prints by artists he may have encountered along the way. It also examines the complex development of Durer's own status as an artist entrepreneur and innovator in artistic theory.0 Durer's journal records his pursuit of commissions and details his visits to Italy, Antwerp, Cologne, Brussels, Ghent, and Bruges. During this time he produced a trove of landscapes, portraits, and animal drawings, and studies for larger projects, such as the painting of Saint Jerome that would become his most copied work. Durer's travels informed some of his most exciting and engaging works, and their visual legacy extended far beyond his lifetime and throughout the continent.00Exhibition: The National Gallery, London, UK(06.03.?13.06.2021) / Suermondt-Ludwig Museum, Aachen, Germany (18.07.-24.10.2021).
A stunning visual history of tarot Used for self-exploration or divination, tarot has, for more than 500 years, been the most popular and accessible of all esoteric tools, looming large in today’s mainstream culture. Why? Because the cards are inexpensive and easy to carry—a perfect traveling companion and, therefore, an invitation to a journey inward and out. Humans are drawn to playing games and feel driven to find meaning in the chaos of paradoxical signs. The vivid iconography of the “Arcanas” speak to us like no other language, moving us to the core, weaving through each card a universal story, a metaphorical pathway of transformation. This 400-page book presents—for the first time—a close look at 500 years of figurative card decks created or used for fortune telling, divinations, and oracle purposes, and explores, one card at the time, their iconographic roots at the crossroads of the medieval imaginarium, Western esoteric wisdom, folklore, and also contemporary art and pop culture. With hundreds of images drawn from more than 100 decks, rarely published and often forgotten in library archives, this book offers the first visual history of tarot.
Bianco Nero (Black & White) Tarot blends the classic iconography of Visconti Tarot with modern, hand-drawn ink illustrations inspired by antique engravings and woodcuts for a truly timeless look. Includes 64-page booklet with a custom Goals Spread.
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Upon its introduction in 1839, the daguerreotype was hailed as a magical reflection of reality. Today, these early examples of the first practical photographic process offer fascinating windows into the past. The daguerreotypes collected here not only document the birth of photography and its aesthetic and historical legacy but also provide insight into French art and culture. Lavishly illustrated, this volume is the first complete catalog of the French daguerreotype collection of the International Museum of Photography at George Eastman House. Janet E. Buerger uses this remarkable collection of images to produce a cultural history of the daguerreotype's most learned following—an elite group of mid-nineteenth-century intellectuals who sought to understand and develop the usefulness, potential, and beauty of this camera image. This varied group, including entrepreneurs, painters, scientists, and historians, enables Buerger to trace the influence of photography into virtually every area of nineteenth-century European intellectual life.