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Before her wedding to Nadir the sheikh, Zoe was frightened of the man called “The Beast.” They say if he doesn’t take a liking to you in bed, he’ll call off the marriage. If that happens, Zoe’s future and her life are over! Zoe has long been looking for a way to escape to another country, and this marriage would give her that chance. But only if she can win over “The Beast”!
Before her wedding to Nadir the sheikh, Zoe was frightened of the man called “The Beast.” They say if he doesn’t take a liking to you in bed, he’ll call off the marriage. If that happens, Zoe’s future and her life are over! Zoe has long been looking for a way to escape to another country, and this marriage would give her that chance. But only if she can win over “The Beast”! ※This work is originally colored.
The plot revolves around three beautiful women, Mary Jean, Emily, and Galatea—perhaps the three most beautiful women in the world—who were unfortunate to be born in the slums of Detroit. This is their story. It is one of hopelessness and loss, wishes, love and romance, mystery, and a gift that keeps on giving. Enjoy it as it twists and turns.
Passion ignites between an intense warrior and a disgraced beauty in USA Today bestselling author Sandra Hill’s The Tarnished Lady. Banished from polite society for bearing a child out of wedlock, Lady Eadyth of Hawks’ Lair spends her days hidden under a voluminous veil, tending her bees. But when her son’s detested father threatens to reveal the boy’s true paternity and seize her beloved lands, Lady Eadyth seeks a husband willing to claim the child as his own. Eirik of Ravenshire is England’s most virile bachelor, notorious for loving—and leaving—the most beautiful damsels in the land. Now a mysterious lady is offering him a vow of chaste matrimony in exchange for revenge against his most hated enemy, and Eirik simply cannot refuse. But the lusty knight’s plans go awry when he finds himself unable to resist Eadyth’s myriad charms . . . and he succumbs to the sweet sting of the tarnished lady’s love. “Sandra Hill writes stories that tickle the funnybone and touch the heart. Her books are always fresh, romantic, inventive, and hilarious.” —New York Times bestselling author Susan Wiggs “Sandra Hill always delivers smart, sexy, laugh-out-loud action.” —New York Times bestselling author Christine Feehan Viking I The Relucatant Viking The Outlaw Viking The Tarnished Lady The Bewitched Viking The Blue Viking The Viking’s Captive A Tale of Two Vikings Viking in Love The Viking Takes a Knight The Norse King’s Daughter The Pirate Bride
For a long time, African Studies as a discipline has been spearheaded by academics and institutions in the Global North. This puts African Studies on the continent at a crossroads of making choices on whether such a discipline can be legitimately accepted as an epistemological discipline seeking objectivity and truth about Africa and the African peoples or a discipline meant to perpetuate the Norths hegemonic socio-economic, political and epistemic control over Africa. The compound question that immediately arises is: Who should produce what and which space should African Studies occupy in the academy both of the North and of the South? Confronted by such a question, one wonders whether the existence of African Studies Centres in the Global North academies open opportunities for critical thinking on Africa or it opens possibilities for the emergence of the same discipline in Africa as a fertile space for trans-disciplinary debate. While approaches critical for the development of African Studies are pervasive in African universities through fields such as cultural studies, social anthropology, history, sociology, indigenous knowledge studies and African philosophy, the discipline of African Studies though critical to Africa is rarely practised as such in the African academy and its future on the continent remains bleak. African Studies in the Academy.is a testimony that if honestly and objectively practised, the crossroads position of African Studies as a discipline makes it a fertile ground for generating and testing new approaches critical for researching and understanding Africa. It also challenges Africa to seriously consider assuming its legitimate position to champion African Studies from within. These issues are at the heart of the present volume.
Her high school graduation just days away, Gabriel Landry is blissfully happy - until rich cannery owner Octavious Tate waylays her near a secluded pond and shatters her innocence, forever. Pregnant and desolate, Gabriel agrees to a shocking plan that will allow Octavious' frigid wife, Gladys, to claim the baby as her own. But nothing can prepare Gabriel for the terrible moment when Gladys takes her baby away. Drifting in a world of gloom, Gabriel is only comforted by chance glimpses of her son, until a hunting party brings handsome Creole millionaire Pierre Dumas to the bayou. Falling desperately in love, Gabriel will not heed the voice warning her that their joy may bring her more grief than she can bear.
Now more than ever, we need to understand the social, political, and economic shifts that have driven the United States to triple its prison construction in just over three decades. John Eason goes a very considerable distance here in fulfilling this need, not by detailing the aftereffects of building huge numbers of prisons, but by vividly showing the process by which a community seeks to get a prison built in their area. What prompted him to embark on this inquiry was the insistent question of why the rapid expansion of prisons in America, why now, and why so many. He quickly learned that the prison boom is best understood from the perspective of the rural, southern towns where they tend to be placed (North Carolina has twice as many prisons as New Jersey, though both states have the same number of prisoners). And so he sets up shop, as it were, in Forrest City, Arkansas, where he moved with his family to begin the splendid fieldwork that led to this book. A major part of his story deals with the emergence of the rural ghetto, abetted by white flight, de-industrialization, the emergence of public housing, and higher proportions of blacks and Latinos. How did Forrest City become a site for its prison? Eason takes us behind the decision-making scenes, tracking the impact of stigma (a prison in my backyard-not a likely desideratum), economic development, poverty, and race, while showing power-sharing among opposed groups of elite whites vs. black race leaders. Eason situates the prison within the dynamic shifts rural economies are undergoing, and shows how racially diverse communities can achieve the siting and building of prisons in their rural ghetto. The result is a full understanding of the ways in which a prison economy takes shape and operates."
Roy Blatchford is one of the UK's most respected educationists. 'Success is a Journey' is a beautifully written collection of his recent essays about the education landscape, reflecting Roy's very high regard for teaching and schools. Over the past thirty years, Roy has written widely on school and college inspection, curriculum innovation, global education, policy and politics. His love of classrooms and enjoyment in watching children succeed are always present. His conversations with students, teachers and leaders have informed the content of many of the essays in this collection. Roy Blatchford's influence in establishing national standards in England's schools is evident in the contents of Part Two of the book. He was lead author of the the DfE Teachers' Standards, Master Teacher Standard and National Standards of Excellence for Headteachers. Part Three explains and exemplifies the practice of Blinks, a distinctive approach to reviewing and reporting on education settings which he has, with colleagues, established over the past fifteen years in the UK and internationally.