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Human suffering and illness as well as health and healing are topics of ongoing actuality. In a world of growing complexity and interrelatedness a broader perspective on these topics is needed. The global conference project on “Making Sense of: Health, Illness and Disease” is a forum for scholars from various countries who are interested in deepening the interdisciplinary discourse on the subject. This book is the outcome of the 5th conference held at Mansfield College, Oxford, in July 2006. It combines essays that transgress traditional disciplinary boundaries in the field of health care delivery and medicine. It thus will be of interest to students in the medical humanities, researchers as well as health care providers who wish to gain insight into the various perspectives through which health, illness and disease can be understood.
The study of health care brings one into contact with many disciplines and perspectives, including those of the provider and the patient. There are also multiple academic lenses through which one can view health, illness and disease. This book brings together scholars from around the world who are interested in developing new conversations intended to situate health in broader social and cultural contexts. This book is the outcome of the second global conference on “Making Sense of: Health, Illness and Disease,” held at St Hilda's College, Oxford, in July 2003. The selected papers pursue a range of topics and incorporate perspectives from the humanities, social sciences and clinical sciences. This volume will be of interest to researchers and health care practitioners who wish to gain insight into other ways of understanding health, illness and disease.
Numerous important issues arise in relation to the health of, and healthcare for (and by), migrants. Much commentary on the migrant crisis and healthcare has focused on the allocation of resources, with less discussion of the needs of, and provision for, migrants. Presenting a comparative perspective on the UK and Germany, this volume increases knowledge of a broad spectrum of challenges in healthcare provision for migrants. ‘Migration’ is deliberately understood in its broadest sense and includes not only migrant patients but also migrant healthcare professionals. The book’s content is diverse, with insights from healthcare ethics, healthcare law, along with clinical perspectives as well as perspectives from the social sciences. The collection provides normative reflections on current issues, and presents data from empirical studies. By informing researchers, politicians and healthcare practitioners about approaches to challenges arising in healthcare provision for migrants, the collection seeks to inform the development of adequate and ethically appropriate strategies.
The Sociology of Medical Screening: Critical Perspectives, New Directions presents a series of readings that provide an up-to-date overview of the diverse sociological issues relating to population-based medical screening. Features new research data in most of the contributions Includes contributions from eminent sociologists such as David Armstrong, Stefan Timmermans, and Alison Pilnick Represents one of the only collections to specifically address the sociology of medical screening
Kept from All Contagion explores the surprising social effects of germ theory in the late nineteenth century. Connecting groups of authors rarely studied in tandem by highlighting their shared interest in changing interpersonal relationships in the wake of germ theory, this book takes a surprising and refreshing stance on studies in medicine and literature. Each chapter focuses on a different disease, discussing the different social policies or dilemmas that arose from new understandings in the 1860s–1890s that these diseases were contagious. The chapters pair these sociohistorical considerations with robust literary analyses that assess the ways authors as diverse as Thomas Hardy, Henrik Ibsen, and Mary Elizabeth Braddon, among others, grappled with these ideas and their various impacts upon different human relationships—marital, filial, and social. Through the trifocal structure of each chapter (microbial, relational, and sociopolitical), the book excavates previously overlooked connections between literary texts that insist upon the life-giving importance of community engagement—the very thing that seemed threatening in the wake of germ theory's revelations. Germ theory seemed to promote self-protection via isolation; the authors covered in Kept from All Contagion resist such tacit biopolitical implications. Instead, as Kari Nixon shows, they repeatedly demonstrate vitalizing interpersonal interactions in spite of—and often because of—their contamination with disease, thus completely upending both the ways Victorians and present-day literary scholars have tended to portray and interpret purity.
"Throughout history, there have been numerous epidemics that have threatened mankind with destruction. Diseases have the ability to highlight our shared concerns across the ages, affecting every social divide from national boundaries, economic categories, racial divisions, and beyond. Whether looking at smallpox, HIV, Ebola, or COVID-19 outbreaks, we see the same conversations arising as society struggles with the all-encompassing question: What do we do now? Quarantine Life from Cholera to COVID-19 demonstrates that these conversations have always involved the same questions of individual liberties versus the common good, debates about rushing new and untested treatments, considerations of whether quarantines are effective to begin with, what to do about healthy carriers, and how to keep trade circulating when society shuts down. This immensely readable social and medical history tracks different diseases and outlines their trajectory, what they meant for society, and societal questions each disease brought up, along with practical takeaways we can apply to current and future pandemics--so we can all be better prepared for whatever life throws our way."--Amazon.com.
Terrorism is a cancer, an infection, an epidemic, a plague. For more than a century, this metaphor has figured insurgent violence as contagion in order to contain its political energies. In Epidemic Empire, Anjuli Fatima Raza Kolb shows that this trope began in responses to the Indian Mutiny of 1857 and tracks its tenacious hold through 9/11 and beyond. The result is the first book-length study to approach the global War on Terror from a postcolonial literary perspective. Raza Kolb assembles a diverse archive from colonial India, imperial Britain, French and independent Algeria, the postcolonial Islamic diaspora, and the neoimperial United States. Anchoring her book are studies of four major writers in the colonial-postcolonial canon: Rudyard Kipling, Bram Stoker, Albert Camus, and Salman Rushdie. Across these sources, she reveals the tendency to imagine anticolonial rebellion, and Muslim insurgency specifically, as a virulent form of social contagion. Exposing the long history of this broken but persistent narrative, Epidemic Empire is a major contribution to the rhetorical history of our present moment.
When we think about society and culture, often we think of our own culture – the culture in which we were raised or currently live – as the default. The eleventh edition of The Tapestry of Culture uses anthropological tools to translate the concepts, ideas, and behaviors of other cultures into language recognizable by today’s students. The book’s comparative approach balances the history of ethnography, fieldwork, and anthropological with today’s globalized world, including the impact of climate change, social movements, social media and technology, global health issues, and shifting political landscapes. New to the Eleventh Edition New Chapter 12, “Global Health and Wellness,” examines the historical, political, and cultural issues that shape disease and health including inequalities in access to physical and mental health services, the delivery of health care services, and health intervention strategies New Chapter 11, “Spaces and Places of Creative Expression,” explores how social media and internet technologies play a major role in how contemporary audiences view and understand creativity including music, dance, theater, film, painting and other performance styles Expanded discussion of the cultural construction of gender and sexuality, as well as LGBTQ issues in activism explores gender and sexuality through queer studies and in postcolonial settings (Chapter 7) New discussion of critical race theory highlights its contributions to analyzing multiple forms of racism and discrimination while providing an exploration of the challenges of multiculturalism in contexts of nationality, ethnicity, and political representation (Chapter 14) New discussions of environmental anthropology, political ecology, climate change inequality, social movements, globalization, and transnationalism highlight these contemporary issues as subjects of anthropological inquiry (Chapter 1)
Capital Letters sheds new light on how literature has dealt with society’s most violent legal institution, the death penalty. It investigates this question through the works of three major French authors with markedly distinct political convictions and literary styles: Victor Hugo, Charles Baudelaire, and Albert Camus. Working at the intersection of poetics, ethics, and law, Ève Morisi uncovers an unexpected transhistorical dialogue on both the modern death penalty and the ends and means of literature after the French Revolution. Through close textual analysis, careful contextualization, and the critique of violence forged by Giorgio Agamben, Michel Foucault, and René Girard, Morisi reveals that, despite their differences, Hugo, Baudelaire, and Camus converged in questioning France’s humanitarian redefinition of capital punishment dating from the late eighteenth century. Conversely, capital justice led all three writers to interrogate the functions, tools, and limits of their art. Capital Letters shows that the key modern debate on the political and moral responsibility, or autonomy, of literature crystallizes around the death penalty in works whose form disturbs the commonly accepted divide between aestheticism and engagement.