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The beautiful world of women's basketball is the stage of THE TALL WOMEN'S DANCE. Inside its pages you will meet such gifted athletes as Elena Delle Donne, Brittney Griner, Becky Hammon, Jude Schimmel, Cappie Pondexter, Candice Wiggins and many more. And what better way to describe poetry in motion than by poetry? The women's game is fire and ice!
A working knowledge of the science of movement can help any dancer achieve the goals of excellent performance and avoidance of injury. For students and others in pursuit of that knowledge, Dance Kinesiology is a comprehensive introduction to the ways muscles and bones work in all types of dance.
Holly and Heather share their story and help to walk the reader through the painful yet necessary healing process for when life deals us its harshest blows. Dancing on my ashes soothes and empathizes with the broken heart, while sharing the truth of scripture, and the hope that comes from the heart of God.
ALL THAT'S BEST OF TRUE AND LIGHT Nick Johnson is in a familiar situation. He's been asked to be the temporary coach of a University of Monroe Metrics team. Only this time, it is the Golden Metrics, one of the school's Division III teams. Nick must adjust to life in the minor leagues of collegiate WBB, but he finds an extraordinary spirit and cast of characters in these unforgettable Golden Metrics. In addition to the new team there are appearances by other characters from the earlier novels, most notably Julia, Lady Dagger, now nearing the end of her storied WNBA career. Add in the Statue of Liberty, the Hall of the Amendments, a haunted old hotel, the gym they call the Bill, and the familiar patter of sneakered feet on hardwood floors and you will be back in the funny, bittersweet world of the All That's Best series of March Madness novels.
Imagine yourself in Weimar Germany: you are visually inundated with depictions of dance. Perusing a women’s magazine, you find photograph after photograph of leggy revue starlets, clad in sequins and feathers, coquettishly smiling at you. When you attend an art exhibition, you encounter Otto Dix’s six-foot-tall triptych Metropolis, featuring Charleston dancers in the latest luxurious fashions, or Emil Nolde’s watercolors of Mary Wigman, with their luminous blues and purples evoking her choreographies’ mystery and expressivity. Invited to the Bauhaus, you participate in the Metallic Festival, and witness the school’s transformation into a humorous, shiny, technological total work of art; you costume yourself by strapping a metal plate to your head, admire your reflection in the tin balls hanging from the ceiling, and dance the Bauhaus’ signature step in which you vigorously hop and stomp late into the night. Yet behind the razzle dazzle of these depictions and experiences was one far more complex involving issues of gender and the body during a tumultuous period in history, Germany’s first democracy (1918-1933). Rather than mere titillation, the images copiously illustrated and analyzed in Marking Modern Movement illuminate how visual artists and dancers befriended one another and collaborated together. In many ways because of these bonds, artists and dancers forged a new path in which images revealed artists’ deep understanding of dance, their dynamic engagement with popular culture, and out of that, a possibility of representing women dancers as cultural authorities to be respected. Through six case studies, Marking Modern Movement explores how and why these complex dynamics occurred in ways specific to their historical moment. Extensively illustrated and with color plates, Marking Modern Movement is a clearly written book accessible to general readers and undergraduates. Coming at a time of a growing number of major art museums showcasing large-scale exhibitions on images of dance, the audience exists for a substantial general-public interest in this topic. Conversing across German studies, art history, dance studies, gender studies, and popular culture studies, Marking Modern Movement is intended to engage readers coming from a wide range of perspectives and interests.
The fifth book in the series that began with the Newbery Medal–winning Sarah, Plain and Tall by Patricia MacLachlan. Jack leans back on Grandfather's shoulder. Aunt Mattie's knitting needles click in the dark. The moon rises. The candle flickers in the gentle prairie wind. I close my eyes to keep everything there. Could anything be more perfect than a prairie wedding? Cassie Witting doesn't think so, for her sister Anna's wedding brings two lovebirds together, aunts from faraway Maine, a long white dress with a wedding veil, dancing under a clear blue sky, and a world that smells of roses. As the Witting family comes together for this most special day, Cassie sees that life brings the change of seasons, brother Jack on Grandfather's lap, joy, sorrow, and a special dance only Grandfather does.
“A glimpse into the fragile psyche of a dancer.” —The Washington Post Jenifer Ringer, a principal dancer with the New York City Ballet, was thrust into the headlines after her weight was commented on by a New York Times critic, and her response ignited a public dialogue about dance and weight. Ballet aficionados and aspiring performers of all ages will want to join Ringer behind the scenes as she shares her journey from student to star and candidly discusses both her struggle with an eating disorder and the media storm that erupted after the Times review. An unusually upbeat account of life on the stage, Dancing Through It is also a coming-of-age story and an inspiring memoir of faith and of triumph over the body issues that torment all too many women and men.
In this challenging and lively book, Burt examines the representation of masculinity in twentieth century dance. The Male Dancer has proven to be essential reading for anyone interested in dance and the cultural construction of gender.
When you're alone in a big city, how far would you go to make a new friend? Two men live in the same apartment block. One likes long walks, Greek myths and foreign langauages. The other likes making lists, fixing bikes and blackmail. One day they bump into each other in alocal café. Only this is no coincidence: one of them has been planning this moment for a very, very, very long time. A brilliant new satire about obsession, insomnia and ships that pass in the night, this new translation of Nocturnal premiered at Gate Theatre in April 2009.