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The Rough Guide First-Time Asia tells you everything you need to know before you go to Asia, from visas and vaccinations to budgets and packing. It will help you plan the best possible trip, with advice on when to go and what not to miss, and how to avoid trouble on the road. You'll find insightful information on what tickets to buy, where to stay, what to eat, how to stay healthy and save money in Asia. The Rough Guide First-Time Asia includes insightful overviews of 21 Asian countries from Bhutan to Vietnam, Bangladesh to Thailand, highlighting the best places to visit with websites, clear maps, suggested reading and budget information. Be inspired by the 'things not to miss' section whilst useful contact details will help you plan your route. All kinds of advice and anecdotes from travellers who've been there and done it will make travelling stress-free. The Rough Guide First-Time Asia has everything you need to get your journey underway.
Complexion based discrimination is a harsh prejudice against dark-skinned people by fair-skinned people that has been prevalent in all countries and continents of the world. This book states the unbearable traumas faced by dark-skinned people such as Nelson Mandela, Martin Luther, Jimmy Carter, Barack Obama, Mahatma Gandhi, Bhimrao Ambedkar, and the Dalai Lama. The book is a harsh whip against the orthodox dogmas that make the lives of dark or black skinned people hell and is a healing balm to restore their stamina in the fight against people who deprive them of their rights. It is an effort to strike at the root of superstitions and prejudice. Worth is to be based on one’s quality, talent, and hard work, not on skin colour.
Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories. Like its sister volume, Storytelling in World Cinemas, Vol. 1: Forms, this book is an innovative addition to the academic study of world cinemas.
This international Anthology entitled SUNUP unites the poets of the East and the West together. In an age of natural degradation the book tries to promote the idea---“Save nature to save Human Civilization”. Nature, the source of all knowledge, complete peace, love, solitude and purity, is now in danger and the poets, writers and thinkers have a crucial role to play upon it. The main objective of this book is to inform to the readers that poetry can be a convenient medium in expressing the essence of nature for the survival of human civilization and in doing so it is essential to join the continents to serve the globe. The editor conveys his sincere gratitude to the co-authors who have shared their valuable thoughts about nature and human civilization through their poems and without their cooperation this great work might not have been possible. Thanks to the members and the Organisers of South East Asian Literary Circle© whose constant support and encouragement helped me a lot to bring into limelight such a beautiful book.
This extensive work dedicated to the unique textile art of Bhutan is an impressive illustration of how closely art, spirituality, and life are interwoven in the last of the Buddhist kingdoms in the Himalayas. It gives new insight into Bhutanese cosmology, worldview, culture, and society, which is associated with a variety of historical, philosophical, religious, social, and artistic perspectives. The remote mountain location, low-key foreign policy, and basic principles of Buddhism has made it possible for Bhutan, the last of the Buddhist kingdoms in the Himalayas, to preserve a remarkable form of textile art that is interwoven with all aspects of life. Karin Altmann shows us Bhutan textiles in their diversity: they are clothes and everyday objects, currency and commodity, mark important events as gifts during life, and are testament to the social status of a person. But they are also an integral aspect of religious festivals, dances, and rituals that provide insight into the mystical and religious beliefs of the Bhutanese people, and reflect the concept of gender in Bhutanese society. The book also tells the story of a country that is searching for a sensitive balance between tradition and progress in a globalized world.
From the author of Bhutanese Tales of the Yeti another dip into the library of the storytellers from the Himalayan Kingdom of Bhutan.Folktales of Bhutan is a collection of thirty-eight folktales and legends and is a first attempt by a Bhutanese to record in English the oral tradition of this kingdom in the eastern Himalayas. All of the stories recounted here were heard by the author when she was a child living in Bumthang in the central part of Bhutan and are the ones that she passes on to her children today, in the spirit of the oral tradition.In Bhutan's centuries of self-imposed isolation brought about by both its geographically remote position and political considerations, the Bhutanese oral tradition evolved and thrived. The rugged and awesome terrain and the people's closeness to nature, together with their philosophy of karmic life cycles, an unquestioning belief in unseen co-inhabitants of the earth like spirits, ghosts and demons and the creative genius of the storytellers culminated in a remarkable repository of tales and legends which were passed on from one generation to the next.Each story has been aptly illustrated by a Bhutanese artist who combines the traditional Bhutanese/Buddhist iconographic stylized forms together with his own artistic perceptions.