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This selection of short stories offers a return journey through the future as it used to be. Time speeds backwards to the 1870s—to the alpha point of modern futuristic fiction—the opening years of that enchanted period before the First World War when Jules Verne, H. G. Wells and many able writers delighted readers from Sydney to Seattle with their most original revelations of things-to-come. In all their anticipations, the dominant factor was the recognition that the new industrial societies would continue to evolve in obedience to the rate of change. One major event that caused all to think furiously about the future was the Franco-German War of 1870. The new weapons and the new methods of army organization had shown that the conduct of warfare was changing; and, in response to that perception of change, a new form of fiction took on the task of describing the conduct of the war-to-come.
This book provides a detailed account of French history from the oripins of the Thrid Republic, born out of the collapse of Napoleon III's Second Empire, to the coming of the Great WAr in 1914. Part 1 begins with the fall of the "notables" and the victory of the republicans. Then follows a picture of the economy and society of late nineteenth-century France, and an examination of spiritual and cultural development under the increasing threat from nationalist and socialist forces. The moderates' brief ascendancy at the end of the century followed by the extreme sentiments unleashed at the time of the Dreyfus affair, brings the story in Part 2 to a more passionately political period, when the republic finallynbecame established as a bulwark of bourgeois prosperity, witnessing the rise of the banks and big business, and the dangerous revival of colonial expansion.
The existence of the Schlieffen plan has been one of the basic assumptions of twentieth-century military history. It was the perfect example of the evils of German militarism: aggressive, mechanical, disdainful of politics and of public morality. The Great War began in August 1914 allegedly because the Schlieffen plan forced the German government to transform a Balkan quarrel into a World War by attacking France. And, in the end, the Schlieffen plan failed at the battle of the Marne. Yet it has always been recognized that the Schlieffen plan included inconsistencies which have never been satisfactorily explained. On the basis of newly discovered documents from German archives, Terence Zuber presents a radically different picture of German war planning between 1871 and 1914, and concludes that, in fact, there never really was a `Schlieffen plan'.
The Battle of Dorking: Reminiscences of a Volunteer is an 1871 novella by George Tomkyns Chesney, starting the genre of invasion literature and an important precursor of science fiction. Written just after the Prussian victory in the Franco-Prussian War, it describes an invasion of Britain by a German-speaking country referred to in oblique terms as The Other Power or The Enemy. Excerpt: "You ask me to tell you, my grandchildren, something about my share in the great events that happened fifty years ago. 'Tis sad work turning back to that bitter page in our history, but you may perhaps take profit in your new homes from the lesson it teaches. For us, in England, it came too late. And yet we had plenty of warnings if we had only made use of them."
In the first book-length treatment of Elizabeth von Arnim's fiction, Isobel Maddison examines her work in its historical and intellectual contexts, demonstrating that von Arnim's fine comic writing and complex and compelling narrative style reward close analysis. Organised chronologically and thematically, Maddison's book is informed by unpublished material from the British and Huntington Libraries, including correspondence between von Arnim, her publishers and prominent contemporaries such as H.G. Wells, Bertrand Russell and her cousin Katherine Mansfield -- whose early modernist prose is seen as indebted to von Arnim's earlier literary influence. Maddison's exploration of the novelist's critical reception is situated within recent discussions of the ’middlebrow’ and establishes von Arnim as a serious author among her intellectual milieu, countering the misinformed belief that the author of such novels as Elizabeth and Her German Garden, The Caravaners, The Pastor's Wife and Vera wrote light-hearted fiction removed from gritty reality. On the contrary, various strands of socialist thought and von Arnim's wider political beliefs establish her as a significant author of British anti-invasion literature while weighty social issues underpin much of her later writing.
Although Churchill is a 1953 Nobel laureate in literature, his famous speeches have overshadowed his other writing. Winston Churchill's Imagination concentrates on key works in modes other than political rhetoric to show how Churchill engages readers with those words and ideas that are hallmarks of his imagination. Chapters take up his literary relationship with Lawrence of Arabia; Churchill's intense but little-known involvement with cinema in an essay on Charlie Chaplin and as a script writer and consultant in the 1930s for Alexander Korda's film studio; Churchill's evocation of paintings as templates for narrative in his first history and in his only novel; his imaginative engagement with science and science fiction; the depiction of time, duration, and alternative history in his biography of Marlborough; and Churchill's last testament in the realm of imagination, The Dream.
John Stuart Mill (1806–73) is widely regarded as the pre-eminent thinker of the liberal tradition; and yet because his views on international relations cannot be traced in any particular book or essay, his political thought remains largely misunderstood. Liberty Abroad is the first comprehensive, critical study which brings together all of John Stuart Mill's extensive contributions with particular attention to the historical contexts in which they were produced, as well as the political and philosophical preoccupations that prompted them, and how they were received among his contemporaries. A leading Mill scholar, Dr Georgios Varouxakis combines an extraordinary command of Mill's varied and extensive writings with a meticulous mastery of a range of Victorian controversies and thinkers to give a full, subtle evaluation of a major aspect of Mill's thought. This definitive study offers a major contribution to an area of increasing scholarly interest: the history of international political thought.
Over the past fifty years, many thousands of conflict simulations have been published that bring the dynamics of past and possible future wars to life. In this book, Philip Sabin explores the theory and practice of conflict simulation as a topic in its own right, based on his thirty years of experience in designing wargames and using them in teaching. Simulating War sets conflict simulation in its proper context alongside more familiar techniques such as game theory and operational analysis. It explains in detail the analytical and modelling techniques involved, and it teaches you how to design your own simulations of conflicts of your choice. The book provides eight simple illustrative simulations of specific historical conflicts, complete with rules, maps and counters. Simulating War is essential reading for all recreational or professional simulation gamers, and for anyone who is interested in modelling war, from teachers and students to military officers.
The media have always played a central role in organising the way ideas flow through societies. But what happens when those ideas are disruptive to normal social relations? Bringing together work by scholars in history, media and cultural studies and sociology, this collection explores this role in more depth and with more attention paid to the complexities behind conventional analyses. Attention is paid to morality and regulation; empire and film; the role of women; authoritarianism; wartime and fears of treachery; and fears of cultural contamination. The book begins with essays that contextualise the theoretical and historiographical issues of the relationship between social fears, moral panics and the media. The second section provides case studies which illustrate the ways in which the media has participated in, or been seen as the source of, the creation of threats to society. Finally, the third section then shows how historical research calls into question simple assumptions about the relationship between the media and social disruption.
'At The Violet Hour' offers a richly historicised, trenchant look at the interlocking of literature with violence in British and Irish modernist texts.