Download Free The Tale Of Matsura Book in PDF and EPUB Free Download. You can read online The Tale Of Matsura and write the review.

Fujiwara Teika is known as the premier poet and literary scholar of the early 13th century. It is not so widely known that he also tried his hand at fiction: Mumyōzōshi (Untitled Leaves; ca. 1201) refers to “several works” by Teika and then names Matsura no miya monogatari (The Tale of Matsura; ca. 1190) as the only one that can be considered successful. The work is here translated in full, with annotation. Set in the pre-Nara period, The Tale of Matsura is the story of a young Japanese courtier, Ujitada, who is sent to China with an embassy and has a number of supernatural experiences while there. Affairs of the heart dominate The Tale of Matsura, as is standard for courtly tales. Several of its other features break the usual mold, however: its time and setting; the military episode that would seem to belong instead in a war tale; scenes depicting the sovereign’s daily audiences, in which formal court business is conducted; a substantial degree of specificity in referring to things Chinese; a heavy reliance on fantastic and supernatural elements; an obvious effort to avoid imitating The Tale of Genji as other late-Heian tales had done; and a most inventive ending. The discussion in the introduction briefly touches upon each of these features, and then focuses at some length on how characteristics associated with the poetic ideal of yōen inform the tale. Evidence relating to the date and authorship of the tale is explored in two appendixes.
A moving portrait of a wandering poet-monk in medieval Japan.
In Japan, the line that divides myth from reality is not merely blurred, it is nonexistent. Superstitions, legends, and folk myths are passed down through generations and pervade daily living. When a child playing near a river fails to return home, it is whispered that she was swept away by an adzuki arai, or Bean Washer. When a man boarding a ship hears the ringing of an unseen insect, it is announced that a funadama (Boat Spirit) is present and so the auspicious harbinger of smooth seas and abundant catch is celebrated. Even something as innocuous as waking up to find your pillow at the foot of your bed is thought to be the trick of a makura gaeshi, otherwise known as a Pillow Turner. Nothing is as simple as it seems. Your neighbor isn't merely an eccentric old woman—she might very well be a shape–shifting, grudge–harboring Water Sprite. The Japanese examine life and living with the keenest eyes and the most vivid of imaginations. Thersa Matsuura has captured that essence in this darkly insightful collection illuminating the place where reality falters and slips into the strange and fantastical.
A thousand years ago, a young Japanese girl embarked on a journey from deep in the countryside of eastern Japan to the capital. Forty years later, with the long account of that journey as a foundation, the mature woman skillfully created an autobiography that incorporates many moments of heightened awareness from her long life. Married at age thirty-three, she identified herself as a reader and writer more than as a wife and mother; enthralled by fiction, she bore witness to the dangers of romantic fantasy as well as the enduring consolation of self-expression. This reader’s edition streamlines Sonja Arntzen and Moriyuki Itō’s acclaimed translation of the Sarashina Diary for general readers and classroom use. This translation captures the lyrical richness of the original text while revealing its subtle structure and ironic meaning, highlighting the author’s deep concern for Buddhist belief and practice and the juxtaposition of poetic passages and narrative prose. The translators’ commentary offers insight into the author’s family and world, as well as the style, structure, and textual history of her work.
Using recent archaeological findings and little-known archival material, Wang Zhenping introduces readers to the world of ancient Japan as it was evolving toward a centralized state. Competing Japanese tribal leaders engaged in ambassador diplomacy and actively sought Chinese support and recognition to strengthen their positions at home and to exert military influence on southern Korea. Wang brings diplomatic history to life in his descriptions of the diplomats and their personalities and literary talents as well as their ambitions and frustrations. He explains in detail the rigorous criteria of the Chinese and Japanese courts in the selection of diplomats and how the two prepared for missions abroad. He journeys with a party of Japanese diplomats from their tearful farewell party to hardship on the high seas to their arrival amidst the splendors of Yangzhou and Changan and the Sui-Tang court. The depiction of these colorful events is combined with a sophisticated analysis of premodern diplomacy using the key concept of mutual self-interest and a discussion of two major modes of diplomatic communication: court reception and the exchange of state letters. accepting, or rejecting court ceremonial arrangements.
Encyclopedic in scope and heroically audacious, The Novel: An Alternative History is the first attempt in over a century to tell the complete story of our most popular literary form. Contrary to conventional wisdom, the novel did not originate in 18th-century England, nor even with Don Quixote, but is coeval with civilization itself. After a pugnacious introduction, in which Moore defends innovative, demanding novelists against their conservative critics, the book relaxes into a world tour of the pre-modern novel, beginning in ancient Egypt and ending in 16th-century China, with many exotic ports-of-call: Greek romances; Roman satires; medieval Sanskrit novels narrated by parrots; Byzantine erotic thrillers; 5000-page Arabian adventure novels; Icelandic sagas; delicate Persian novels in verse; Japanese war stories; even Mayan graphic novels. Throughout, Moore celebrates the innovators in fiction, tracing a continuum between these pre-modern experimentalists and their postmodern progeny. Irreverent, iconoclastic, informative, entertaining-The Novel: An Alternative History is a landmark in literary criticism that will encourage readers to rethink the novel.
The Japanese noh theater has enjoyed a rich, continuous history dating back to the Muromachi period (1336-1573), when virtually the entire repertoire was written. Some of the finest plays were inspired by the eleventh-century masterpiece of court literature, The Tale of Genji. In this detailed study of fifteen noh plays based upon the Genji, Janet Goff looks at how the novel was understood and appreciated by Muromachi audiences. A work steeped in the court poetry, or waka, tradition, the Genji in turn provided a source of inspiration and allusion for later poets, who produced a variety of handbooks and digests on the work as an aid in composing poetry. Drawing on such sources from the Muromachi period, Goff shows how playwrights reflected contemporary attitudes toward the Genji, even as they transformed its material to suit the demands of the noh as a theatrical form. This book includes annotated translations of the plays, many of them appearing in English for the first time. The translations are preceded by essays covering the history of each play and its use of Genji material. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces—through the visual and literary record—the reception and use of the tenth-century literary romance through the seventeenth century. Ise monogatari (The Ise Stories) takes shape in a salon of politically disenfranchised courtiers, then transforms later in the Heian period (794-1185) into a key subtext for autobiographical writings by female aristocrats. In the twelfth century it is turned into an esoteric religious text, while in the fourteenth it is used as cultural capital in the struggles within the imperial household. Mostow further examines the development of the standardized iconographies of the Rinpa school and the printed Saga-bon edition, exploring what these tell us about how the Ise was being read and why. The study ends with an Epilogue that briefly surveys the uses Ise was put to throughout the Edo period and into the modern day.
The Tale of the Heike is one of the masterworks of Japanese literature, ranking with The Tal of Genji in quality and prestige. This new translation is not only far more readable than earlier ones, it is also much more faithful to the content and style of the original. Intended for the general audience as well as the specialist, this edition is highly annotated.
How did a girl from the provinces, meant to do nothing more than run the family store, become a bold and daring poet whose life and work helped change the idea of love in modern Japan? Embracing the Firebird is the first book-length study in English of the early life and work of Yosano Akiko (1879-1942), the most famous post-classical woman poet of Japan. It follows Akiko, who was born into a merchant family in the port city of Sakai near Osaka, from earliest childhood to her twenties, charting the slow process of development before the seemingly sudden metamorphosis. Akiko's later poetry has now begun to win long-overdue recognition, but in terms of literary history the impact of Midaregami (Tangled Hair, 1901), her first book, still overshadows everything else she wrote, for it brought individualism to traditional tanka poetry with a tempestuous force and passion found in no other work of the period. Embracing the Firebird traces Akiko's emotional and artistic development up to the publication of this seminal work, which became a classic of modern Japanese poetry and marked the starting point of Akiko's forty-year-long career as a writer. It then examines Tangled Hair itself, the characteristics that make it a unified work of art, and its originality. The study throughout includes Janine Beichman's elegant translations of poems by Yosano Akiko (both those included in Tangled Hair and those not), as well as poems by contemporaries such as Yosano Tekkan, Yamakawa Tomiko, and others.