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When an old woman is asked to tell the story of her life, she tells an intense and poignant tale about growing up in and surviving a warring suburban family during the 1950s and '60s. From her complicated and unwanted birth, to her witnessing a suicide at age 3, to her stint as a runaway at age 14, the story progresses to the final crisis where as a young woman she is turned out of her house and banished from her family forever. Told in breathtakingly beautiful prose, this is a powerful and timeless coming of age story set against the backdrop of a uniquely dysfunctional family. This book (under its former title of "My Life in Dogs, the Early Years") was a Quarter finalist in the 2012 Amazon Breakthrough Novel Award Contest. It was also on the short list of finalists in the 2012 Faulkner-Wisdom Writing Competition.
“Journey through a mystical country where everything is possible and easily arranged” in this 2-part travelogue set in a fictional Mediterranean city of dreams (Los Angeles Times). “A touching lover letter . . . to life itself”—featuring Last Letters from Hav, shortlisted for the Booker Prize, and a foreword by Ursula K. Le Guin (The Independent) Hav is like no place on earth. Rumored to be the site of Troy, captured during the crusades and recaptured by Saladin, visited by Tolstoy, Hitler, Grace Kelly, and Princess Diana, this Mediterranean city-state is home to several architectural marvels and an annual rooftop race that is a feat of athleticism and insanity. As Jan Morris guides us through the corridors and quarters of Hav, we hear the mingling of Italian, Russian, and Arabic in its markets, delight in its famous snow raspberries, and meet the denizens of its casinos and cafés. When Morris published Last Letters from Hav in 1985, it was short-listed for the Booker Prize. Here it is joined by Hav of the Myrmidons, a sequel that brings the story up-to-date. Twenty-first-century Hav is nearly unrecognizable. Sanitized and monetized, it is ruled by a group of fanatics who have rewritten its history to reflect their own blinkered view of the past. Morris’s only novel is dazzlingly sui-generis, part erudite travel memoir, part speculative fiction, part cautionary political tale. It transports the reader to an extraordinary place that never was, but could well be. “Jan Morris is to other travel writers what John le Carré is to other spy novelists.” —New York Times
Francesca Bodin's near perfect life is upended when a snowmobiling accident lands her, her husband Ben, and their four-year-old daughter in frozen lake. When he gets out, leaving them to die, she realizes her life isn't as perfect as she thought it was.
(Fake Book). A comprehensive reference for all classical music lovers, the second edition of this fake book features 250 pieces added since the last edition. Imagine having one handy volume that includes everything from Renaissance music to Vivaldi to Mozart to Mendelssohn to Debussy to Stravinsky, and you have it here! We have included as much of the world's most familiar classical music as possible, assembling more than 850 beloved compositions from ballets, chamber music, choral music, concertos, operas, piano music, waltzes and more. Featuring indexes by composer, title and genre, as well as a timeline of major classical composers, this encyclopedic fake book is great to use for playing and performing, but it's also a terrific resource for concert-goers, music students and music lovers. The chords of the harmony are indicated, and lyrics, in the original language, are included where appropriate.
NEW YORK TIMES BESTSELLER • A heartfelt novel of the power of love across three generations of an Italian-American family, from the author of the Big Stone Gap series “[An] epic of small-town life . . . A personal saga of American history and a romance woven together with warmth and good humor.”—The Oregonian In the late 1800s, the residents of a small village in coastal Italy migrated to the promised land of America. They eventually settled in Roseto, Pennsylvania, where they re-created every detail of their former lives, including the centerpiece of Roseto’s colorful old-world tradition: the annual pageant for Our Lady of Mount Caramel—or “the Big Time,” as it’s called by the young women competing to be its Queen. The industrious Castellucas farm the land outside Roseto. Nella, the middle daughter of five, aspires to a genteel life “in town,” far from the rigors of life on the farm. But her dreams of making her own fortune shift when she meets and falls in love with Renato Lanzaro, a worldly, handsome, devil-may-care poet. When Renato disappears without explanation, Nella is shattered. Four years later, Renato’s sudden return just before Nella’s wedding to the steadfast Franco Zollerano leaves her shaken. For although Renato has chosen a path very different from Nella’s, they are fated to live and work side by side for the rest of their lives in Roseto, where the past hangs over them like a brewing storm. Etched in glorious detail in Adriana Trigiani’s trademark style, The Queen of the Big Time is the story of a determined, passionate woman who can never forget her first love.
A week after Easter 1973—following the lynching of Black church sexton Sam Jefferson—Lily Vida Wallace is dropped like an immigrant into Greenville, South Carolina. After returning home to Manhattan, Lily continues theological studies in anticipation of the overturn of a centuries-old, males-only priesthood and simultaneously struggles with her erratic engagement. When her fiancé flees following discovery of professional impropriety and Atlanta attorney Rodney Davis lands in her path, a new love grows—accelerating Lily’s understanding even as it challenges her naïveté about race. Some two decades later, high-profile interracial nuptials in Oakland, California, become the occasion for a reunion between the now Reverend Vida and Lucius Clay, the fiery journalist she met in South Carolina. Within weeks of their re-meeting, Lucius is dispatched to cover Black church burnings—beginning with Lily’s hometown in Texas. Writer Hilton Als recently commented: “We need to wake up to the fact that America is not one story. It is many, many, many stories.” American Blues offers no neat resolution. Instead, its timely story invites, as it tangles with, readers’ own assumptions and complex experiences of race and gender in America.
Set Me as a Seal Upon Thy Heart: Constructions of Female Sanctity in Late Antiquity, the Middle Ages, and the Early Modern Period is a collection of essays focusing on saintly women's representations both in Eastern and Western Christianity starting from Late Antiquity to the High Middle Ages and Early Modernity. The volume discusses two different categories in relation to the conceptualization of female sanctity: the context of their construction in hagiographic sources and the emergent power rendered by their martyrdoms. It offers a transdisciplinary perspective on the present research carried out in the fields of hagiography, history, and art history.
When Mona Lisa smiled enigmatically from the cover of the Italian magazine Epoca in 1957, she gazed out at more than three million readers. As Emma Barron argues, her appearance on the cover is emblematic of the distinctive ways that high culture was integrated into Italy’s mass culture boom in the 1950s and 1960s, a period when popular appropriations of literature, fine art and music became a part of the rapidly changing modern Italian identity. Popular magazines ran weekly illustrated adaptations of literary classics. Television brought opera from the opera house into the homes of millions. Readers wrote to intellectuals and artists such as Alberto Moravia, Thomas Mann and Salvatore Quasimodo by the thousands with questions about literature and self-education. Drawing upon new archival material on the demographics of television audiences and magazine readers, this book is an engaging account of how the Italian people took possession of high culture and transformed the modern Italian identity.