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This anthology brought together the most important historical, legal, mythological, liturgical, and secular texts of the ancient Near East, with the purpose of providing a rich contextual base for understanding the people, cultures, and literature of the Old Testament. A scholar of religious thought and biblical archaeology, James Pritchard recruited the foremost linguists, historians, and archaeologists to select and translate the texts. The goal, in his words, was "a better understanding of the likenesses and differences which existed between Israel and the surrounding cultures." Before the publication of these volumes, students of the Old Testament found themselves having to search out scattered books and journals in various languages. This anthology brought these invaluable documents together, in one place and in one language, thereby expanding the meaning and significance of the Bible for generations of students and readers. As one reviewer put it, "This great volume is one of the most notable to have appeared in the field of Old Testament scholarship this century." Princeton published a follow-up companion volume, The Ancient Near East in Pictures Relating to the Old Testament (1954), and later a one-volume abridgment of the two, The Ancient Near East: An Anthology of Texts and Pictures (1958). The continued popularity of this work in its various forms demonstrates that anthologies have a very important role to play in education--and in the mission of a university press.
Comprehensive, up-to-date collection of primary source documents (creation accounts, epic literature, etc.) gives insight into the Ancient Near East and the Old Testament.
This book proposes to read the birth stories of Aqhatu, Kirta and Samuel from the perspective of incubation type-scene. Drawing on Nagler’s definition of a type-scene, it employs the idea of family resemblance as a principle of identification of type-scenes.
Contained on fifteen of the cuneiform tables uncovered at the ancient Canaanite city of Ugarit are the four major oral Ugartic myths of Aqhat, The Healers, Kirta and Baal. Stories from Ancient Canaan is the first to offer a one-volume translation of all four. This accessible book teaches the principal Canaanite religious literature, and will be useful to students of the history of religion, of the Bible, and of comparative literature.
This groundbreaking, first basic reference work on ancient religious beliefs collects and organizes available information on ten ancient cultures and traditions, including Greece, Rome, and Mesopotamia, and offers an expansive, comparative perspective on each one.
An interesting and lively book that contains articles on heros, villains, mythologists and mythological approaches.
The contextual approach and form criticism are two well-established methodologies in Biblical Studies, but the natural affinities between the two have historically gone under-appreciated. Yet the substantial reconsideration of classic tenets of form-criticism that has transpired in recent memory has further separated these two like-minded methods. Through a series of case studies that carefully consider certain Old Testament texts contextually, Silhouettes of Scripture: Considering the Contextual Approach with Form-criticism considers important methodological critiques and fuse elements of both methods in order to not only re-focus natural affinities but also more precisely define how contextual studies could proceed. Initiated by a literary trigger, Schreiner and Holland’s method navigates between what has been called "parallel-o-mania" and "parallel-anonia" to consider a range of similarities and differences in terms of broad and narrow convergences. The result is a work that not only looks upon well-known parallels with fresh eyes but also seeks to establish new trajectories.
Psalm 23, the most beloved of the Psalms, contains a perplexing riddle. What can it possibly mean that God prepares a table in the presence of the psalmist’s enemies? Matthew Umbarger proposes that Psalm 23:5 makes the most sense when read according to its cultural context of prebattle covenant banquets. Beginning with ancient Mesopotamian mythology, Umbarger traces a conceptual trajectory of the prebattle banquet motif that reaches its zenith in the apocalyptic banquets of Second Temple Period literature and the eucharistic theology of the early church.