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This collaboration centres around a piece of the true cross, allegedly stained with the blood of Christ, which falls into the hands of an English knight, Geoffrey Mappestone, in 1100 at the end of the first crusade. The relic is said to be cursed &, after three inexplicable deaths, it finds its way to England in the hands of a thief.
July, 1100. Jerusalem lies ransacked. Amidst the chaos, an English knight is entrusted with a valuable religious relic: a fragment of the True Cross, allegedly stained with the blood of Christ. The relic is said to be cursed: anyone who touches it will meet an untimely and gruesome end. Several decades later, the Cross turns up in the possession of a dealer, robbed and murdered en route to Glastonbury. Investigating the death, Bernard Knight's protagonist, Crowner John learns of its dark history. In Oxford in 1269, the discovery of a decapitated monk leads Ian Morson's academic sleuth William Falconer to uncover a link to the relic. In 1323, in Exeter, Michael Jecks' Sir Baldwin has reason to suspect its involvement in at least five violent deaths. Thirty years later, several suspicious deaths occur in Cambridge - and, once again, the tainted relic has a crucial part to play. Finally, it's despatched to London, where Philip Gooden's Nick Revill will determine its ultimate fate.
1326. In an England riven with conflict, knight and peasant alike find their lives turned upside downby the warring factions of Edward II, with his hated favourite, Hugh le Despenser, and Edward's estranged queen Isabella and her lover, Sir Roger Mortimer. Yet even in such times the brutal slaughter of an entire family, right down to a babe in arms, still has the power to shock. Three further murders follow, and bailiff Simon Puttock is drawn into a web of intrigue, vengeance, power and greed as Roger Mortimer charges him to investigate the killings. Michael Jecks brilliantly evokes the turmoil of fourteenth-century England, as his well-loved characters Simon Puttock and Sir Baldwin de Furnshill strive to maintain the principles of loyalty and truth.
Combining elements of medievalism, the historical novel and the detective narrative, medieval crime fiction capitalizes upon the appeal of all three--the most famous examples being Umberto Eco's The Name of the Rose (one of the best-selling books ever published) and Ellis Peters' endearing Brother Cadfael series. Hundreds of other novels and series fill out the genre, in settings ranging from the so-called Celtic Enlightenment in seventh-century Ireland to the ruthless Inquisition in fourteenth-century France to the mean streets of medieval London. The detectives are an eclectic group, including weary ex-crusaders, former Knights Templar, enterprising monks and nuns, and historical poets such as Geoffrey Chaucer. This book investigates the enduring popularity of the largely unexamined genre and explores its social, cultural and political contexts.
In his first-ever collaboration, New York Times bestselling author James Rollins combines his skill for cutting-edge science and historical mystery with award-winning novelist Rebecca Cantrell’s talent for haunting suspense and sensual atmosphere in a gothic tale about an ancient order and the hunt for a miraculous book known only as . . . The Blood Gospel
Country clubs and garden parties. The last thing Cassandra wants is to spend the summer before her senior year marooned in a snooty Massachusetts shore town. Cass craves drama and adventure, which is hard when she just feels stuck. But when a dreamy stranger shows up on her family's private beach, claiming that it is his property—and that the year is 1925—Cass is swept into a mystery a hundred years in the making. As she searches for answers in the present, Cass discovers a truth that thrusts Lawrence's life into jeopardy. It won't matter which century he is from if he won't live to see tomorrow. Desperate to save the boy who's come to mean everything to her, Cassandra must find a way to change history...or risk losing Lawrence forever. "Until We Meet Again is tragically beautiful with twists you won't see coming."—Martina Boone, author of Compulsion and the Heirs of Watson Island trilogy "A beach house, a mystery, and time-travel love make Until We Meet Again a romantic, engaging read."—Deb Caletti, National Book Award Finalist for Honey, Baby, Sweetheart
Bermondsey Priory, 1114. A young chaplain succumbs to the temptations of the flesh - and suffers a gruesome punishment. From that moment, the monastery is cursed and over the next five hundred years murder and treachery abound within its hallowed walls. A beautiful young bride found dead two days before her wedding. A ghostly figure that warns of impending doom. A plot to depose King Edward II. Mad monks and errant priests ...even the poet Chaucer finds himself drawn into the dark deeds and violent death which pervade this unhappy place.
For the twentieth anniversary of the start of the Matthew Bartholomew series, Sphere is delighted to reissue all of the medieval monk's cases with beautiful new series-style covers. ------------------------------------ The winter of 1353 has been appallingly wet, there is a fever outbreak amongst the poorer townspeople and the country is not yet fully recovered from the aftermath of the plague. The increasing reputation and wealth of the Cambridge colleges are causing dangerous tensions between the town, Church and University. Matthew Bartholomew is called to look into the deaths of three members of the University of who died from drinking poisoned wine, and soon he stumbles upon criminal activities that implicate his relatives, friends and colleagues - so he must solve the case before matters in the town get out of hand... On a bitter winter evening in 1356, Matthew Bartholomew, Brother Michael and their book-bearer Cynric arrive in Lincoln. Michael is to accept an honour from the cathedral, and Bartholomew is looking for the woman he wants to marry. It is not long before they learn that the friary in which they are staying is not the safe haven they imagine - one guest has already been murdered. It soon emerges that the dead man was holding the Hugh Chalice, a Lincoln relic with a curiously bloody history. Bartholomew and Michael are soon drawn into a web of murder, lies and suspicion in a city where neither knows who can be trusted.
“David Anthony Durham has serious chops. I can’t wait to read whatever he writes next." —George R. R. Martin David Anthony Durham’s acclaimed fantasy saga, the Acacia Trilogy, continues . . . As The Sacred Band begins, Queen Corinn bestrides the world as a result of her mastery of spells from the Book of Elenet. Her younger brother, Dariel, has been sent on a perilous mis­sion to the Other Lands. And her sister, Mena, travels to the far north to face an invasion of the feared race of the Auldek. As their separate trajectories converge, a series of world-shaping, earth-shattering battles will force the surviving children of the Akaran dynasty to confront their fates head on—and right some ancient wrongs once and for all.