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Reprint of the original, first published in 1840.
The South Seas charts the idea of the South Seas in popular cultural productions of the English-speaking world, from the beginnings of the Western enterprise in the Pacific until the eve of the Pacific War. Building on the notion that the influences on the creation of a text, and the ways in which its audience receives the text, are essential for understanding the historical significance of particular productions, Sean Brawley and Chris Dixon explore the ways in which authors’ and producers’ ideas about the South Seas were “haunted” by others who had written on the subject, and how they in turn influenced future generations of knowledge producers. The South Seas is unique in its examination of an array of cultural texts. Along with the foundational literary texts that established and perpetuated the South Seas tradition in written form, the authorsexplore diverse cultural forms such as art, music, theater, film, fairs, platform speakers, surfing culture, and tourism.
In the wake of the navigators who finally opened up the Pacific came missionaries, traders and finally administrators. In the early decades of the 19th century Polynesia was a rich field for the curious and the calculating, for writers and adventurers. The pioneer European settlers in Eastern Polynesia were ministers and mechanics sent out on the crest of an Evangelical wave the merged with the currents and eddies of trade and whaling to break down the isolation of the islands and their inhabitants. Among the pioneers was Welshman John Davies (1772-1855) who spent just over 50 years of his life on Tahiti and neighbouring islands. He witnessed the rise of the Pomare dynasty, conversion to Christianity, reaction to attempts at theocratic government, and the gradual encroachment of alien commerce and European rule. His colleagues have made their contribution to the history and anthropology of Polynesia. Davies himself, teacher, linguist and careful observer, wrote his own story of the Mission, its personalities and their contact with the Polynesians, from the early phase of disillusionment through three decades of political and economic change, destruction and reconstruction. From this contact there emerged the uneasy compromise of missionary and indigenous beliefs and institutions that characterized Tahiti and its neighbours before and after the advent of French administration. Davies's manuscript History is here edited and annotated, supplemented by the writings of other missionaries and presented as a contribution to the literature of the Pacific. This is a new print-on-demand hardback edition of the volume first published in 1961.
Remarks on Hawaii in Chapter XII, p. 166-182--Forbes, David W. Hawaiian national bibliography.
Long before Magellan entered the Pacific in 1521 Westerners entertained ideas of undiscovered oceans, mighty continents, and paradisal islands at the far ends of the earth. First set down by Egyptian storytellers, Greek philosophers, and Latin poets, such ideas would have a long life and a deep impact in both the Pacific and the West. With the discovery of Tahiti in 1767 another powerful myth was added to this collection: the noble savage. For the first time Westerners were confronted by a people who seemed happier than themselves. This revolution in the human sciences was accompanied by one in the natural sciences as the region revealed gaps and anomalies in the "great chain of being" that Charles Darwin would begin to address after his momentous visit to the Galapagos Islands. The Pacific produced similar challenges for nineteenth-century researchers on race and culture, and for those intent on exporting their religions to this immense quarter of the globe. Although most missionary efforts ultimately met with success, others ended in ignominious retreat. As the century wore on, the region presented opportunities and dilemmas for the imperial powers, leading to a guilty desire on the part of some to pull out, along with an equally guilty desire on the part of others to stay and help. This process was accelerated by the Pacific War between 1941 and 1945. After more than two millennia of fantasies, the story of the West’s fascination with the insular Pacific graduated to a marked sense of disillusion that is equally visible in the paintings of Gauguin and the journalism of the nuclear Pacific. Strangers in the South Seas recounts and illustrates this story using a wealth of primary texts. It includes generous excerpts from the work of explorers, soldiers, naturalists, anthropologists, artists, and writers--some famous, some obscure. It begins in 1521 with an account of Guam by Antonio Pigafetta (one of the few men to survive Magellan's circumnavigation voyage), and ends in the late 1980s with the writing of an American woman, Joana McIntyre Varawa, as she faces the personal and cultural insecurities of marriage and settlement in Fiji. It shows how "the Great South Sea" has been an irreplaceable "distant mirror" of the West and its intellectual obsessions since the Renaissance. Comprehensively illustrated and annotated, this anthology will introduce readers to a region central to the development of modern Western ideas. "This is a carefully conceived anthology covering an excellent range of subjects. The selections are well chosen and interesting, and the introductory materials are both scholarly and accessible. It should be widely used in university courses dealing with almost any aspect of the Pacific." —Rod Edmond, University of Kent at Canterbury