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This monograph comprises the final publication of a study supported by the British Institute of Persian Studies and undertaken by Seth Priestman and Derek Kennet at the University of Durham. The work presents and analyses an assemblage of just under 17,000 sherds of pottery and associated paper archives resulting from one of the largest and most comprehensive surveys ever undertaken on the historic archaeology of southern Iran. The survey was undertaken by Andrew George Williamson (1945–1975), a doctoral student at Oxford University between 1968 and 1971, at a time of great progress and rapid advance in the archaeological exploration of Iran. The monograph provides new archaeological evidence on the long-term development of settlement in Southern Iran, in particular the coastal region, from the Sasanian period to around the 17th century. The work provides new insights into regional settlement patterns and changing ceramic distribution, trade and use. A large amount of primary data is presented covering an extensive area from Minab to Bushehr along the coast and inland as far as Sirjan. This includes information on a number of previously undocumented archaeological sites, as well as a detailed description and analysis of the ceramic finds, which underpin the settlement evidence and provide a wider source of reference. By collecting carefully controlled archaeological evidence related to the size, distribution and period of occupation of urban and rural settlements distributed across southern Iran, Williamson aimed to reconstruct the broader historical development of the region. Due to his early death the work was never completed. The key aims of the authors of this volume were to do justice to Williamson’s remarkable vision and efforts on the one hand, and at the same time to bring this important new evidence to ongoing discussions about the development of southern Iran through the Sasanian and Islamic periods.
A History of Song Dynasty Ceramics explores the range of ceramics produced in China and in its conquered territories from the middle of the 10th to the latter parts of the 13th centuries. It looks primarily at the pottery and porcelain dating from the Song Dynasty, but also refers to the ceramics that originated in the territories held by the Liao and Jin Dynastic rulers. It considers the range of pottery and porcelain produced by Song Dynasty potters from that made in the provinces for the non-aristocratic to the finest of the tribute wares made for the Imperial palaces. Setting out to improve understanding of the work of the potters and the ceramic pieces that they produced, it also explores the context within which the potting, decorating and firing was done and within which the resulting products were appreciated, traded and used. It examines how the ceramics of the Song period were the outcome of much complexity: the technologies of the times, the raw materials available, the traditions of skilled work in the kiln complexes, the socialisation of the workforce that made them amenable to organisation for mass production, the burgeoning economic climate and the development of a distinctively Song sense of aesthetic taste in which harmony between form and function was achieved by understatement and refinement.
Excerpt from The Pottery and Porcelain Factories of China: Their Geographical Distribution and Periods of Activity As a convenient supplement to the map the names of the factories have been printed in alphabetical order, arranged firstly according to provinces, and secondly accord ing to dynasties. In this latter list the names of the centres active in more than one of the three groups of dynasties, are repeated in their appropriate place. Names of towns in China have been changed very often during different dynasties. In the map and lists the names commonly associated with ceramics only have been shown. A collector knows a ware by the name of the town or district which produced it, and wishes to find where that centre is or was located regardless of what it is called at the present day. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Glazed ceramics, through their physical resilience and social relevance, have become a persistent indicator of cultural contact in Southeast Asia for over a millennium of the region's history. This lavishly illustrated historical survey includes introductions to technical and stylistic aspects of the ceramic traditions of China, Vietnam, and Thailand, over two hundred illustrations of stoneware and porcelain ceramics, and an extensive biography.
These conference proceedings cover topics including technology and provenance; stoneware and porcelain; Han, Tang and contemporary ceramics; production and distribution; and Khmer ceramics.
Early Chinese wares rival those of the Tang and the Song periods for their boldness and imagination, mastery of technique and decoration, the shaping of forms and the use of materials. This book makes extensive use of recent excavations and research in China to examine pre-Tang ceramics.