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"This book presents a new model for the cluster of ancient kingdoms that clustered around the northeast corner of the Mediterranean Sea during the Iron age, ca. 1200-600 BCE. Rather than presenting them as ancient versions of the modern nation-state, characterized by homogenous ethnolinguistic communities like "the Aramaeans" or "the Luwians" living in neatly bounded territories, this book sees these polities as being fundamentally diverse and variable, distinguished by demographic fluidity and cultural mobility. This conclusion is reached via an examination of a host of evidentiary sources, including site plans, settlement patterns, visual arts, and historical sources. Together, these lines of evidence lead to the awareness that this time and place consists of a complex fusion of cultural traditions that is nevertheless distinctly recognizable unto itself. This book thus proposes a new term to encapsulate that diversity: the Syro-Anatolian Culture Complex"--
The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs – an original and greatly influential artistic tradition that has captivated the imagination of its contemporaries as well as that of modern scholars. This volume explores how Syro-Hittite monumental art was used as a powerful backdrop to important ritual events, and it opens up a new perspective by situating the monumental heritage in the context of large public performances and civic spectacles of great emotional impact. The first part of the volume focuses on the sites of Carchemish and Zincirli, offering a close reading of the relevant archaeological contexts. The second part of the volume discusses the embedment of monumental art in ritual performance and examines how change in art relates to change in ceremonial behavior, and how the latter relates in turn to change in power structures and models of rulership.
What do cities tell us about power? How does power shape cities? These are the main questions answered by a multidisciplinary set of eminent urban scholar in crisp articles on capital cities from around the world, from Buenos Aires to Tokyo, from Jakarta to Moscow. Focus is on contemporary cities and their manifestations and representations of power, though often with a historical grounding, and the collection also includes an example of archaeological urban analysis, from northern Mesopotamia. Through its variety of approaches by leading scholars of the field, and its variety of cities with their different histories and their diverse national contexts and political organization the book gives a uniquely insightful and easily accessible world overview of cities of power. This book was published as a special issue of the International Journal of Urban Sciences.
The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs - an original and greatly influential artistic tradition. But why exactly did the production of such an array of monumental images ever start? This volume explores how Syro-Hittite monumental art was used as a powerful backdrop to important ritual events, and opens up a new perspective by situating monumental art in the context of public performances and civic spectacles of great emotional impact, such as processions, royal triumphs, and dynastic funerals.
This book investigates the founding and building of cities in the ancient Near East. The creation of new cities was imagined as an ideological project or a divine intervention in the political narratives and mythologies of Near Eastern cultures, often masking the complex processes behind the social production of urban space. During the Early Iron Age (c.1200–850 BCE), Assyrian and Syro-Hittite rulers developed a highly performative official discourse that revolved around constructing cities, cultivating landscapes, building watercourses, erecting monuments and initiating public festivals. This volume combs through archaeological, epigraphic, visual, architectural and environmental evidence to tell the story of a region from the perspective of its spatial practices, landscape history and architectural technologies. It argues that the cultural processes of the making of urban spaces shape collective memory and identity as well as sites of political performance and state spectacle.
This book reconsiders the concept of empire and examines the processes of imperial making and undoing in Hittite Anatolia (c. 1600-1180 BCE).
This volume, Overturning Certainties in Near Eastern Archaeology, is a festschrift dedicated to Professor K. Aslıhan Yener in honor of over four decades of exemplary research, teaching, fieldwork, and publication. The thirty-five chapters presented by her colleagues includes a broad, interdisciplinary range of studies in archaeology, archaeometry, art history, and epigraphy of the Ancient Near East, especially reflecting Prof Yener’s interests in metallurgy, small finds, trade, Anatolia, and the site of Tell Atchana/Alalakh. "The richness of this volume inevitably emerges from those contributions on exchange and technology using philology and/or archaeology." - David A. Warburton, Institute for the History of Ancient Civilizations, Northeast Normal University, in: Bibliotheca Orientalis 76,1-2 (2019)
This book explores some of the most prominent literary responses to the collective trauma of a fallen city.
This book takes a bold new approach to the prehistory of Homeric epic, arguing for a fresh understanding of how Near Eastern influence worked.
Bryce's volume gives an account of the military and political history of the Neo-Hittite kingdoms, moving beyond the Neo-Hittites themselves to the broader Near Eastern world and the states which dominated it during the Iron Age.