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The Synergy Method is the combination of traditional techniques along with psychophysiology, kinesiology and physiology to assist the percussionist. Kinesiology and physiology have been studied over the years in music but to understand what is happening psychologically will also help build the physical attributes of the performer. Many musicians in their career will reach a plateau. The Synergy Method will help performers to go beyond their current level. This book will be helpful for any audition you might have whether it is drum corps, indoor drum line, marching band, or even orchestra level auditions. Instructors can use the exercises with the ensembles they are teaching to address specific concerns. The Synergy Method will help the player achieve better performances by utilizing an approach that will transfer to other percussion instruments, something that cannot be effectively done with other rudimental styles.
Pandora is a collection of 4 mallet marimba literature from Greg Jackson. The compositions are ideal for graduate level percussion recitals and professional concerts; with some works that can be handled by most advanced high school and collegiate percussionists. Pandora contains a total of 12 works; 11 are for solo marimba and 1 piece for marimba and cello. Three of the compositions are featured on the CD "Darkest Hour". For more information about the music in this collection and program notes, please visit www.inner3.com.
The Well-Tempered Marimbist is a set of compositions for the two mallet percussionist. The collection consists of 24 etudes, each in a different key, similar to the pivotal Well-Tempered Clavier by J.S. Bach. Most of the new music available is for 4-mallets, leaving those learning keyboard percussion without much of a selection for music that is current. This book contains music that fits many genres from traditional melodic development to music that would be classified as modern or 21st Century. WTM includes a wide range of solos for the beginning mallet player to the advanced level percussionist. The easier pieces are great for sight-reading practice as well. These solos are excellent pieces for recitals and solo performances as audiences will love the outstanding melodies. The percussionist will enjoy how well each piece lays on the instrument. This book is sure to become a classic for many generations and is an excellent source to have in the library of every percussionist.
"Legendary, Op. 44" is a collection of conga solos composed by best selling author Dr. Greg Jackson. This is the first book of solo literature ever published for the instrument. Each solo uses traditional music notation, as well as indications for which hand is recommended to play a certain drum. The different sounds are also thoroughly notated for each piece for those who are new to reading music. "Legendary" features 13 pieces for 2 to 5 congas and incorporates some traditional marchas, as well as newer forms such as timba. Each piece is designed for concert performance settings, or for the conguero in need of a solo during a song break. This book is also an excellent study tool for learning to design your own solos in a band type of setting. Level: Beginner to Professional
Phenom: a performer that is phenomenal with an extreme level of talent and virtuosity If you are continually searching for the most expressive rudimental snare drum literature available, this is the book destined for you. Inside the book you will find 33 rudimental solos ranging from intermediate to professional that guarantees to contain solos that will bring years of enjoyment. Each solo is very distinct and contains hot grooves. Some of the solos will open your eyes to the most impressive backsticking ever seen! If you are looking for fun and challenging snare drum solos, this is the book for you! level: intermediate to pro
Congas Full Circle satisfies a missing link in percussion literature. This is the first book for congas and hand drumming that breaks down the patterns of various styles (almost 50!) into small sections that can be digested easier. Although there are many high quality books for hand drummers, the books merely notate the patterns without teaching the reader how to play the rhythms. Congas Full Circle will fill that void. The book includes many exercises to teach the reader how to play rudiments on congas while improving your quality of sound. There are also examples of styles for djembe, batá, bongos, and cajones with music spanning from early African patterns to modern day Salsa and Timba. With almost 400 pages, this is the most comprehensive book on congas available.
ALL THE FUNDAMENTAL TOPICS FROM THE BASIC ELEMENTS TO JAZZ INDEPENDENCE Treated above all is the basic level leading towards a presentation of an intermediate and advanced level The text is defined as unique in its kind and its target is the orientation in the drums’ world and in the choice of the teacher; how to interact with him better....it has many text pages that explain in detail many steps concerning the exercises, the movements, the gestures, etc. that are not present in any other method of this kind and substance. The first method in Italy (and not only) with text pages containing detailed explanations that are very useful to orientate ones’ self in the drums’ world and in the choice of the teacher, from the comparison of drums to the didactic techniques turned into an authentic and not commercial ethic. With some new effective and very useful concepts also for teachers. It includes the fundamental exercises for jazz independence and a lot more.... It contains more than 100 text pages with explanations on how to tackle and to play the exercises with some new effective concepts; More than 150 pages with hundreds of exercises (rudiments, coordination, jazz independence, hands, rolls, rhythms, applied practice solfeggio, etc.) that can be developed, through the manifold included versions, in a dozen thousand exercises... This is done with the purpose to have a wide range of exercises that you can choose from. I didn’t want to include a cd with the exercises because I thought it is always better to face each problem with your own teacher and to think it over at home....! Some Extratcts: http://www.massimoaiello.com/the%20book.htm Copyright 2006 by Massimo Aiello International Copyright Secured Made in Italy Used by Permission www.massimoaiello.com
This book serves as an ideal starting point for newcomers and an excellent reference source for people already working in the field. Researchers and graduate students in signal processing, computer science, acoustics and music will primarily benefit from this text. It could be used as a textbook for advanced courses in music signal processing. Since it only requires a basic knowledge of signal processing, it is accessible to undergraduate students.
From Oceania to North America, indigenous peoples have created storytelling traditions of incredible depth and diversity. The term 'indigenous storywork' has come to encompass the sheer breadth of ways in which indigenous storytelling serves as a historical record, as a form of teaching and learning, and as an expression of indigenous culture and identity. But such traditions have too often been relegated to the realm of myth and legend, recorded as fragmented distortions, or erased altogether. Decolonizing Research brings together indigenous researchers and activists from Canada, Australia and New Zealand to assert the unique value of indigenous storywork as a focus of research, and to develop methodologies that rectify the colonial attitudes inherent in much past and current scholarship. By bringing together their own indigenous perspectives, and by treating indigenous storywork on its own terms, the contributors illuminate valuable new avenues for research, and show how such reworked scholarship can contribute to the movement for indigenous rights and self-determination.
Although writers on film music frequently allude to specific parts of scores, comprehensive examinations of entire scores are rare. In addition, most analyses of scores composed for the screen are discussed outside their cinematic context. To best understand the role music plays in the production of a motion picture, however, it benefits the viewer to consider all of the elements that comprise the film experience. In The Synergy of Film and Music: Sight and Sound in Five Hollywood Films, Peter Rothbart considers the aural and visual aspects of five representative films: West Side Story, Psycho, Empire of the Sun, Altered States, and American Beauty. For each film, the author demonstrates how a variety of elements work together to create a singular experience. After reviewing the various roles that music can serve in a film, as well as providing an overview of the film scoring process, Rothbart looks at each film, examining them one musical cue at a time, so the reader can watch the film while reading about each cue. In these analyses, timecode markings from commercial DVDs are provided in the margins alongside the text, which allow the reader to correlate the on-screen drama to the second. Rothbart explains how music is used in a specific cue and why the decision was made to use that particular musical idea at that moment. Consequently, film music aficionados--as well as students and composers of film music--can gain real-world perspective of how music is used in conjunction with other elements. In this way, the author raises awareness of music's relationship to virtually every other aspect of cinema--dialogue, sound effects, costuming, set design, and cinematography--to deepen the viewer's experience. Written in a deliberately nontechnical way, this book is intended for anyone interested in film to easily follow along. At the same time, the information can benefit professional filmmakers or composers because they can see with great detail how each cue unfolds along with all of the visual elements of the film. This unique analysis makes The Synergy of Film and Music a fascinating and instructive volume that both casual viewers and students of cinema will appreciate.