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ユダヤ文学の研究に重宝する集大成.索引付き
This book is a collection of letters from a religious Jew in Israel to a Christian friend in Barcelona on life as an Orthodox Jew. Equal parts lighthearted and insightful, it's a thorough and entertaining introduction to the basic concepts of Judaism.
Introduction: Standing before the Arch of Titus menorah -- From Titus to Moses-and back -- Flavian Rome to the nineteenth century -- Modernism, Zionism, and the menorah -- Creating a national symbol -- A Jewish holy grail -- The menorah at the Vatican -- Illuminating the path to Armageddon
Discusses four illuminated haggadot, manuscripts created for use at home services on Passover, all created in the early twelfth century.
Jewish symbols reflect the interaction of word and image within Jewish culture. Jews have always studied, interpreted, and revered sacred texts; they have also adorned the settings and occasions of sacred acts. Calligraphy and ornamentation have transformed Hebrew letters into art; quotation, interpretation, legend, and wordplay have made ceremonial objects into narrative. This book represents just such a collaboration between art and language. Ellen Frankel and Betsy Platkin Teutsch, writer and artist, have brought their extensive knowledge and talents together to create The Encyclopedia of Jewish Symbols, the first reference guide of its kind, designed for use by educators, artists, rabbis, folklorists, feminists, Jewish and non-Jewish scholars, and lay readers.
The story of two fathers and two sons and the pressures on all of them to pursue the religion they share in the way that is best suited to each. And as the boys grow into young men, they discover in the other a lost spiritual brother, and a link to an unexplored world that neither had ever considered before. In effect, they exchange places, and find the peace that neither will ever retreat from again.
Every year before the holiday of Sukkot, Jews all around the world purchase an etrog—a lemon-like fruit—to participate in the holiday ritual. In this book, David Z. Moster tracks the etrog from its evolutionary home in Yunnan, China, to the lands of India, Iran, and finally Israel, where it became integral to the Jewish celebration of Sukkot during the Second Temple period. Moster explains what Sukkot was like before and after the arrival of the etrog, and why the etrog’s identification as the “choice tree fruit” of Leviticus 23:40 was by no means predetermined. He also demonstrates that once the fruit became associated with the holiday of Sukkot, it began to appear everywhere in Jewish art during the Roman and Byzantine periods, and eventually became a symbol for all the fruits of the land, and perhaps even the Jewish people as a whole.
I. L. Peretz (1852–1915), the father of modern Yiddish literature, was a master storyteller and social critic who advocated a radical shift from religious observance to secular Jewish culture. Wisse explores Peretz’s writings in relation to his ideology, which sought to create a strong Jewish identity separate from the trappings of religion.
The Holocaust has bequeathed to contemporary society a cultural lexicon of intensely powerful symbols, a vocabulary of remembrance that we draw on to comprehend the otherwise incomprehensible horror of the Shoah. Engagingly written and illustrated with more than forty black-and-white images, Holocaust Icons probes the history and memory of four of these symbolic relics left in the Holocaust’s wake. Jewish studies scholar Oren Stier offers in this volume new insight into symbols and the symbol-making process, as he traces the lives and afterlives of certain remnants of the Holocaust and their ongoing impact. Stier focuses in particular on four icons: the railway cars that carried Jews to their deaths, symbolizing the mechanics of murder; the Arbeit Macht Frei (“work makes you free”) sign over the entrance to Auschwitz, pointing to the insidious logic of the camp system; the number six million that represents an approximation of the number of Jews killed as well as mass murder more generally; and the persona of Anne Frank, associated with victimization. Stier shows how and why these icons—an object, a phrase, a number, and a person—have come to stand in for the Holocaust: where they came from and how they have been used and reproduced; how they are presently at risk from a variety of threats such as commodification; and what the future holds for the memory of the Shoah. In illuminating these icons of the Holocaust, Stier offers valuable new perspective on one of the defining events of the twentieth century. He helps readers understand not only the Holocaust but also the profound nature of historical memory itself.
Readers of this book will emerge with a new awareness of what we as Jews are doing when we pray, why we are doing it, how we are supposed to be affected by prayer, how the prayers came to be as they are today, and how they differ among the major movements of American Judaism. The traditional Jewish liturgy, if properly understood, is a deep and powerful technique for spiritual transformation. However, spiritual depth of prayer has been progressively reduced over the past 2000 years as the underlying currents of the Siddur, the Jewish prayerbook, have been lost to the majority of worshippers. This book explains the Jewish liturgy prayer by prayer, according to what, in the context of ancient and medieval Judaism, was its raison d'‚tre: a structure for transforming one's mind and way of life. The author writes: "The crisis Judaism now faces, while genuine, is due not to a lack of depth in the traditional Jewish prayer service, but to a profound and almost universal lack of understanding of that prayer service that pervades all segments of the Jewish community. Jewish prayer services in many contemporary synagogues lack spiritual fervor because the linkage between word and ritual, on the one hand, and mental transformation on the other, that would generate such fervor is not generally known to Jewish adults and is not taught to Jewish children. Unfortunately, the prayer service regularly degenerates into a race through words and gestures divorced from the sequence of mental states and visualizations through which these words and gestures were intended to lead us." This book was written to reunite the activity and language of prayer with its original transformative goal, by educating worshippers about what is at the heart of the siddur. Several chapters provide an overview of the Jewish prayer service and its spiritual flow. These chapters explain the visualizations, allusions, and meditative techniques that form the heart of the service and the altered states of consciousness through which the service ca