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The continuing saga of the Empire of the Shin Nippon. The Fujiwara family fight to save the Emperor and the Empire from the magic of the evil Hojo. The Conquistadors march toward the Empire in the desert and toward the Aztec Empire.
The image of a giant sword melting stands at the structural and thematic heart of the Old English heroic poem Beowulf. This meticulously researched book investigates the nature and significance of this golden-hilted weapon and its likely relatives within Beowulf and beyond, drawing on the fields of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and comparative mythology. In Part I, Pettit explores the complex of connotations surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may function as a visual motif in which pre-Christian Germanic concepts and prominent Christian symbols coalesce. In Part II, Pettit investigates the broader Germanic background to this image, especially in relation to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across time. Drawing on an eclectic range of narrative and linguistic evidence from Northern European texts, and on archaeological discoveries, Pettit suggests that the image of the giant sword, and the characters and events associated with it, may reflect an elemental struggle between the sun and the moon, articulated through an underlying myth about the theft and repossession of sunlight. The Waning Sword: Conversion Imagery and Celestial Myth in 'Beowulf' is a welcome contribution to the overlapping fields of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. Not only does it present a wealth of new readings that shed light on the craft of the Beowulf-poet and inform our understanding of the poem’s major episodes and themes; it further highlights the merits of adopting an interdisciplinary approach alongside a comparative vantage point. As such, The Waning Sword will be compelling reading for Beowulf-scholars and for a wider audience of medievalists.
A Major work of twentieth-century American Literature.
Reprint of the original, first published in 1875.
Magnus Chase has seen his share of trouble. Ever since that terrible night two years ago when his mother told him to run, he has lived alone on the streets of Boston, surviving by his wits, staying one step ahead of the police and truant officers. On
The Tale of the Heike is one of the masterworks of Japanese literature, ranking with The Tal of Genji in quality and prestige. This new translation is not only far more readable than earlier ones, it is also much more faithful to the content and style of the original. Intended for the general audience as well as the specialist, this edition is highly annotated.
Nihongi: Chronicles of Japan from the Earliest Times to A.D. 697, often called the Nihonshoki, is one of Japan's great classics of literature. Regarded as one of the seminal original authorities on the mythology and ancient history of Japan, it remains as fresh today as when it was written in the eighth century. It provides a vivid picture of a nation in formation. In the Nihongi, we see the growth of national awareness following the assimilation of Buddhism and the general Chinese and Indian influence on Japanese culture. Before its history stretch the mysterious archaeological ages of Jomon and Yayoi. From the first chapter, “The Age of the Gods,” the fantastic world of ancient Japan is laid before us. Ritual myth and superstition meet with bare feet and folk custom. Strong emotions and conflict are seen surging in Japan’s antiquity. Few historical documents are as “human” as the Nihongi. For a thousand years, emperors, scholars, courtiers, and imperial historians have found in the Nihongi knowledge and guidance. It remains a key to early Japan, a gateway to the actual old Japan. The translator of the Nihongi, William George Aston, pioneered the translation of Japanese into English.
The final novel of the acclaimed Sun Sword series concludes the epic of a war-torn world of noble houses divided and demon lords unleashed... The armies of Alesso di’Marente and Valedan kai di’Leonne are massing in the Terrean of Averda for the battle that will at last determine the rule of the Dominion. The Sun Sword is about to be delivered by Serra Diora to its “rightful” holder, Valedan, last surviving heir of the clan Leonne. But whether Valedan will be able to wield the sword, or—like the former kai el’Sol—will be consumed by its magic, remains to be seen. The demon kin are gathering as well, and a dread spell is being worked which will—should it successfully reach completion—finally open the way for the Lord of Night to once again enter the mortal realm. And though many of the truly powerful have gathered upon the field, the entire course of the future may ultimately rest in the hands, heart, and soul of one being, Kiriel di’Ashaf, daughter of the Lord of Night....
Helen Hardacre offers for the first time in any language a sweeping, comprehensive history of Shinto, the tradition that is practiced by some 80% of the Japanese people and underlies the institution of the Emperor.
Annotation Originally developed for introductory courses on Eastern religious traditions, this popular anthology offers readings from primary texts of India, China, and Japan. With this second edition, the editors have expanded on existing texts and added new introductions to provide a better context for the excerpts as well as a better sense of historical developments. A section on Ch'an/Zen and excerpts from the writings of Ge Hong, representing the central concerns of Daoism, have been included. A section on modern China includes a poem written by Mao, exhibiting his Daoist sensibilities; there's also material about Falun Gong. A revised chapter on Buddhism presents the voices of modern Buddhist writers, including the Dalai Lama. Throughout the volume, women's voices have been added.