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With a swiftly moving narrative style and perceptive analysis, The Sword of Lincoln is destined to become the modern account of the army that was so central to the history of the Civil War.
Widely considered in his own time as a genial but provincial lightweight who was out of place in the presidency, Abraham Lincoln astonished his allies and confounded his adversaries by producing a series of speeches and public letters so provocative that they helped revolutionize public opinion on such critical issues as civil liberties, the use of black soldiers, and the emancipation of slaves. This is a brilliant and unprecedented examination of how Lincoln used the power of words to not only build his political career but to keep the country united during the Civil War.
The stellar writing team of Debra Doyle and James Macdonald work their magic once again with Lincoln’s Sword—a gem of alternate Civil War history that brilliantly compliments their superb Land of Mist and Snow. A remarkable blending of fact and fantasy, Lincoln’s Sword transports readers to the heat and fire of a very different War Between the States—as the fate of the Union rests with a traveler from the future and in the prophetic dreams of First Lady Mary Todd Lincoln.
Introducing Gideon Crew: trickster, prodigy, master thief At twelve, Gideon Crew witnessed his father, a world-class mathematician, accused of treason and gunned down. At twenty-four, summoned to his dying mother's bedside, Gideon learned the truth: His father was framed and deliberately slaughtered. With her last breath, she begged her son to avenge him. Now, with a new purpose in his life, Gideon crafts a one-time mission of vengeance, aimed at the perpetrator of his father's destruction. His plan is meticulous, spectacular, and successful. But from the shadows, someone is watching. A very powerful someone, who is impressed by Gideon's special skills. Someone who has need of just such a renegade. For Gideon, this operation may be only the beginning . . .
When Abraham Lincoln's election in 1860 prompted several Southern states to secede, the North was sharply divided over how to respond. In this groundbreaking and highly praised book, McClintock follows the decision-making process from bitter partisan rancor to consensus. From small towns to big cities and from state capitals to Washington, D.C., McClintock highlights individuals both powerful and obscure to demonstrate the ways ordinary citizens, party activists, state officials, and national leaders interacted to influence the Northern response to what was essentially a political crisis. He argues that although Northerners' reactions to Southern secession were understood and expressed through partisan newspapers and officials, the decision fell into the hands of an ever-smaller group of people until finally it was Lincoln alone who would choose whether the future of the American republic was to be determined through peace or by sword.
James M. McPherson is acclaimed as one of the finest historians writing today and a preeminent commentator on the Civil War. Battle Cry of Freedom, his Pulitzer Prize-winning account of that conflict, was a national bestseller that Hugh Brogan, in The New York Times, called "history writing of the highest order." Now, in Drawn With the Sword, McPherson offers a series of thoughtful and engaging essays on some of the most enduring questions of the Civil War, written in the masterful prose that has become his trademark. Filled with fresh interpretations, puncturing old myths and challenging new ones, Drawn With the Sword explores such questions as why the North won and why the South lost (emphasizing the role of contingency in the Northern victory), whether Southern or Northern aggression began the war, and who really freed the slaves, Abraham Lincoln or the slaves themselves. McPherson offers memorable portraits of the great leaders who people the landscape of the Civil War: Ulysses S. Grant, struggling to write his memoirs with the same courage and determination that marked his successes on the battlefield; Robert E. Lee, a brilliant general and a true gentleman, yet still a product of his time and place; and Abraham Lincoln, the leader and orator whose mythical figure still looms large over our cultural landscape. And McPherson discusses often-ignored issues such as the development of the Civil War into a modern "total war" against both soldiers and civilians, and the international impact of the American Civil War in advancing the cause of republicanism and democracy in countries from Brazil and Cuba to France and England. Of special interest is the final essay, entitled "What's the Matter With History?", a trenchant critique of the field of history today, which McPherson describes here as "more and more about less and less." He writes that professional historians have abandoned narrative history written for the greater audience of educated general readers in favor of impenetrable tomes on minor historical details which serve only to edify other academics, thus leaving the historical education of the general public to films and television programs such as Glory and Ken Burns's PBS documentary The Civil War. Each essay in Drawn With the Sword reveals McPherson's own profound knowledge of the Civil War and of the controversies among historians, presenting all sides in clear and lucid prose and concluding with his own measured and eloquent opinions. Readers will rejoice that McPherson has once again proven by example that history can be both accurate and interesting, informative and well-written. Mark Twain wrote that the Civil War "wrought so profoundly upon the entire national character that the influence cannot be measured short of two or three generations." In Drawn With the Sword, McPherson gracefully and brilliantly illuminates this momentous conflict.
“Fascinating . . . a lively and perceptive cultural history.” —Annette Gordon-Reed, The New Yorker In this wide-ranging, brilliantly researched work, David S. Reynolds traces the factors that made Uncle Tom’s Cabin the most influential novel ever written by an American. Upon its 1852 publication, the novel’s vivid depiction of slavery polarized its American readership, ultimately widening the rift that led to the Civil War. Reynolds also charts the novel’s afterlife—including its adaptation into plays, films, and consumer goods—revealing its lasting impact on American entertainment, advertising, and race relations.
The second episode in this award-winning trilogy impressively shows how the Union and Confederacy, slowly and inexorably, reconciled themselves to an all-out war—an epic struggle for freedom. In Terrible Swift Sword, Bruce Catton tells the story of the Civil War as never before—of two turning points which changed the scope and meaning of the war. First, he describes how the war slowly but steadily got out of control. This would not be the neat, short, “limited” war both sides had envisioned. And then the author reveals how the sweeping force of all-out conflict changed the war’s purpose, in turning it into a war for human freedom. It was not initially a war against slavery. Instead, this was, Mr. Lincoln kept insisting, a fight to reunite the United States. At first, it was not even much of a fight. Cautious generals; inexperienced, incompetent, or jealous administrators; shortages of good people and supplies; excess of both gloom and optimism, kept each side from swinging into decisive action. As the buildup began, there were maddening delays. The earliest engagements were halting and inconclusive. After these first tests at arms, reputations began to crumble. Buell, Halleck, Beauregard Albert Sidney Johnston. Failed to drive ahead—for reasons good and bad. General McClellan (impaled in these pages on the arrogant words of his letters) captured more imaginations than enemies, and continued to accept serious over estimates of Confederate strength while becoming more and more fatally estranged from his own government.
Originally published in 1942 and now reprinted for the first time, They Knew Lincoln is a classic in African American history and Lincoln studies. Part memoir and part history, the book is an account of John E. Washington's childhood among African Americans in Washington, DC, and of the black people who knew or encountered Abraham and Mary Todd Lincoln. Washington recounted stories told by his grandmother's elderly friends--stories of escaping from slavery, meeting Lincoln in the Capitol, learning of the president's assassination, and hearing ghosts at Ford's Theatre. He also mined the US government archives and researched little-known figures in Lincoln's life, including William Johnson, who accompanied Lincoln from Springfield to Washington, and William Slade, the steward in Lincoln's White House. Washington was fascinated from childhood by the question of how much African Americans themselves had shaped Lincoln's views on slavery and race, and he believed Lincoln's Haitian-born barber, William de Fleurville, was a crucial influence. Washington also extensively researched Elizabeth Keckly, the dressmaker to Mary Todd Lincoln, and advanced a new theory of who helped her write her controversial book, Behind the Scenes, A new introduction by Kate Masur places Washington's book in its own context, explaining the contents of They Knew Lincoln in light of not only the era of emancipation and the Civil War, but also Washington's own times, when the nation's capital was a place of great opportunity and creativity for members of the African American elite. On publication, a reviewer noted that the "collection of Negro stories, memories, legends about Lincoln" seemed "to fill such an obvious gap in the material about Lincoln that one wonders why no one ever did it before." This edition brings it back to print for a twenty-first century readership that remains fascinated with Abraham Lincoln.
The Civil War changed the United States in many ways—economic, political, and social. Of these changes, none was more important than Emancipation. Besides freeing nearly four million slaves, it brought agricultural wage labor to a reluctant South and gave a vote to black adult males in the former slave states. It also offered former slaves new opportunities in education, property ownership—and military service. From late 1862 to the spring of 1865, as the Civil War raged on, the federal government accepted more than 180,000 black men as soldiers, something it had never done before on such a scale. Known collectively as the United States Colored Troops and organized in segregated regiments led by white officers, some of these soldiers guarded army posts along major rivers; others fought Confederate raiders to protect Union supply trains, and still others took part in major operations like the Siege of Petersburg and the Battle of Nashville. After the war, many of the black regiments took up posts in the former Confederacy to enforce federal Reconstruction policy. Freedom by the Sword tells the story of these soldiers' recruitment, organization, and service. Thanks to its broad focus on every theater of the war and its concentration on what black soldiers actually contributed to Union victory, this volume stands alone among histories of the U.S. Colored Troops.