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A sweeping historical adventure set during one of the most turbulent periods of British history—featuring a heroine you’ll never forget ... Dorset, 1642. When bloody civil war breaks out between the king and Parliament, families and communities across England are riven by different allegiances. A rare few choose neutrality. One such is Jayne Swift, a Dorset physician from a Royalist family, who offers her services to both sides in the conflict. Through her dedication to treating the sick and wounded, regardless of belief, Jayne becomes a witness to the brutality of war and the devastation it wreaks. Yet her recurring companion at every event is a man she should despise because he embraces civil war as the means to an end. She knows him as William Harrier, but is ignorant about every other aspect of his life. His past is a mystery and his future uncertain. The Swift and the Harrier is a sweeping tale of adventure and loss, sacrifice and love, with a unique and unforgettable heroine at its heart.
As a plague descends on Medieval England, a courageous Lady must protect her land and people at all costs in this historical novel: “Enthralling” (Julian Fellowes, creator of The Gilded Age). England, 1348. When the Black Death arrives in Dorset, no one knows what manner of sickness it is or how it spreads and kills so quickly. The Church proclaims it a punishment from God, insisting that daily confession is their only hope for survival. But Lady Anne of Devilish has different ideas. With her trusted steward Thaddeus at her side—and her brutal husband absent—she gathers her serfs within the moated walls of Devilish and refuse entry to outsiders, including her husband. Bu in such a confined space, conflicts soon arise. Ignorant of the world outside, Lady Anne’s people wrestle with the terrible uncertainty of their futures. And as food stocks run low, they begin to wonder how long they can survive within. The moment will come when they must cross the moat . . . and encounter a world transformed in ways they can’t imagine.
Survivors of the Black Death face new dangers as they seek safety and freedom in the New York Times–bestselling author’s sequel to The Last Hours. England, Winter, 1348. As the Black Death continues its devastating course across England, the quarantined people of Develish question whether they are the only survivors. Guided by their beloved young mistress, Lady Anne, they wait, knowing that when their dwindling stores are finally gone, they will have to leave the safety of their moated walls. But first, to prepare for the wasteland outside, one courageous man must venture out alone. Thaddeus Thurkell, a free-thinking, educated serf, goes in search of supplies and news. A compelling leader, he and his companions quickly throw off the shackles of serfdom and set their minds to ensuring Develish’s future—and freedom for its people. But what use is freedom that cannot be gained lawfully? When Lady Anne and Thaddeus conceive an audacious plan to secure her people’s independence, neither foresees the life-threatening struggle over power, money and religion that follows . . .
Two French storytellers and a runaway girl travel through fairytale lands, Italian theatres, and the battlefields of France in search of a place to belong as Napoleon's Empire falls, from the author of Josephine's Garden. '... a vividly imagined and unforgettable tale of love, hope and friendship. Above all, though, this a novel about stories...' Better Reading Remi Victoire is the golden child among all the theatre orphans; he dreams of a life on a Paris stage. But when this future is stolen from him, Remi and his faithful friend Pascal turn their backs on Paris forever. With Saskia, a runaway orphan girl, Remi and Pascal form a performing troupe, travelling through the fairytale lands that are home to the Brothers Grimm, before finding a safe haven in Venice. As Napoleon's vast Empire crumbles, the French storytellers discover that Paris itself is now at risk of invasion and they fear for the loved ones they have left behind. From picturesque villages to Italian theatres and on to the battlefields outside of Paris, this is a beautifully told story about the bonds of love and friendship, the importance of stories, and finding a place to belong. Praise for Stephanie Parkyn: 'A luminous, enthralling tale of love, treachery, treason and friendship...full of unexpected twists and turns.' Kate Forsyth on Josephine's Garden 'Spellbinding, rich and an immensely enjoyable blend of fact and fiction.' Blue Wolf Reviews on Josephine's Garden
In the tradition of Arianna Franklin and C. J. Sansom comes Samuel Thomas's remarkable debut, The Midwife's Tale It is 1644, and Parliament's armies have risen against the King and laid siege to the city of York. Even as the city suffers at the rebels' hands, midwife Bridget Hodgson becomes embroiled in a different sort of rebellion. One of Bridget's friends, Esther Cooper, has been convicted of murdering her husband and sentenced to be burnt alive. Convinced that her friend is innocent, Bridget sets out to find the real killer. Bridget joins forces with Martha Hawkins, a servant who's far more skilled with a knife than any respectable woman ought to be. To save Esther from the stake, they must dodge rebel artillery, confront a murderous figure from Martha's past, and capture a brutal killer who will stop at nothing to cover his tracks. The investigation takes Bridget and Martha from the homes of the city's most powerful families to the alleyways of its poorest neighborhoods. As they delve into the life of Esther's murdered husband, they discover that his ostentatious Puritanism hid a deeply sinister secret life, and that far too often tyranny and treason go hand in hand.
Why would a wombat be registered for war? It's 1965, and an old Tattersalls barrel starts rolling marbles to randomly conscript young Australian men to fight in the war in Vietnam. Melbourne housewife Jean McLean is outraged, as are her artist friends Clif and Marlene Pugh, who live in the country with their wombat, Hooper. Determined to wreck the system, Jean forms the Save Our Sons movement's Victorian branch, and she and her supporters take to the streets to protest. Meanwhile, in the small country town of Katunga, Bill Cantwell joins the Australian Army, and in Saigon, young Mai Ho is writing letters to South Vietnamese soldiers from her school desk. And when Hooper's call-up papers arrive, he mysteriously goes underground... As these stories intersect in unexpected ways and destinies entwine, a new world gradually emerges - a world in which bridges of understanding make more sense than war. This stunning graphic novel, full of empathy, courage and resistance, is based on true events. 'Every drawing reflects a Vietnamese history era in which I grew up and witnessed the war. I cannot thank you enough for this memory.' MAI HO 'I wish I had this growing up. It's incredibly informative. Stories like this are severely lacking, and for an Australian audience, I think it will be revelatory.' MATT HUYNH
Shortlisted for the 2022 Miles Franklin Literary Award A profoundly original exploration of racism, misogyny, and ageism—three monsters that plague the world—this novel from a beloved and prize-winning author is made up of two narratives, each told by a South Asian migrant to Australia “When my family emigrated it felt as if we’d been stood on our heads.” Michelle de Kretser’s electrifying take on scary monsters turns the novel upside down, just as migration has upended her characters’ lives. Lili’s family migrated to Australia from Asia when she was a teenager. Now, in the 1980s, she’s teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants, and is creeped out by her downstairs neighbor. All the while, Lili is striving to be A Bold, Intelligent Woman like Simone de Beauvoir. Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces “Australian values.” He’s also preoccupied by his ambitious wife, his wayward children, and his strong-minded elderly mother. Islam has been banned in the country, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course. Three scary monsters—racism, misogyny, and ageism—roam through this mesmerizing novel. Its reversible format enacts the disorientation that migrants experience when changing countries changes the stories of their lives. With this suspenseful, funny, and profound book, Michelle de Kretser has made something thrilling and new. “Which comes first, the future or the past?”
A blistering new thriller about the horrors of war and the struggle to survive in the face of pure evil. Foreign correspondent Connie Burns is hunting a British mercenary that she believes is responsible for the rape and murder of five women in Sierra Leone in 2002. Two years later she finds him training Iraqi police in Baghdad. Connie is determined to expose his crimes, but then she is kidnapped and released after three days of unspeakable torture. Silently, she returns to England and attempts to isolate herself, but it soon becomes apparent that the horrors of the world and her own nightmarish past aren’t so easy to escape from.
‘Ella Baxter’s debut novel is drenched in sex and death . . . there’s also much love . . . An intense, viscerally affecting book, with the quotient of tenderness to violence in an equal scale.’ Sydney Morning Herald Amelia is no stranger to sex and death. Her job in her family’s funeral parlour, doing make-up on the dead, might be unusual, but she’s good at it. Life and warmth comes from the men she meets online – combining with someone else’s body at night in order to become something else, at least for a while. But when a sudden loss severs her ties with someone she loves, Amelia sets off on a seventy-two-hour mission to outrun her grief – skipping out on the funeral, running away to stay with her father in Tasmania and experimenting on the local BDSM scene. There she learns more about sex, death, grief, and the different ways pain works its way through the body. It takes two fathers, a bruising encounter with a stranger and recognition of her own body’s limits to bring Amelia back to herself. Deadpan, wise and heartbreakingly funny, Ella Baxter’s New Animal is a stunning debut.
A hit man defies the confines of a life sentence to avenge his sister's batterer. An immaculately dressed man hires a street gang to extract his daughter from a Central American prison, for reasons as mysterious as they are deadly. A two-bit graffiti artist with a taste for Nazi-ganda finds himself face-to-face with three punks out to make a mark of their own—literally—with a tattoo needle. From neo-noir master Andrew Vachss comes Everybody Pays, 38 white-knuckle rides into a netherworld of pederasts and prostitutes, stick-up kids and fall guys—where private codes of crime and punishment pulsate beneath a surface system of law and order, and our moral compass spins frighteningly out of control. Here is the street-grit prose that has earned Vachss comparisons to Chandler, Cain, and Hammett--and the ingenious plot twists that transform the double-cross into an expression of retribution, the dark deed into a thing of beauty. Electrifying and enigmatic, Everybody Pays is a sojourn into the nature of evil itself—a trip made all the more frightening by its proximity to our front doorstep.