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THE SWAGMAN SAGA is an Australian colonial myth of the vagrant archetype traveling through time and over the landscapes of the Great South Land. From the convict settlement in Port Jaxson, to an epic trek across the continent with his magic swag and The Old Grey Mare, to the founding of Freemanport in Western New Holland. Counterpointing his story is that of Matilda, born of a line of Cornish witches who bear the magic trunk which binds the destiny of all the characters. The Swagman, Tai Foon the Golem Chinese Warrior, Biddi and Yanda their Aboriginal friends, and the antagonist - a terrible agent of Law and Order, The Nemesis of Witches, Captain Sharman, a shape-changer riding a carnivorous black steed. The Swagman and the Witch create a new life together, founding a nation that embraces people from all the lands on earth.
Now in one volume: the duology featuring the folk hero who leaves a mark on the galaxy that can never be erased—from the multiple Hugo and Nebula Award-winning author. Santiago Sebastian Cain is a former revolutionary who has killed hundreds of criminals for the right price. But one has always eluded him: Santiago. Now, Cain has gotten a lead on the elusive outlaw, and it’s too hard to resist. But unraveling the threads of Santiago’s life might get him tangled up in something far bigger than he ever imagined . . . “This is one of those once-in-a-lifetime, never-to-be-duplicated stories that ensnare you in such a wondrous universe that you never, ever want to leave. It will spawn a half-dozen sequels and two dozen or more imitators that will feed on our enrapture . . . but there will be only one Santiago.” —The Baltimore Evening Sun The Return of Santiago Petty thief Danny Briggs discovers the original manuscript of the balladeer who wandered the spaceways a hundred years ago, recording the adventures of larger-than-life heroes, villains, and misfits—including Santiago. The find inspires him to write a new epic. All he needs is his century’s version of the infamous criminal . . . Praise for Mike Resnick “Resnick is thought-provoking, imaginative . . . and above all galactically grand.” —Los Angeles Times “Nobody spins a yarn better than Mike Resnick.” —Orson Scott Card, New York Times–bestselling author of Ender’s Game
An internationally celebrated historian and highly original thinker, Inga Clendinnen compelled readers to re-examine accepted histories from new angles. Inga Clendinnen was one of Australia’s greatest writers and historians. This selection covers the full scope of her work, from Tiger’s Eye to Aztecs, from her Boyer Lectures to essays on all manner of topics. It is introduced by acclaimed historian James Boyce, who traces Clendinnen’s life and evolving thought. Boyce writes that Clendinnen’s ‘ability to write serious history for a general readership was unrivalled in this country ... Her writings are an enduring testament to the truth that while we might “live within the narrow moving band of time we call the present ... the secret engine of our present is our past, with its plastic memories, its malleable moralities, its wreathing dreams of desirable futures”.’ ‘With the profound moral concern of the best general reader, one of our finest historians brings the Holocaust close up and stares the Medusa down. Inga Clendinnen claims for history the same power as poetry or fiction to enter the silences and make them speak.’ —David Malouf ‘Her respect for the intelligence of her readers, her sacred sense of the moral responsibility of history, and her luminous prose won her a large and devoted public.’ —Tom Griffiths
In the third Quarterly Essay for 2006, Inga Clendinnen looks past the skirmishes and pitched battles of the history wars and asks what's at stake - what kind of history do we want and need? Should our historians be producing the ''''''''objective record of achievement'''''''' that the Prime Minister has called for? For Clendinnen, historians cannot be the midwives of national identity and also be true to their profession: history cannot do the work of myth. Clendinnen illuminates the ways in which history, myth and fiction differ from one another, and why the differences are important. In discussing what good history looks like, she pays tribute to the human need for story telling but notes the distinctive critical role of the historian. She offers a spirited critique of Kate Grenville's novel The Secret River, and discusses the Stolen Generations and the role of morality in history writing. This is an eloquent and stimulating essay about a subject that has generated much heat in recent times: how we should record and regard the nation's past. ''''''''Who owns the past? In a free society, everyone. It is a magic pudding belonging to anyone who wants to cut themselves a slice, from legend manufacturers through novelists looking for ready - made plots, to interest groups out to extend their influence.'''''''' - Inga Clendinnen, The History Question.
When you’re the most wanted man alive, your legend never dies. An adventure of interplanetary law and disorder from the multiple Hugo and Nebula Award-winning author. Santiago is a legend, known far and wide across the galaxy as the greatest killer and thief alive. He’s the subject of songs, the faceless wanted poster on the wall, the bogeyman that parents name to scare their children into behaving. And he’s the target of every bounty hunter in the universe. Sebastian Nightingale Cain has quite the reputation himself. Known as the Songbird, he’s a former revolutionary who has killed hundreds of criminals for the right price. But one has always eluded him: Santiago. Now, Cain has gotten a lead on the elusive outlaw, and it’s too hard to resist. In a race against a rival bounty hunter, Cain’s quest will take him to the far-flung Frontier planets, where he’ll encounter aliens and evangelists, journalists and cyborgs—all of whom have a stake in finding or protecting Santiago. But unraveling the threads of Santiago’s life might get Cain tangled up in something far bigger than he ever imagined . . . “This is one of those once-in-a-lifetime, never-to-be-duplicated stories that ensnare you in such a wondrous universe that you never, ever want to leave. It will spawn a half dozen sequels and two dozen or more imitators that will feed on our enrapture . . . but there will be only one Santiago.” —The Evening Sun
The story behind Banjo Paterson's iconic Australian song. 'Once a jolly swagman camped by a Billabong Under the shade of a Coolibah tree And he sang as he watched and waited till his Billy boiled You'll come a-waltzing Matilda with me...' In 1894, twelve-year-old Matilda flees the city slums to find her unknown father and his farm. But drought grips the land, and the shearers are on strike. Her father has turned swaggie and he's wanted by the troopers. In front of his terrified daughter, he makes a stand against them, defiant to the last. 'You'll never catch me alive, said he...' Set against a backdrop of bushfire, flood, war and jubilation, this is the story of one girl's journey towards independence. It is also the story of others who had no vote and very little but their dreams. Drawing on the well-known poem by A.B. Paterson and from events rooted in actual history, this is the untold story behind Australia's early years as an emerging nation. PRAISE 'Jackie French has a passion for history, and an enviable ability to weave the fascinating minutiae of everyday life into a good story.' -- Magpies Magazine
Now in its third edition, The Cambridge Encyclopedia of the English Language provides the most comprehensive coverage of the history, structure and worldwide use of English. Fully updated and expanded, with a fresh redesigned layout, and over sixty audio resources to bring language extracts to life, it covers all aspects of the English language including the history of English, with new pages on Shakespeare's vocabulary and pronunciation, updated statistics on global English use that now cover all countries and the future of English in a post-Brexit Europe, regional and social variations, with fresh insights into the growing cultural identities of 'new Englishes', English in everyday use with new sections on gender identities, forensic studies, and 'big data' in corpus linguistics, and digital developments, including the emergence of new online varieties in social media platforms such as Facebook, Twitter and WhatsApp. Packed with brand new colour illustrations, photographs, maps, tables and graphs, this new edition is an essential tool for a new generation of twenty-first-century English language enthusiasts.
Home and Away: The Place of the Child Writer is an important contribution to the fast-growing and rapidly evolving field of literary juvenilia studies. This collection of essays by fifteen scholars is the first in this area to be published in the past decade. To reflect recent developments, Home and Away both theorises the current state of this richly interdisciplinary academic field and exemplifies juvenilia studies in action. An authoritative review of the origins and future of literary juvenilia studies is followed by a collection of essays on individual authors. Wide-ranging in literary periods covered, geographical regions represented, and methodological approaches employed, the collection is organized around the basic tenet that the familiar world of home and the as–yet–untravelled territory of adulthood are both important to the imaginations of juvenile authors. The relationships and values of the parental home, the topography of the home place, the literature and lives that first fired their imaginations as children, find expression in young writers’ works. So too do the unfamiliar or extra-familiar connections, lifestyles, landscapes, and literature that the child writer anticipates, imagines, or invents, whether as a means of temporary escape while still at home, or as a process of preparing for adulthood and artistic maturity.