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John and Mayme Surrency were murdered in Jacksonville, FL on November 25, 1936, the day before Thanksgiving. Two men were hired to rob the couple of two hundred dollars. In reality, John was carrying over twenty-seven hundred dollars, which remained untouched as the pair fled. Murder appeared the ultimate goal. Sheriff Rex Swift and his deputies made short work of the investigation, and the two men and their coconspirator were apprehended on December 12, 1936. But would all three face justice? As facts were brought into the light of day, it became apparent there was more to the story. Clyde Hysler, the man who contracted the murder, was a member of a family whose run-ins with Jacksonville law enforcement occurred over decades prior. So deep was their connection to organized Crime, Al Capone stayed at the home of Jim Hysler, Clyde’s father, in 1930. Adding to the mystery was the untimely and mysterious deaths of Mayme Surrency’s brother, Bartow’s state senator, John Swearingen in 1931, and that of her son-in-law in July 1938. Historical facts are woven into this fictionalized story paying homage to the couple who lost their lives at a time when enjoyment of grandchildren should offer a glimpse into an everlasting existence. John and Mayme’s lives, and their ultimate demise, affected all involved in the law enforcement community. Their spirit lives on in not only family members, but in the lives of those who fought for justice.
After twenty-eight years of suffering the effects of a rape endured when she was seven-years-old, Madeline McVie shifts perspective from that of victim to warrior. Her father, who’d executed a nearly three decade campaign of revenge, is murdered at the hands of local elite. Fate casts Madeline into a role for which she’s wholly unprepared. Fortune favors the bold. Personnel from military NGOs, as well as law enforcement, come to Madeline’s aid. Together, they establish a militia whose stated purpose is the eradication of evil from their community. Criminals continue to ply those Madeline trusts with promises of wealth beyond meager circumstances. Financial stress, created by elite, controls the population. Possessing an agenda based in equality, brings forth residents willing to put lives and Earthly possessions at risk. Intellectual allies possess the knowledge to make their town fiscally prosperous; for the benefit of all. Wresting dominance from families who’ve controlled local abundance since 1947 proves a Herculean task. The movement started by William McVie and Curtis Thomas grows organically; based in Godly love for fellow humans. When citizens benefit equally from local resources, contentment follows. Madeline is a modern day tale of forces for good battling those possessed by evil. David versus Goliath. Robin Hood versus the Sheriff of Nottingham.
A murder case with all the elements of melodrama -- including seduction and betrayal, political intrigue, honor, and greed -- the Kentucky Tragedy of 1825 riveted the attention of the nation. For decades afterward, its themes resonated in American writing. With unprecedented objectivity, Dickson Bruce recounts the events of the case and offers an innovative analysis of the poems, novels, dramas, and commentary it inspired. He uncovers an intricate connection between public fascination with the Kentucky Tragedy and changing ideas about gender roles, social identity, human motivation, and freedom in the years leading up to the Civil War.Bruce provides a masterly narration of the Tragedy. Around 1819, Colonel Solomon P. Sharp, one of Kentucky's leading politicians, allegedly seduced Ann Cooke, who subsequently delivered a stillborn child she claimed was fathered by Sharp. During the summer of 1825, rumors of the scandal circulated, incensing both Cooke and her husband, Jereboam Beauchamp, who decided, with the support of his wife, that honor compelled him to kill Sharp. He did so, admitted to the act, and was tried, found guilty, and sentenced to die. On the morning of the execution, the couple attempted suicide by stabbing in Beauchamp's jail cell. Cooke died, but Beauchamp was merely wounded and met his date with the hangman later that day.The lurid story appeared widely in the popular press and captured the imaginations of many antebellum writers, including William Gilmore Simms and Edgar Allan Poe. Bruce reveals that the Kentucky Tragedy elicited more literary works than did any other episode of the period. By exploring the transformation of the Tragedy into literature, he illuminates the shifting social, political, and intellectual forces that revolutionized American life in this era.
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One of nineteenth-century America's foremost men of letters, William Gilmore Simms (1806-1870) of Charleston, South Carolina, distinguished himself as a historian, poet, and novelist; yet his stalwart allegiance to the ideals of the Confederacy have kept him largely marginalized from the modern literary canon. In this engaging study, Masahiro Nakamura seeks to reinsert Simms in current American literary and cultural studies through a careful consideration of Simms's southern conservatism as a valuable literary counterpoint to the bourgeois individualist ideology of his northern contemporaries. For Nakamura, Simms's vision of social order runs contrary to the staunch individualism expressed in traditional American romances by authors such as James Fenimore Cooper and Nathaniel Hawthorne. In his thoughtful approaches to Simms's historical depictions of the making of American history and society, Nakamura finds consistent assertions of social order against the perils of literal and metaphoric wilderness, a conservative vision that he traces to the influence of Simms's southern genius loci. To understand how this southern conservatism also manifests itself in Simms's fiction, Nakamura contrasts Simms's historical romances with those of Hawthorne, as representative of the New England romance tradition, to differentiate the ways in which the two writers interpret the dynamic between the individual and society. Nakamura finds that Simms's protagonists struggle to establish their places within their culture while Hawthorne's characters are often at odds with their culture. The resulting comparison enriches our understanding of both writers.