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Internationally known as a writer, hostess, and patron of the arts of the twentieth century, Mabel Dodge Luhan (1879–1962) is not known for her experiences with venereal disease, unmentioned in her four-volume published memoir. Making the suppressed portions of Luhan’s memoirs available for the first time, well-known biographer and cultural critic Lois Rudnick examines Luhan’s life through the lenses of venereal disease, psychoanalysis, and sexology. She shows us a mover and shaker of the modern world whose struggles with identity, sexuality, and manic depression speak to the lives of many women of her era. Restricted at the behest of her family until the year 2000, Rudnick’s edition of these remarkable documents represents the culmination of more than thirty-five years of study of Luhan’s life, writings, lovers, friends, and Luhan’s social and cultural milieus in Italy, New York, and New Mexico. They open up new pathways to understanding late Victorian and early modern American and European cultures in the person of a complex woman who led a life filled with immense passion and pain.
She was "the most peculiar common denominator that society, literature, art and radical revolutionaries ever found in New York and Europe." So claimed a Chicago newspaper reporter in the 1920s of Mabel Dodge Luhan, who attracted leading literary and intellectual figures to her circle for over four decades. Not only was she mistress of a grand salon, an American Madame de Stael, she was also a leading symbol of the New Woman: sexually emancipated, self-determining, and in control of her destiny. In many ways, her life is the story of America's emergence from the Victorian age. Lois Rudnick has written a unique and definitive biography that examines all aspects of Mabel Dodge Luhan's real and imagined lives, drawing on fictional portraits of Mabel, including those by D. H. Lawrence, Carl Van Vechten, and Gertrude Stein, as well as on Mabel's own voluminous memoirs, letters, and fiction. Rudnick not only assesses Mabel as muse to men of genius but also considers her seriously as a writer, activist, and spirit of the age. This biography will appeal not just to cultural historians but to any woman who has loved and lived with men who are artists and rebels. Both as a liberated woman and as a legend, Mabel Dodge Luhan embodies the cultural forces that shaped modern America.
Winner of the 1996 Gaspar Perez de Villegra Award from the Historical Society of New Mexico Mabel Dodge Luhan, hostess and visionary, made Taos, New Mexico, a center for artists and utopians when she moved there in 1917 and began inviting friends to visit her. Now available in paperback, Utopian Vistas is a chronicle of the house Luhan built in Taos and the poets, painters, photographers, film-makers, writers, educators, and visionaries whose lives and works were affected by the house and its environs. Lois Rudnick weaves a complex tapestry depicting American countercultures in New Mexico from the 1920s to the 1990s. "Should be required reading for art historians,film historians, ex-Beats and hippies, their children and grandchildren, and anyone interested in the possibility of making an imperfect America perfect at last."--Karal Ann Marling
DigiCat Publishing presents to you this special edition of ""Not I, but the Wind..."" by Frieda von Richthofen Lawrence. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Profiles of six remarkable women writers and artists whose work was shaped significantly by their relationship with New Mexico.
Addresses issues common to contemporary Native Americans, such as the definition of Indian art and the stereotypical Indian portrayed in film.
"Lorenzo in Taos," is written loosely in the form of letters to and from D.H. Lawrence, Frieda Lawrence, Robinson Jeffers, and Luhan. The book is a highly personal and most informative account of an intense relationship with a great writer.
Bohemia in America, 1858–1920 explores the construction and emergence of "Bohemia" in American literature and culture. Simultaneously a literary trope, a cultural nexus, and a socio-economic landscape, la vie bohème traveled to the United States from the Parisian Latin Quarter in the 1850s. At first the province of small artistic coteries, Bohemia soon inspired a popular vogue, embodied in restaurants, clubs, neighborhoods, novels, poems, and dramatic performances across the country. Levin's study follows la vie bohème from its earliest expressions in the U.S. until its explosion in Greenwich Village in the 1910s. Although Bohemia was everywhere in nineteenth- and twentieth-century American culture, it has received relatively little scholarly attention. Bohemia in America, 1858–1920 fills this critical void, discovering and exploring the many textual and geographic spaces in which Bohemia was conjured. Joanna Levin not only provides access to a neglected cultural phenomenon but also to a new and compelling way of charting the development of American literature and culture.
'Frances Wilson writes books that blow your hair back. She makes Lawrence live and breathe, annoy and captivate you ... she conjures the past with such clarity and wit and flair that it feels utterly present' Katherine Rundell 'A brilliantly unconventional biography, passionately researched and written with a wild, playful energy' Richard Holmes D H Lawrence is no longer censored, but he is still on trial – and we are still unsure what the verdict should be, or even how to describe him. History has remembered him, and not always flatteringly, as a nostalgic modernist, a sexually liberator, a misogynist, a critic of genius, and a sceptic who told us not to look in his novels for 'the old stable ego', yet pioneered the genre we now celebrate as auto-fiction. But where is the real Lawrence in all of this, and how – one hundred years after the publication of Women in Love - can we hear his voice above the noise? Delving into the memoirs of those who both loved and hated him most, Burning Man follows Lawrence from the peninsular underworld of Cornwall in 1915 to post-war Italy to the mountains of New Mexico, and traces the author's footsteps through the pages of his lesser known work. Wilson's triptych of biographical tales present a complex, courageous and often comic fugitive, careering around a world in the grip of apocalypse, in search of utopia; and, in bringing the true Lawrence into sharp focus, shows how he speaks to us now more than ever. 'No biography of Lawrence that I have read comes close to Burning Man' Ferdinand Mount, author of Kiss Myself Goodbye 'The most original voice in life-writing today' Lucasta Miller, author of Keats