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Emperor Tenet intends to pull all people into the Sienese Empire. Wen Alder must play a dangerous game if he wants to protect his people, as he enters the service of the empire to learn all its magical secrets. 'The closest I've ever come to finding something comparable to The Name of the Wind ' The Chronicler My name is Wen Alder. My name is Foolish Cur. All my life, I have been torn between two legacies: my father's, whose family trace their roots back to the right hand of the Emperor. My mother's, whose family want to bring the Empire to its knees. I can choose between them - between the safety of empire or the freedom of rebellion - or I can seek out a better path . . . one filled with magic and secrets, unbound by suffocating legacy, but one which could shake my world to its very foundation. For my quest will bring me face to face with the gods themselves. And they have been watching. Waiting to make their move . . . The first book in the Pact and Pattern series. Fans of Robin Hobb, Brandon Sanderson's Mistborn and R.F. Kuang's The Poppy War will love the magic running through every page. Read what everyone is saying about The Hand of the Sun King: 'A debut of incredible quality' Richard Swan, Sunday Times bestselling author 'Brilliantly told and immediately engrossing' Andrea Stewart, critically acclaimed author of The Bone Shard Emperor 'Seriously, this book has everything . . . a beautiful and breathtaking fantasy work' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'A captivating epic of conflicted loyalties and dangerous ambition' Anthony Ryan, New York Times bestselling author of The Pariah 'I cannot praise this book highly enough, it's just brilliant' Fantasy Book Nerd 'Greathouse's writing flows like silk . . . a complex magic system, a coming of age story, a morally conflicted protagonist, ancient and mysterious gods and a massive world-spanning empire . . . full of magic, intricate detail and richly imagined fantasy elements' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'The magic system is complex and fascinating . . . also, J.T. Greathouse's prose is beautiful and poetic . . . It has an intricate plot. political manoeuvring, and tragic events that Robin Hobb's fans would love' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'I felt fear and excitement and never being able to predict what was to come next aided in my helpless immersion into this story' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Alder is a phenomenal main character . . . As close to a perfect debut as any fantasy fan could ask for' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'An exciting new voice in epic fantasy' SFX
This heartwarming picture book reassures children that a parent’s love never lets go—based on the poignant lyrics of JJ Heller’s beloved lullaby “Hand to Hold.” “May the living light inside you be the compass as you go / May you always know you have my hand to hold.” With delightful illustrations and an engaging rhyme scheme, this book offers the promise of security and love every child’s heart longs to know. From skipping stones and counting stars to climbing trees and telling stories, every moment is wrapped snugly in the certain warmth of a parent’s presence and God’s blessing. With poignancy and joy, this bedtime read captures the unconditional love parents want their children to know but so often fail to express amid the chaos of daily life.
Divided into five chapters and illustrated by kaur, the sun and her flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms. this is the recipe of life said my mother as she held me in her arms as i wept think of those flowers you plant in the garden each year they will teach you that people too must wilt fall root rise in order to bloom
A bestselling literary sensation in Brazil, a powerful debut short-story collection about favela life in Rio de Janeiro In The Sun on My Head, Geovani Martins recounts the experiences of boys growing up in the favelas of Rio de Janeiro in the early years of the twenty-first century. Drawing on his childhood and adolescence, Martins uses the rhythms and slang of his neighborhood dialect to capture the texture of life in the slums, where every day is shadowed by a ubiquitous drug culture, the constant threat of the police, and the confines of poverty, violence, and racial oppression. And yet these are also stories of friendship, romance, and momentary relief, as in “Rolézim,” where a group of teenagers head to the beach. Other stories, all uncompromising in their realism and yet diverse in narrative form, explore the changes that occur when militarized police occupy the favelas in the lead-up to the World Cup, the cycles of violence in the narcotics trade, and the feelings of invisibility that define the realities of so many in Rio’s underclass. The Sun on My Head is a work of great talent and sensitivity, a daring evocation of life in the favelas by a rising star rooted in the community he portrays.
This was Tariq Mehmood's first novel, published by Penguin Books in 1983, charting the experience of the second generation migrants to the UK. Set in the declining textile industry of the North of England, it is a raw story of pain and anger at the relentlessness of British racism, from the street to the state - a story of an unquenchable desire for justice, and reclaiming human dignity. A dignity that is wrapped around new questions of Identity, a crossroad between religion, language, history and resistance. It is a little big story, that talks to the extremities of social, political and literary issues today? Can stories of a generation be appropriated? How important is religion in identity? If all you have is a story to tell, who should you tell it? Are the issues of today, just the issues of today or can we learn something from the past? In these stories, friendship is not defined by religion or colour, but by humanity. And racism is much more than skin deep. It is an exhilarating read that bears witness to the urgent 80's battles against state and popular racism. As important now as then. In this new edition, Mehmood provides a Foreword that describes how the novel came to be written and the lives of real people on whom the characters were created. In the Afterword, Mehmood revisits some of the characters who are now 40-years older, and reflects on how the book would have been written today where the conditions of mass mobilizations no longer exist in neoliberal Britain.
“An original fantasy filled with magic and culture, the story of a character torn between two names, two loyalties, and two definitions of good and evil.”—Kevin J. Anderson, New York Times bestselling author of Spine of the Dragon Wen Alder was born into two worlds. On his father’s side, a legacy of proud loyalty and service to the god-like Sienese Emperor spanning generations. And it is expected that Alder, too, will follow this tradition by passing the Imperial exams, learning the accepted ways of magic and, if he serves with honor, enhancing his family's prominence by rising to take a most powerful position in Sien—the Hand of the Emperor. But from his mother he has inherited defiance from the Empire, a history of wild gods and magic unlike anything the Imperial sorcerers could yet control. It began when his spirited, rebellious grandmother took Alder into the woods and introduced him to her ways—ways he has never been able to forget. Now, on the verge of taking the steps that will forge the path of his life, Alder discovers that the conflict between the Empire and the resistance is only the beginning of a war that will engulf both heaven and earth, gods and man—and he may be the key to final victory for whichever side can claim him as their own... “Sublime prose and pin-sharp characterisation combine to produce a captivating epic of conflicted loyalties and dangerous ambition.” —Anthony Ryan, New York Times bestselling author “The Hand of the Sun King is a masterpiece. Alder Wen's growth as a character is supremely satisfying, his navigation of societal pressures and warring factions of an imperialist campaign captivating. J.T.’s writing is as smooth as silk; this is world-class modern fantasy with delightful undertones of the classic fantasy epics.” —Scott Drakeford, author of Rise of the Mages “The Hand of the Sun King is not the gentle story of a boy’s rise to power; instead, it digs its fingernails into the layers of an empire that would consume and erase half that boy’s identity. Brilliantly told and immediately engrossing, filled with magic, mistakes and their merciless consequences.” —Andrea Stewart, author of The Bone Shard Daughter “The Hand of the Sun King is an outstanding debut novel with very well-conceived world building and an excellent, original magic system, and twists that will keep you reading late into the night and guessing until the very end. The thing that really makes it shine is the main character—I really loved his development throughout the story. Alder is a character I look forward to following for multiple books to come.” —Michael Mammay, author of the Planetside series “A great coming of age story about a foolish boy who seeks to unravel the secrets of magic and maybe do something good in the process. I absolutely loved it.” —Nick Martell, author of Kingdom of Liars “Well written, thought provoking and enjoyable, The Hand of the Sun King is an impressive debut novel that left me eager for more.” —Lisbeth Campbell, author of The Vanished Queen “A great debut novel.” —SFFWorld “A spellbinding debut with terrific characterisations, immersive world-building, and prose that swept me away ... hands down the best debut of the year. Scratch that; this is one of the best debuts I've ever read.” —Novel Notions “Exquisite ... Greathouse's characterisation, his prose, and worldbuilding are an absolute triumph.” —The Fantasy Hive “An excellent mix of classic and modern fantasy with a grimdark undertone of despair.” —Grimdark Magazine “The Hand of the Sun King is an enjoyable novel that pays great homage to the traditions and mythologies it borrows from.” —Quill to Live “Teeming with culture, doused in war, political intrigue ... but strikes out its own path in the genre.” —FanFiAddict “Set in a fantastical world of magic with a rich history, this novel fits beautifully into its genre while also addressing some failings of the genre by turning them on their head.” —Dawn Vogel, History That Never Was
Displays for the first time the complete work of a neglected poetic genius Although best known as C. S. Lewis's wife, Joy Davidman was a gifted writer herself who produced, among other things, two novels and an award-winning volume of poetry in her short lifetime. The first comprehensive collection of Davidman's poetry, A Naked Tree includes the poems that originally appeared in her Letter to a Comrade (1938), forty other published poems, and more than two hundred previously unpublished poems that came to light in a remarkable 2010 discovery. Of special interest is Davidman's sequence of forty-five love sonnets to C. S. Lewis, which offer stunning evidence of her spiritual struggles with regard to her feelings for Lewis, her sense of God's working in her lonely life, and her mounting frustration with Lewis for keeping her at arm's length emotionally and physically. Readers of these Davidman poems -- arranged chronologically by Don King -- will discover three recurring, overarching themes: God, death, and immortality; politics, including capitalism and communism; and (the most by far) romantic, erotic love. This volume marks Joy Davidman as a figure to be reckoned with in the landscape of twentieth-century American poetry.
"Edition bilingue palhavi-anglais.