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Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost. Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him. As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble. And there is something awful lurking, waiting for those walls to fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
When Mitch Quillen's life begins to unravel, he fears there is no escape.His marriage and career are both failing, and his relationship with his father has been a disaster for decades. Approaching forty, Mitch doesn't want to become a middle-aged statistic. When his estranged father, Jim, suddenly calls, Mitch's wife urges him to respond. Mitch heads to Montana and a confrontation that will alter the course of his life.Amid a backdrop of rugged peaks and valleys, the story unfolds: a violent episode that triggered the rift, thirty years of miscommunication, and the possibility of misplaced blame. Award-winning author Craig Lancaster delivers a powerful novel that invites readers into a family where conflict and secrets prevail, and where hope for healing and redemption is possible.
On July 28, 1851, Nathaniel Hawthorne's wife Sophia and daughters Una and Rose left their house in Western Massachusetts to visit relatives near Boston. Hawthorne and his five-year-old son Julian stayed behind. How father and son got along over the next three weeks is the subject of this tender and funny extract from Hawthorne's notebooks. "At about six o'clock I looked over the edge of my bed and saw that Julian was awake, peeping sideways at me." Each day starts early and is mostly given over to swimming and skipping stones, berry-picking and subduing armies of thistles. There are lots of questions ("It really does seem as if he has baited me with more questions, references, and observations, than mortal father ought to be expected to endure"), a visit to a Shaker community, domestic crises concerning a pet rabbit, and some poignant moments of loneliness ("I went to bed at about nine and longed for Phoebe"). And one evening Mr. Herman Melville comes by to enjoy a late-night discussion of eternity over cigars. With an introduction by Paul Auster that paints a beautifully observed, intimate picture of the Hawthornes at home, this little-known, true-life story by a great American writer emerges from obscurity to shine a delightful light upon family life—then and now.
The Final Volume of the Firebringer Trilogy A secret haunts Jan's dying father, Korr—a secret so dark that, if exposed, could bring the downfall of the Firebringer. Jan is left with its terrible burden, and an impossible choice—renounce Tek, his beloved mate, and lose forever the kingship of the unicorns, or return and face the consequences of his father's acts, and of his own. "A first-rate ending for a fine fantasy series."—Booklist
Have you ever watched a beautiful sunset and become absorbed into its hues of red, yellow, blue, pink and purple? Have you ever walked in a forest and listened to the insects, the burbling of a brook or the wind blowing the Autumn-colored leaves? Have you ever felt so alone and aftraid, crying for help from God's son, to lift you up and bring you to Him? I have experienced all these things and have attempted to capture the feelings I had, and the hope I cherished, in words and verses. These poems were written out of feelings of joy and despair, times of comfort and fear, enduring pain or feeling the golden glow within after praying to Christ for aid. I hope these verses can give you warmth, empathy, gratitude, hope and faith that in the end, God is in charge of all and He will never fail you. That even in human death, He is there; and where He is, there is life.
A young woman is tested by a brutal world as she struggles to resist—and to save her mother from execution . . . “Children, there is death in the world.” These words catapulted Dyan of Buza System into a nightmare of initiation, betrayal, flight, and murder. Against all odds, Dyan survived the Cull—and so did Jak, the young man she was supposed to kill. Now Jak and Dyan go back into Buza System. Dyan’s mother is held prisoner there and scheduled to be executed for letting her daughter live. Rescuing her will push Dyan and Jak to the limits, unveiling to them the dark secrets at the heart of Buza System, and teaching them the truth of Magister Zarah’s words: Every Urbane knows the secret of life—that it is cheap, and easily taken . . .
The Victorians elevated the home and heteronormative family life to an almost secular religion. Yet alongside the middle-class domestic ideal were other families, many of which existed in the literature of the time. Queer Victorian Families: Curious Relations in Literature is chiefly concerned with these atypical or "queer" families. This collection serves as a corrective against limited definitions of family and is a timely addition to Victorian studies. Interdisciplinary in nature, the collection opens up new possibilities for uncovering submerged, marginalized, and alternative stories in Victorian literature. Broad in scope, subjects range from Count Fosco and his animal "children" in Wilkie Collins’s The Woman in White, to male kinship within and across Alfred Tennyson’s In Memoriam and Herman Melville’s Moby-Dick, and the nexus between disability and loving relationships in the fiction of Dinah Mulock Craik and Charlotte M. Yonge. Queer Victorian Families is a wide-ranging and theoretically adventurous exposé of the curious relations in the literary family tree.
Written by a team of eminent historians, these essays explore how ten twentieth-century intellectuals and social reformers sought to adapt such familiar Victorian values as `civilisation', `domesticity', `conscience' and `improvement' to modern conditions of democracy, feminism and mass culture. Covering such figures as J.M. Keynes, E.M. Forster and Lord Reith of the BBC, these interdisciplinary studies scrutinize the children of the Victorians at a time when their private assumptions and public positions were under increasing strain in a rapidly changing world. After the Victorians is written in honour of the late Professor John Clive of Harvard, and uses, as he did, the method of biography to connnect the public and private lives of the generations who came after the Victorians.