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This book weaves a fascinating narrative that separates surprising fact from entrenched mythology.
Two young women from different social classes meet and form an instant attraction to one another.
30th anniversary edition tells, through photos and words exactly what the psychedelic world of the Haight-Ashbury was like.
A Philip K. Dick Award Finalist San Francisco Chronicle Recommended Book The year is 1967 and something new is sweeping across America: good vibes, bad vibes, psychedelic music, lab-designed drugs, anti-war protests, racial tension, free love, dropouts, flower children. An age of innocence, a time of danger: The Summer of Love. San Francisco is the Summer of Love: a convergence where American youth seek a New Explanation, music is free in the park, and violence lurks just around the corner. Lost in these strange and wondrous days, teenager Susan Bell, alias Starbright, has run away from the straight suburbs of Cleveland to find her troubled best friend. Her path will cross with Chiron Cat's Eye in Draco, a strange and beautiful young man who has journeyed farther than she could ever imagine. With the guidance of Ruby A. Maverick, a feisty half-black, half-white Haight-Ashbury hip merchant, Starbright and Chi will discover a love spanning five centuries. But Chi has traveled across the centuries on a vital mission-nothing less than saving the Universe. He, Starbright, and Ruby must unite to save all of spacetime from demonic entities who crave their annihilation. "Clear-sighted, witty, and wise." Locus Magazine Lisa Mason has published ten novels including Summer of Love (a Philip K. Dick Award Finalist and San Francisco Chronicle Recommended Book), The Gilded Age (a New York Times Notable Book and New York Public Library Recommended Book), Strange Ladies: 7 Stories (a collection of previously published short fiction), and thirty stories and novellas in magazines and anthologies worldwide. Her Omni story, "Tomorrow's Child," sold outright as a feature film to Universal Studios. Cover copyright 2010--2017 by Tom Robinson. Literary agent: Mark Gottlieb, Trident Media Group
Though more than a generation has passed since the revolutionary fervor of the Summer of Love of 1967, the 1960s in many ways seem with us still. From recurring debates over the war in Vietnam to the perpetually appealing music of the Beatles and the Rolling Stone to the concern about youth drug use, the legacy of the 1960s is ubiquitous in contemporary life. The Summer of Love brings together an impressive group of historians, artists, and cultural critics to present a rich and varied interpretation of this seminal decade and its continuing influence on politics, society, and culture. The Summer of Love, which accompanies an exhibition at Tate Liverpool, pays particular attention to the wildly creative psychedelic art of the era. Perceptive essays on psychedelic comics, graphic design and typography, light shows, and film successfully rescue psychedelic art from the fog of nostalgia and unjust critical neglect. Distinguished contributors also explore the role of 1960s fashion and architecture, and they consider anew the central influence of hallucinogenic drugs on the art of the era. Running throughout the essays are the elements of epochal change—from sexual liberation to student revolutions—that still form the backdrop of our collective consciousness of the 1960s. An incisive collection of writings on all aspects of 1960s art and culture, tempered by time and critical distance, The Summer of Love will be indispensable for those who wish they had been there—or for those who were, but can't remember it.
'The definitive look at dance music and club culture - a must read' - Paul Oakenfold 'Brilliantly woven collection of aural histories ... a damn fine read' - DJ MAG In 1987, four friends from London, Paul Oakenfold, Danny Rampling, Nicky Holloway and Johnny Walker, took a week-long holiday to Ibiza. What they saw there, and brought back home, would give rise to a new global music and counterculture movement. As the eighties drew to their close, with Thatcherism holding the nation tight in its grip, something funny was happening right across the jungle of Britain's nightlife scene. People were dressing down, not up, to go to clubs. And they were dancing right through the night armed seemingly with only bottles of water. Ecstasy and acid house music had arrived on British shores, and a tribal battle between for the moral future of the nation, between the youth and the establishment, had begun. In The Second Summer of Love, author and dance music promoter Alon Shulman uses exclusive contributions from the world's biggest DJs, including Paul Oakenfold, Carl Cox, Fatboy Slim, Moby, Faithless, Mr C, Farley & Heller, Danny Rampling and many others to faithfully recreate the story of the summers of 1988 and 1989, and chart the birth and rise of Acid House, dance music and club culture right through to the modern day where dance music has become a culturally dominant global industry. Complete with stunning unseen photographs, this is the first authentic account of what really happened in that glorious period - from the politics and the people to the music, the drugs, the fashion and the culture - told by people who were there, as they bring to life the creation of an underground scene which inadvertently altered the course of modern global youth culture forever. 'It's as if house music and rave culture tapped into this ancient predilection of humans to stay up all night dancing and staring into the fire, and just supercharged it with electricity and MDMA' -Moby 'What I was experiencing was right in front of my eyes, it was happening right now and I loved it' -Carl Cox 'It opened my eyes and ears to a different spirit in music' - Fatboy Slim
After a series of disastrous choices and rejections, seventeen-year-old Chinese American Iris Wang is thrust into the decadent world of Beijing high society as her cousin's English tutor.
It?s summer and nothing much is happening in Rathmoye. So it doesn?t go unnoticed when a dark-haired stranger appears on his bicycle and begins photographing the mourners at Mrs. Connulty?s funeral. Florian Kilderry couldn?t know that the Connultys are said to own half the town: he has only come to Rathmoye to photograph the scorched remains of its burnt- out cinema. A few miles out in the country, Dillahan, a farmer and a decent man, has married again: Ellie is the young convent girl who came to work for him when he was widowed. Ellie leads a quiet, routine life, often alone while Dillahan runs the farm. Florian is planning to leave Ireland and start over. Ellie is settled in her new role as Dillahan?s wife. But Florian?s visit to Rathmoye introduces him to Ellie, and a dangerously reckless attachment begins. In a characteristically masterly way Trevor evokes the passions and frustrations felt by Ellie and Florian, and by the people of a small Irish town during one long summer.
"Published by the Fine Arts Museums of San Francisco and University of California Press on the occasion of the exhibition The Summer of Love Experience: Art, Fashion, and Rock and Roll at the de Young, San Francisco, April 8 through August 20, 2017"--Colophon.
Sian Bishop has moved to an idyllic Oxfordshire village for a better life her herself and her young son Rory. With her roses-round-the-door cottage, the perfect school for Rory just down the road, and her very own vegetable patch she knows she's made the right decision. When Gus Berresford arrives on the scene, her good intentions are torpedoed.