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Think you know everything there is to know about Hammer Films, the fabled "Studio that Dripped Blood?" The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution.
"Delia and Old Red Clancy make quite a pair. He has the know-how and she has the get-up-and-go. When they dream up a seed- and flower-selling business, well, look out, Tucker's Ferry, because here they come. But something is happening to Old Red. And the doctors say he can't be cured. He's forgetting places and names and getting cranky for no reason. As his condition worsens, Delia takes it upon herself to save as many memories as she can. Her mission is to gather Old Red's stories so that no one will forget, and she corrals everybody in town to help her. "--back cover.
I dream the future. Immediately after she blurted it out, she was embarrassed. It sounded stupid, she was convinced. She felt her face flush and her eyes fill with tears. Ms. Rodgers would probably think she was crazy, or making it up, or both. She quickly amended her statement. Well, I think I dream the future. Sometimes I have dreams and they come true later. Its happened a lot and is happening more and more. But, no one really knows except my family who doesnt believe me. The string of words just kept tumbling from her mouth. Sherry could not figure out how she and Jasmine got off on the wrong foot. She believed it all started on the bus ride to school. After staring Sherry down for weeks, Sherry had finally had enough. What is your FREAKING problem? Sherry shouted across the bus aisle. You! Jasmine countered. Apparently that was all that needed to be said to create the rift that would ultimately push Sherry to her limit. Trying to be cool, Sherry stood at the top of the slide and attempted to run down it. She made it to the bottom, but her old sneakers had no tread and her right foot slipped from underneath her. She went flying into the air. Time stood still for a moment as she was airborne. Hoping her head wouldnt hit the metal slide; she looked at all the stars and knew she had made a huge mistake when she allowed Kara to come over. Her life flashed in front of her. God please help me she thought just before she landed. Her butt hit the ground and the base of her skull hit the edge of the slide. Sherry lay there for what seemed like an eternity, listening to the two stoners laugh. They thought she was playing. Help me, whimpered Sherry. She stared at the stars and wasnt quite sure what hurt, or if she could feel anything at all. Vincent came into her line of sight and kneeled down next to her.
Diane Marshall knows loads -- live loads, dynamic loads, dead loads, all part of life as a construction manager. She's used to carrying hers, as a woman in a man's career. After her boyfriend fell hard for someone else, can her private load get any heavier? In DeBrett, Paul Cameron funds the church renovation, so he's assigned to co-manage. Diane is stuck with adjusting to small town life and dealing with a widower who apparently wants a memorial to his lost wife. Paul is stuck working with a person who attracts him -- the last thing he wants. Somehow this project will teach them to trust God in a whole new way. Now if they can only figure out how...
A New York Times bestseller From the author of the international bestseller Girl With A Pearl Earring and At the Edge of the Orchard, Tracy Chevalier once again paints a distant age with a rich and provocative palette of characters. Falling Angels follows the fortunes of two families in the emerging years of the twentieth century in England, while the Queen's death reverberates through a changing nation. Told through a variety of shifting perspectives—wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son—Falling Angels is graced with the luminous imagery that distinguished Girl With a Pearl Earring, Falling Angels is another dazzling tour de force from this "master of voices" (The New York Times Book Review).
A bold allegorical epic that hovers somewhere between the surreal and the incredible. Vollmann tells of the battle for power between the inventors and developers of electricity and the insect world.
From one of the greatest writers of our time, his first collection of short stories, written between 1979 and 2011, chronicling—and foretelling—three decades of American life Set in Greece, the Caribbean, Manhattan, a white-collar prison and outer space, these nine stories are a mesmerizing introduction to Don DeLillo’s iconic voice, from the rich, startling, jazz-infused rhythms of his early work to the spare, distilled, monastic language of the later stories. In “Creation,” a couple at the end of a cruise somewhere in the West Indies can’t get off the island—flights canceled, unconfirmed reservations, a dysfunctional economy. In “Human Moments in World War III,” two men orbiting the earth, charged with gathering intelligence and reporting to Colorado Command, hear the voices of American radio, from a half century earlier. In the title story, Sisters Edgar and Grace, nuns working the violent streets of the South Bronx, confirm the neighborhood’s miracle, the apparition of a dead child, Esmeralda. Nuns, astronauts, athletes, terrorists and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. DeLillo’s sentences are instantly recognizable, as original as the splatter of Jackson Pollock or the luminous rectangles of Mark Rothko. These nine stories describe an extraordinary journey of one great writer whose prescience about world events and ear for American language changed the literary landscape.