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In the year 1896 the late Henry V. Massey began to collect Franklin Imprints. He was a man of wide knowledge and of rare good judgment, and was untiring in his search for material bearing the imprint of Franklin, or on which he was known to have been employed. During the eight years of his active collecting he succeeded in bringing together 174 separate items, exclusive of a long run of the Pennsylvania Gazette. It was one of the largest collections that had ever been formed, and was remarkable for the very high average condition of the books as well as for the large number of titles ; yet so quietly had they been gathered that the collection was unknown except to a few of his intimate friends. In 1908 the collection was purchased in its entirety by Mr. John Gribbel, through whose well-directed efforts the number of titles has been not only almost doubled, in itself a remarkable achievement, but the collection enriched by the addition of many items of the greatest rarity. In 1915, feeling that the most appropriate owner for the collection was the company publishing The Saturday Evening Post, the journal direct in descent from Franklin's Pennsylvania Gazette, Mr. Gribbel transferred it to The Curtis Publishing Company. {In 1920, the collection was presented by the Curtis Publishing Company to the University of Pennsylvania.] -- Pg. 1.
Robert Burns in Global Culture is a collection which breaks new ground in treating Burns' poetry and influence in an international context. Widely recognized as poet of global significance in the nineteenth century, Burns' reputation has suffered from the critical turns in Romanticism since 1945 and is only now beginning to be seen in its proper context. Following on from the celebrations across the world to mark Burns' 250th anniversary in 2009, this collection asks questions concerning the nature of Burns' global influence in the United States, Europe and the Commonwealth, examines the extraordinary ways in which his writing combines a distinctively progressive agenda with deceptively traditional styles, and emplaces his reputation at the heart of questions of American exceptionalism, European democracy, British imperial identities, Italian politics, French literary history, questions of desire and sexuality, the Burns Supper and the extraordinary cult of Burns statues. 'Robert Burns in Global Culture' combines literary criticism, history, cultural theory and comparative literature to create a set of powerful, new and unique directions in the study of this major Romantic poet.
Includes section "Reviews of recent theological literature".