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After a homeless runaway is found dead in an alley, the case lands in the laps of detective sergeant Liz Jordan and rookie officer Kyle Connors. It is not long before Jordan and Connors realize that it is futile to follow the usual investigative avenues. They must seek help, not just from those providing services to the homeless, but from the homeless themselves. Unfortunately it is not easy to engage the street community in the pursuit of a killer. While searching for anyone who knew the young woman and information on her background, Jordan and Connors must find a way to contact invisible people who lack addresses and phone numbers. Mike Dwyer, Jordans long-time friend and shelter manager, and Kelly Blevins, an outreach worker, provide introductions into a culture that is wary of the establishment. While delving into the world of the most vulnerable, Jordan uncovers a web of deceit and exploitation while relying on the homeless for insight. But even with their help, will Jordan and Connors solve this crime in time to save another victim? Set in the Pacific Northwest, this tale offers a chilling view of the dangerous and unpredictable world of the homeless.
Trish Doller’s The Suite Spot is a charming romance novel about taking a chance on a new life and a new love. Rachel Beck has hit a brick wall. She’s a single mom, still living at home and trying to keep a dying relationship alive. Aside from her daughter, the one bright light in Rachel’s life is her job as the night reservations manager at a luxury hotel in Miami Beach—until the night she is fired for something she didn’t do. On impulse, Rachel inquires about a management position at a brewery hotel on an island in Lake Erie called Kelleys Island. When she’s offered the job, Rachel packs up her daughter and makes the cross country move. What she finds on Kelleys Island is Mason, a handsome, moody man who knows everything about brewing beer and nothing about running a hotel. Especially one that’s barely more than foundation and studs. It’s not the job Rachel was looking for, but Mason offers her a chance to help build a hotel—and rebuild her own life—from the ground up.
Eurik was found adrift by the san and raised by them. Though he had read much about the outside world, he'd never considered leaving home. Not until his teacher revealed what he had inherited from his parents: a living sword, a sentient blade of rare power . . . and with it, the names of his father and mother. Reluctant to go, yet curious, Eurik sets out to discover who they were, and what happened to them. But is he ready for all the attention his heritage will earn him? Can he survive in a world he has only read about?
From the author of A Brooklyn Story and one of USA TODAY’s celebrated “New Voices of 2011,” comes a new novel which exposes the over-the-top decadence—and corruption—of Wall Street’s elite. Hailed as one of USA Today’s New Voices for her 2011 literary debut, Brooklyn Story, Suzanne Corso brings back the “true female voice” (The New York Times) of aspiring author Samantha Bonti in this breathtaking companion novel. IT WAS THE DECADE OF BIG MONEY, BIG RISKS, BIG HAIR, AND BIG DREAMS . . . AND THERE WAS ONLY ONE BIG CITY WHERE IT COULD ALL HAPPEN Growing up in Brooklyn, Samantha Bonti knew the writer’s life she was meant to live waited across the bridge in Manhattan. Summoning the courage to break free from an abusive mobster boyfriend, Sam finally leaves Bensonhurst and begins her new life, working as a temp in a Wall Street brokerage firm. Quickly, she’s swept off her feet by Wall Street player Alec DeMarco, a man of boundless energy, appetites, desires, and the wealth to indulge it all. In a whirlwind courtship, Alec showers Sam with exquisite gifts, the city’s finest cuisine, spontaneous weekend getaways, and, most of all, the love and security a girl from an unstable Brooklyn upbringing craves. But when the party’s over—when Alec’s high-flying career turns litigious and the big money is left on the table—will love be enough to sustain them? With her dream of publishing her novel still very much alive, Sam can’t back down now; she must choose the life that’s most true to who she really is inside.
A mini-comics master's poetic musings on illness & the art of getting by The Hospital Suite is a landmark work by the celebrated cartoonist and small-press legend John Porcellino—an autobiographical collection detailing his struggles with illness in the 1990s and early 2000s. In 1997, John began to have severe stomach pain. He soon found out he needed emergency surgery to remove a benign tumor from his small intestine. In the wake of the surgery, he had numerous health complications that led to a flare-up of his preexisting tendencies toward anxiety and obsessive-compulsive disorder. The Hospital Suite is Porcellino’s response to these experiences—simply told stories drawn in the honest, heart-wrenching style of his much-loved King-Cat mini-comics. His gift for spare yet eloquent candor makes The Hospital Suite an intimate portrayal of one person’s experiences that is also intensely relatable. Porcellino’s work is lauded for its universality and quiet, clear-eyed contemplation of everyday life. The Hospital Suite is a testimony to this subtle strength, making his struggles with the medical system and its consequences for his mental health accessible and engaging.
This book is the product of a lifelong fascination with iconic hotels and tells of the people who have lived in them. Hotel living has always seemed exotic. Why did Claude Monet, Greta Garbo, Janis Joplin, Vladimir Nabokov, Howard Hughes, and many other mercurial individuals desire such a life? Besides answering that question, The Suite Life features interviews with high-profile celebrities who have also chosen hotel living, such as Johnny Depp, Warren Beatty, Keanu Reeves, Richard Harris, and Criss Angel. Author Christopher Heard was conceived in The Fairmont Royal York Hotel in Toronto and now lives there as the writer-in-residence. The Suite Life is the culmination of a lifelong fascination with iconic hotels and those who have opted to reside in them. It tells of the enchantment of being exposed to many varied energies at the same time and describes the uniqueness of life lived in a place where people can let their inhibitions relax. Living in a hotel is many things, but first and foremost it is magical.
A comprehensive study of jazz great Charlie Parker, including details of record dates, more than 200 musical illustrations, and biographical material arranged chronologically and linked with Parker's recordings. The "Bird Stories" are all here, from Parker's Kansas City roots to his untimely death, as well as the seminal journal article on Parker's music, "Ornithology" that appeared in the Journal of Jazz Studies.
By the early 1940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she’d begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity. Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.