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The threat is not new. The aliens have been here before. The German war machine has woken an ancient threat - the alien Vril and their Ubermensch have returned. With this new power, ultimate Victory in the war for Europe is now within the Nazis' grasp.Obsessed with the Occult, Hitler and other senior Nazis believed they were destined to inherit the Earth. To this end, they are determined to recover 'their' ancient artifacts -- the Ark of the Covenant, the Holy Grail, the Spear of Destiny. When Dunkirk veteran and Foreign Office trouble-shooter Major Guy Pentecross stumbles across a seemingly unbelievable conspiracy, he, together with pilot and American spy Sarah Diamond and SOE operative Leo Davenport, enter the shadow world of Section Z. All three have major roles to play as they uncover the Nazis' insidious plot to use the Vril's technology to win the war... at any cost. Justin Richards has an extremely credible grasp of WWII history and has transformed it into a groundbreaking alternate reality thriller in The Suicide Exhibition.
WEWELSBURG CASTLE, 1940. The German war machine has woken an ancient threat – the alien Vril and their Ubermensch have returned. Ultimate Victory in the war for Europe is now within the Nazis’ grasp. ENGLAND, 1941 Foreign Office trouble shooter Guy Pentecross has stumbled into a conspiracy beyond his imagining – a secret war being waged in the shadows against a terrible enemy. The battle for Europe has just become the war for humanity. This is The Thirty-Nine Steps crossed with Indiana Jones and Quatermass. Justin Richards has an extremely credible grasp of the period’s history and has transformed it into a groundbreaking alternate reality thriller.
A Listener's Guide to Cellista's Transfigurations is the accompaniment to Cellista's album of experimental classical music Transfigurations. Cellista provides a critical companion text to her music that gives her listeners an opportunity to understand the compositional process behind her album. She offers a set of tools and "transfigurative" essays that guide curious ears through a musicological and at times, confessional journey. Readers will also find essays that plumb the subject of transfiguration through autobiographical reflection by the philosopher Dr. Frank Seeburger.
An engaging study of a great national institution. Essays explore the changing roles of museums and the perceived public role of a museum of science and technology. Illuminates the ways in which we think about the collecting and display of objects and the often difficult relations between the state, business and industry, and museum funding.
The Suicidal Crisis has everything clinicians need to evaluate the risk of imminent suicide. What sets it apart is its clinical focus on those at the highest risk--the book includes individual case studies of acutely suicidal individuals, detailed instructions on how to conduct risk assessments, test cases with answer keys, and empirically validated Suicidal Crisis risk assessment scales.
First published in 1970 and widely regarded as a prophetic masterpiece, this is a groundbreaking experimental novel by the acclaimed author of ‘Crash’ and ‘Super-Cannes’.
The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.
THE VRIL ARE HERE. THE WAR FOR HUMANITY HAS BEGUN The Germans have lost control of their most deadly discovery. The alien Vril have awakened and are scouring the Earth for ancient relics. From the Hollywood lights of LA to the bloody devastation of Stalingrad, Major Guy Pentecross and the team at Station Z must uncover the mystery and stop the Vril and Nazis alike. Failure will mean the end of life as we know it.
Literary Nonfiction. LGBTQIA Studies. Edited by Clare Kelly. one part ketamine spiral, one part confessional travelogue from the edge of gender, TGSM is a hallucinatory transmission on sex, identity, the internet, and the flickering wish not to exist in a given body at a given point in time. TGSM raises questions with which we have begun to negotiate broadly as a culture: what is actually happening to someone when they transition? how should we understand or describe such processes? what is the role of drugs, of hallucination, of imagination, in transition? is being a trans person in this moment in history--when the identity is ever more carefully traced [and tracked] by larger cultural forces--more liberated than before? drawing its source material from chance encounters--wordless interactions in basements or bathrooms or hotel rooms--to archives of 20th century critical theory, sleepover secrets exchanged between old friends, rhetorical barbs deployed in the classrooms of elite universities, arguments on the phone with your parents across timezones, the nonverbal codes of high and low fashion, and scribbled notes on the backs of receipts for medicines you don't know how they work, TGSM is a morbid yet strangely hopeful meditation on the possibilities and meanings of gender variation in our time.