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The Despair has plagued the earth for five years. Most of the world's population has inexplicably died by its own hand, and the few survivors struggle to remain alive. A mysterious, shadowy group called the Collectors has emerged, inevitably appearing to remove the bodies of the dead. But in the crumbling state of Florida, a man named Norman takes an unprecedented stand against the Collectors, propelling him on a journey across North America. It's rumored a scientist in Seattle is working on a cure for the Despair, but in a world ruled by death, it won't be easy to get there.
"In "Ichthyology," a young boy watches his father spiral from divorce to suicide. The story is told obliquely, often through the boy's observations of his tropical fish, yet also reveals his father's last desperate moves, including quitting dentistry for commercial fishing in the Bering Sea. "Rhoda" goes back to the beginning of the father's second marriage and the boy's fascination with his stepmother, who has one partially closed eye. This eye becomes a metaphor for the adult world the boy can't yet see into, including sexuality and despair, which feel like the key initiating elements of the father's eventual suicide. "A Legend of Good Men" tells the story of the boy's life with his mother after his father's death through the series of men she dates." "In "Sukkwan Island," an extraordinary novella, the father invites the boy homesteading for a year on a remote island in the southeastern Alaskan wilderness. As the situation spins out of control, the son witnesses his father's despair and takes matters into his own hands. In "Ketchikan," the boy is now thirty years old, searching for the origin of ruin. He tracks down Gloria, the woman his father first cheated with, and is left with the sense of "a world held in place, as it turned out, by nothing at all." Set in Fairbanks, where the author's father actually killed himself, "The Higher Blue" provides an epilogue to the collection."--BOOK JACKET.
Not everyone has the opportunity to compose their last words but suicide notes are generally considered in advance. "Its so difficult to talk when you need to kill yourself. That is far in excess of everything else, and it is anything but a psychological protest it's an actual thing, similar to it's truly difficult to open your mouth and make the words come out. They don't come out smooth and related to your cerebrum the manner in which typical individuals' words do; they turn out in pieces as though from a squashed ice container; you stagger on them as they accumulate behind your lower lip..."Ned Vizzini. the book include some beautiful painting.
"A provocative new author. A fascinating debut novel. Read it!” —Jeff VanderMeer In Rachel Heng's debut set in near future New York City—where lives last three hundred years and the pursuit of immortality is all-consuming—Lea must choose between her estranged father and her chance to live forever. Lea Kirino is a “Lifer,” which means that a roll of the genetic dice has given her the potential to live forever—if she does everything right. And Lea is an overachiever. She’s a successful trader on the New York exchange—where instead of stocks, human organs are now bought and sold—she has a beautiful apartment, and a fiancé who rivals her in genetic perfection. And with the right balance of HealthTechTM, rigorous juicing, and low-impact exercise, she might never die. But Lea’s perfect life is turned upside down when she spots her estranged father on a crowded sidewalk. His return marks the beginning of her downfall as she is drawn into his mysterious world of the Suicide Club, a network of powerful individuals and rebels who reject society’s pursuit of immortality, and instead choose to live—and die—on their own terms. In this future world, death is not only taboo; it’s also highly illegal. Soon Lea is forced to choose between a sanitized immortal existence and a short, bittersweet time with a man she has never really known, but who is the only family she has left in the world.
You see them every day, the suicide flowers. They bloom from the cracks and crevices of concrete sidewalks. From between asphalt creases and gaps. Yet these flowers blossom and prosper until the careless foot tramples. Others wither and fade, having survived, despite their strained and dubious foundations. Raeburn Messiah, the Messiah of Metal, sings for a living. Currently, he's on the downward spiral that unfaithful fame loves so dearly. He feels that he's got it bad, his life is over. That is, until he meets one of his most adoring fans, Gabriel, who has but months to live due to the complications of leukemia. They are men, both dying slow, painful deaths. But, each carries a secret that could save the other. For Raeburn and Gabriel are the suicide flowers, doomed to be trampled, destined to flourish.
The first book of its kind, . . . Or Not to Be offers rare insights into the lives--and deaths--of such luminaries as Vincent Van Gogh, Sylvia Plath, Diane Arbus, Jim Jones, Anne Sexton, Hermann Goering, Kurt Cobain, and Yukio Mishima, via their last letters and suicide notes.
Life is about the choices that are made with the cards one has been dealt with. When the cards have all been dealt and played, the total sum of the choices defines a life that was lived. What distinguishes a happy life from an unhappy life? Reaction to events in life ultimately contribute to either happiness or unhappiness. There are a myriad of reactions one can exercise to react to an event that presents itself in life, and every life is therefore unique. Though the possible reactions are infinite, one act is always possible—suicide. Suicide is a choice that is always available; it is a constant possibility that is distinctly human and part of the construct of humanity itself. It is always available as an option, as a reaction, or a solution to an event. Rarely an event that arises without provocation, suicide is a decision to bring the contents of one’s life to a conclusion. The Suicide Diaries is a collection of stories that investigates a handful of people and their expression of humanity, examining the construction and culmination of the mind-set that has brought about the choice to react with suicide as the final act in the experience of life.
National Book Award Finalist: “Wickersham has journeyed into the dark underworld inside her father and herself and emerged with a powerful, gripping story.” —The Boston Globe One winter morning in 1991, Joan Wickersham’s father shot himself in the head. The father she loved would never have killed himself, and yet he had. His death made a mystery of his entire life. Who was he? Why did he do it? And what was the impact of his death on the people who loved him? Using an index—the most formal and orderly of structures—Wickersham explores this chaotic and incomprehensible reality. Every bit of family history, every encounter with friends, doctors, and other survivors, exposes another facet of elusive truth. Dark, funny, sad, and gripping, at once a philosophical and a deeply personal exploration, The Suicide Index is, finally, a daughter’s anguished, loving elegy to her father.
LAPD Detective Harry Bosch as we've never seen him before, in three never-before-collected stories. In "Suicide Run," the apparent suicide of a beautiful young starlet turns out to be much more sinister than it seems. In "Cielo Azul," Bosch is haunted by a long-ago closed case -- the murder of a teenage girl who was never identified. As her killer sits on death row, Bosch tries one last time to get the answers he has sought for years. In "One Dollar Jackpot," Bosch works the murder of a professional poker player whose skills have made her more than one enemy. Whether investigating a cold case or fresh blood, Bosch relentlessly pursues his quarry, always on the lookout for the "tell." In this first collection of Harry Bosch stories, Michael Connelly once again demonstrates that he is the master of "fast-paced, brilliantly plotted crime fiction.... Harry Bosch is back on the case, and not a moment too soon" (Chicago Sun Times).
These early works by Guy de Maupassant were originally published in the 1880's. As a collection of short stories, this represents Maupassant's tales of beggars, and includes 'A Vagabond', 'My Uncle Jules', 'The Beggar', and 'The Blind Man'. Guy de Maupassant was born in 1850 at the Chateau de Miromesnil, near Dieppe, France. He came from a prosperous family, but when Maupassant was eleven, his mother risked social disgrace by trying to secure a legal separation from her husband. After the split, Maupassant lived with his mother till he was thirteen, and inherited her love of classical literature. In 1880, Maupassant published his first - and, according to many, his best - short story, entitled 'Boule de Suif' ('Ball of Fat'). It was an instant success. He went on to be extremely prolific during the 1880s, working methodically to produce up to four volumes of short fiction every year. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions."