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Enter into the world of medieval Baghdad as Zaytuna and Tein solve mysteries and come to terms with the legacy of their mother and the violence that has consigned them to lives without love. Widely used in university courses, each mystery uncovers a different aspect of medieval Islamic history. "Completely engrossing and richly atmospheric. Tenth century Baghdad comes alive through the eyes of a dazzling cast of characters." —Ausma Zehanat Khan, critically acclaimed author of Blackwater Falls, A Deadly Divide from The Getty-Khattak Mysteries, and The Khorasan Archives The Lover Book One in The Sufi Mysteries Baghdad, 295 Hijri (907 CE) Zaytuna just wants to be left alone to her ascetic practices and nurse her dark view of the world. But when an impoverished servant girl she barely knows comes and begs her to bring some justice to the death of a local boy, she is forced to face the suffering of the most vulnerable in Baghdad and the emotional and mystical legacy of her mother, a famed ecstatic whose love for God eclipsed everything. The Lover is a historically sensitive mystery that introduces us to the world of medieval Baghdad and the lives of the great Sufi mystics, washerwomen, Hadith scholars, tavern owners, the enslaved, corpsewashers, police, and children indentured to serve in the homes of the wealthy. It asks what it means to have family when you have nearly no one left, what it takes to love and be loved by those who have stuck by you, and how one can come to love God and everything He’s done to you. The Jealous Book Two in The Sufi Mysteries Baghdad, 295 Hijri (907 CE) When a distinguished scholar dies at the Barmakid hospital in Baghdad, nearly everyone points the finger at his enslaved servant Mu’mina, as the one who called a demon to kill him. Tein, a former frontier fighter turned investigator with the Grave Crimes Section, has no time for religion, let alone jinn, and sets out to prove her innocent. But Ammar, Tein’s superior and old wartime friend, has already pushed her case before the Police Chief’s court where she’s sure to be executed or condemned to rot in the prisons built into the damp walls of Baghdad’s Round City. With the help of his twin sister, Zaytuna, his childhood friend, Mustafa, and Zaytuna’s friend, the untamable Saliha, Tein plunges into a dangerous investigation that takes them into the world of talisman-makers and seers, houses of prostitution and gambling, and the fractious secular and religious court systems, all in an effort to turn back the tragic circumstances set in motion by Ammar’s destructive fear of a girl horribly wronged. The Unseen Book Three in The Sufi Mysteries Baghdad, 295 Hijri (908 CE) When a young man is found dead, killed in the exact manner as a martyr slain on the fields of Karbala some two hundred years before, there is no mistaking it as anything other than an attack on the Shia community of Baghdad. The city is on edge as religious and political factions are exposed sending the caliph’s army into the streets. Investigators, Ammar and Tein, have to clear the case, one way or another, before violence erupts. But amateur sleuth, Zaytuna, has had a visionary dream of the murder that holds the key to solving the murder. Can she can read its signs? And will Tein and Ammar listen? The Peace Book Four in The Sufi Mysteries Baghdad, 297 Hijri (909 CE) When an unscrupulous young scholar who claims to possess a controversial Quran manuscript goes missing, most of his colleagues are only too happy to see him gone. Is he merely drunk in one of Baghdad’s gambling houses? Is he hiding while he considers what to do with the manuscript? Or is his life in danger for the claim of having the manuscript at all? A friend of the missing man asks Mustafa for help, pulling Tein, Ammar, and Zaytuna into a case that forces them to make choices threatening their hard won peace.
The First Book in The Sufi Mysteries Quartet It's easier to solve a crime than solve yourself Baghdad 295 hijri/907 CE Zaytuna just wants to be left alone to her ascetic practices and nurse her dark view of the world. But when an impoverished servant girl she barely knows comes and begs her to bring some justice to the death of a local boy, she is forced to face the suffering of the most vulnerable in Baghdad and the emotional and mystical legacy of her mother, a famed ecstatic whose love for God eclipsed everything. The Lover is a historically sensitive mystery that introduces us to the world of medieval Baghdad and the lives of the great Sufi mystics, washerwomen, Hadith scholars, tavern owners, the enslaved, corpsewashers, police, and children indentured to serve in the homes of the wealthy. It asks what it means to have family when you have nearly no one left, what it takes to love and be loved by those who have stuck by you, and how one can come to love God and everything He’s done to you. "Completely engrossing and richly atmospheric. Tenth century Baghdad comes alive through the eyes of a dazzling cast of characters." —Ausma Zehanat Khan, critically acclaimed author of A Deadly Divide from The Getty-Khattak Mysteries, and The Khorasan Archives
Laury Silvers is a retired historian of early Islam and early Sufism. She is a North American Muslim living in Toronto. Book Three in The Sufi Mysteries Quartet It’s easier to solve a crime than solve yourself Baghdad, 295 Hijri (908 CE) When a young man is found dead, killed in the exact manner as a martyr slain on the fields of Karbala some two hundred years before, there is no mistaking it as anything other than an attack on the Shia community of Baghdad. The city is on edge as religious and political factions are exposed sending the caliph’s army into the streets. Ammar and Tein have to clear the case, one way or another, before violence erupts. But Zaytuna has had a visionary dream of the murder that holds the key to solving the case. Can she can read its signs? And will Tein and Ammar listen? "Completely engrossing and richly atmospheric. Tenth century Baghdad comes alive through the eyes of a dazzling cast of characters." —Ausma Zehanat Khan, critically acclaimed author of A Deadly Divide from The Getty-Khattak Mysteries, and The Khorasan Archives “In this exceptionally well-written and lucid book, Laury Silvers brings the intricacies of medieval Islamic religiosities and society to life. In exploring the little-known religious communities of medieval Baghdad, Silvers invites the reader to journey through the often forgotten multifaceted dimensions of pre-modern society, addressing questions such as dissent, sectarianism, and communal relations.” — Ahab Bdaiwi, Leiden and Cambridge Universities
The development of early Islamic mysticism and metaphysics is presented through the life and work of theologian Abu Bakr al-Wasiti.
From the critically acclaimed author Ausma Zehanat Khan, A Deadly Divide is the devastatingly powerful new thriller featuring beloved series detectives Esa Khattak and Rachel Getty. In the aftermath of a mass shooting at a mosque in Quebec, the local police apprehend Amadou Duchon—a young Muslim man at the scene helping the wounded—but release Etienne Roy, the local priest who was found with a weapon in his hands. The shooting looks like a hate crime, but detectives Esa Khattak and Rachel Getty sense there is more to the story. Sent to liaise with a community in the grip of fear, they find themselves in fraught new territory, fueled by the panic and suspicion exploited by a right-wing radio host. As Rachel and Esa grapple to stop tensions shutting the case down entirely, all the time, someone is pointing Esa in another direction, a shadowy presence who anticipates his every move. A Deadly Divide is a piercingly observed, gripping thriller that reveals the fractures that try to tear us all apart: from the once-tight partnership between detectives Esa and Rachel, to the truth about a deeply divided nation.
Drawing on traditional Muslim sources, Michael Cook describes Muhammad's life and teaching. He also attempts to stand back from this traditional picture to show how far it is historically justified.
Why is the number seven lucky--even holy--in almost every culture? Why do we speak of the four corners of the earth? Why do cats have nine lives (except in Iran, where they have seven)? From literature to folklore to private superstitions, numbers play a conspicuous role in our daily lives. But in this fascinating book, Annemarie Schimmel shows that numbers have been filled with mystery and meaning since the earliest times, and across every society. In The Mystery of Numbers Annemarie Schimmel conducts an illuminating tour of the mysteries attributed to numbers over the centuries. She begins with an informative and often surprising introduction to the origins of number systems: pre-Roman Europeans, for example, may have had one based on twenty, not ten (as suggested by the English word "score" and the French word for 80, quatrevingt --four times twenty), while the Mayans had a system more sophisticated than our own. Schimmel also reveals how our fascination with numbers has led to a rich cross-fertilization of mathematical knowledge: "Arabic" numerals, for instance, were picked up by Europe from the Arabs, who had earlier adopted them from Indian sources ("Algorithm" and "algebra" are corruptions of the Arabic author and title names of a mathematical text prized in medieval Europe). But the heart of the book is an engrossing guide to the symbolism of numbers. Number symbolism, she shows, has deep roots in Western culture, from the philosophy of the Pythagoreans and Platonists, to the religious mysticism of the Cabala and the Islamic Brethren of Purity, to Kepler's belief that the laws of planetary motion should be mathematically elegant, to the unlucky thirteen. After exploring the sources of number symbolism, Schimmel examines individual numbers ranging from one to ten thousand, discussing the meanings they have had for Judaic, Christian, and Islamic traditions, with examples from Indian, Chinese, and Native American cultures as well. Two, for instance, has widely been seen as a number of contradiction and polarity, a number of discord and antithesis. And six, according to ancient and neo-platonic thinking, is the most perfect number because it is both the sum and the product of its parts (1+2+3=6 and 1x2x3=6). Using examples ranging from the Bible to the Mayans to Shakespeare, she shows how numbers have been considered feminine and masculine, holy and evil, lucky and unlucky. A highly respected scholar of Islamic culture, Annemarie Schimmel draws on her vast knowledge to paint a rich, cross-cultural portrait of the many meanings of numbers. Engaging and accessible, her account uncovers the roots of a phenomenon we all feel every Friday the thirteenth.
“A fitting end for Zaytuna.” Karen Heenan, author of The Tudor Court Series _________________ Baghdad, 297 Hijri (909 CE) When an unscrupulous young scholar who claims to possess a controversial Quran manuscript goes missing, most of his colleagues are only too happy to see him gone. Is he merely drunk in one of Baghdad’s gambling houses? Is he hiding while he considers what to do with the manuscript? Or is his life in danger for the claim of having the manuscript at all? A friend of the missing man asks Mustafa for help, pulling Tein, Ammar, and Zaytuna into a case that forces them to make choices threatening their hard won peace. _________________ “A fitting end for Zaytuna, who would never take the short road to happiness, and an engrossing mystery that reveals an unknown history of the Quran.” — Karen Heenan, author of The Tudor Court Series “With The Peace, the final book in her Sufi Mystery series, Laury Silvers delivers the complete package. An intriguing mystery, enchanting characters, and a historical setting all combine to create a wonderful read. — Richard Marcus, Blogcritics “Completely engrossing and richly atmospheric.Tenth century Baghdad comes alive through the eyes of a dazzling cast of characters.” — Ausma Zehanat Khan, author of Blackwater Falls, The Getty-Khattak Mysteries and The Khorasan Archives “Silvers brings to life complex and consequential debates within specialized scholarly circles of Quran reciters of tenth century Baghdad.” — Marijn van Putten, Leiden University
Amira Khan has no plans to break her no-dating rule. Thirty-year-old engineer Amira Khan has set one rule for herself: no dating until her grad-school thesis is done. Nothing can distract her from completing a paper that is so good her boss will give her the promotion she deserves when she returns to work in the city. Amira leaves campus early, planning to work in the quiet basement apartment of her family’s house. But she arrives home to find that her grandmother has rented the basement to . . . a barbershop quartet. Seriously? The living situation is awkward: Amira needs silence; the quartet needs to rehearse for a competition; and Duncan, the small-town baritone with the flannel shirts, is driving her up the wall. As Amira and Duncan clash, she is surprised to feel a simmering attraction for him. How can she be interested in someone who doesn’t get her, or her family’s culture? This is not a complication she needs when her future is at stake. But when intolerance rears its ugly head and people who are close to Amira get hurt, she learns that there is more to Duncan than meets the eye. Now she must decide what she is willing to fight for. In the end, it may be that this small-town singer is the only person who sees her at all.
All the World an Icon is the fourth book in an informal "quartet" of works by Tom Cheetham on the spirituality of Henry Corbin, a major twentieth-century scholar of Sufism and colleague of C. G. Jung, whose influence on contemporary religion and the humanities is beginning to become clear. Cheetham's books have helped spark a renewed interest in the work of this important, creative religious thinker. Henry Corbin (1903-1978) was professor of Islamic religion at the Sorbonne in Paris and director of the department of Iranic studies at the Institut Franco-Iranien in Teheran. His wide-ranging work includes the first translations of Heidegger into French, studies in Swedenborg and Boehme, writings on the Grail and angelology, and definitive translations of Persian Islamic and Sufi texts. He introduced such seminal terms as "the imaginal realm" and "theophany" into Western thought, and his use of the Shi'ite idea of ta'wil or "spiritual interpretation" influenced psychologist James Hillman and the literary critic Harold Bloom. His books were read by a broad range of poets including Charles Olson and Robert Duncan, and his impact on American poetry, says Cheetham, has yet to be fully appreciated. His published titles in English include Creative Imagination in the Sufism of Ibn Arabi, Avicenna and the Visionary Recital, and The Man of Light in Iranian Sufism. As the religions of the Book place the divine Word at the center of creation, the importance of hermaneutics, the theory and practice of interpretation, cannot be overstated. In the theology and spirituality of Henry Corbin, the mystical heart of this tradition is to be found in the creative, active imagination; the alchemy of spiritual development is best understood as a story of the soul's search for the Lost Speech. Cheetham eloquently demonstrates Corbin's view that the living interpretation of texts, whether divine or human—or, indeed, of the world itself seen as the Text of Creation—is the primary task of spiritual life. In his first three books on Corbin, Cheetham explores different aspects of Corbin's work, but has saved for this book his final analysis of what Corbin meant by the Arabic term ta'wil—perhaps the most important concept in his entire oeuvre. "Any consideration of how Corbin's ideas were adapted by others has to begin with a clear idea of what Corbin himself intended," writes Cheetham; "his own intellectual and spiritual cosmos is already highly complex and eclectic and a knowledge of his particular philosophical project is crucial for understanding the range and implications of his work." Cheetham lays out the implications of ta'wil as well as the use of language as integral part of any artistic or spiritual practice, with the view that the creative imagination is a fundamentally linguistic phenomenon for the Abrahamic religions, and, as Corbin tells us, prayer is the supreme form of creative imagination.