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Review The images - rich in color and visual rhythm - span 30 years and several continents. Of course, Haiti and the Mexican border are well represented, locales that opened up a new way to see. He has been able to render Haiti - a place often depicted for its chaos - with a precise eye, finding personal moments that are as still as they are complex. He can use shadows as skillfully as a be-bop musician to set the tempo. The people in his frames can look like dwarfs being stomped on by giant, disembodied feet. He can make an American street seem far more foreboding than any Third World slum. (David Gonzalez The New York Times 2011-12-18) A 30-year retrospective of a great, and often overlooked, American pioneer of colour photography who pays scant regard to genre boundaries, merging art photography, photojournalism and often complex street photographs. (Sean O'Hagan The Guardian 2011-12-13) In far-flung corners of the globe, Webb captures glimpses of beauty in impoverished lives and stoicism in the face of strife. (Jack Crager American Photo 2011-12-01).
In this series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, internationally acclaimed color photographers Alex Webb and Rebecca Norris Webb, offer their expert insight into street photography and the poetic image. Through words and photographs-their own and others'-they invite the reader into the heart of their artistic processes. They share their thoughts about a wide range of practical and philosophical issues, from questions about seeing and being in the world with a camera, to how to shape a complete body of work in a way that's both structured and intuitive.
Drawing inspiration from Dr. Willi Schohaus’s classic text The Dark Places of Education, this book contributes to the discussion by defining suffering in schools and providing a survey of the American school system’s inadequacies in the early twenty-first century. Through testimonies from former students on the ways they experienced suffering in school, this volume demonstrates how suffering can profoundly affect one’s academic growth and development—or worse. By analyzing the findings within a multidisciplinary ethical and educational framework, this volume presents a moral vision for understanding the role that suffering plays in school. Drawing on research in medicine, psychology, social sciences, religion, and education, this text weaves together many strands of thinking about suffering. This book is essential reading for academics, researchers, and postgraduate students in the fields of educational leadership, foundations of education, and those interested in both the history of education and critical contemporary accounts of schooling.
Gathers photographs taken in Haiti, Mexico, the Dominican Republic, Egypt, Barbados, India, Zaire, Ivory Coast, Uganda, and Trinidad
"An astonishing memoir to be approached with awe, delicacy, and plenty of leisure time" (Ann Morrissett Davidon, The Philadelphia Inquirer), Color is the Suffering of Light recounts Green's turbulent life, growing up in the 1960s on her family's farm in Massachusetts. "The narrative breathes with . . . energy and honesty".--Leslie Larson, The Women's Review of Books.
In 2005, Rebecca Norris Webb set out to photograph her home state of South Dakota, a sparsely populated frontier state on the Great Plains with more buffalo, pronghorn, mule deer and prairie dogs than people. South Dakota is a land of powwows and rodeos, corn palaces and buffalo roundups; a harsh and beautiful landscape dominated by space, silence, brutal wind and extreme weather. The next year, however, everything changed for Norris Webb, when her brother died unexpectedly of heart failure. "For months," she writes in the introduction to this volume, "one of the few things that eased my unsettled heart was the landscape of South Dakota. For each of us, does loss have its own geography?" My Dakota is a small intimate book about the west and its weathers, and an elegy for a lost brother.
Why would an all-loving God allow suffering? Are not suffering and love opposed to one another? Does suffering have any meaning or benefit? Is there any objective evidence for God, for a soul that will survive bodily death, for the resurrection of Jesus? Who is God anyway – benevolent and loving, or angry and retributive? Fr. Robert Spitzer, S.J., gives a comprehensive response to these questions and many others, explaining the contemporary evidence for God, the soul, and the resurrection. He discusses how God uses suffering to lead us to compassion for others and eternal life. He also shows how the Holy Spirit guides us through times of suffering toward our salvation, explaining the signs and the interior movements that reveal the Spirit's actions. Fr. Spitzer not only addresses the perplexing questions associated with suffering but teaches us how to suffer well. He points out some of the most common mistakes people make when trying to interpret God's motives for allowing or alleviating suffering. He demonstrates why suffering – in combination with love – is one of the most powerful motivating agents for personal, cultural, and societal development.
In Black Suffering, James Henry Harris explores the nexus of injustices, privations, and pains that contribute to the daily suffering seen and felt in the lives of Black folks. This suffering is so normalized in American life that it often goes unnoticed, unseen, and even--more often--purposely ignored. The reality of Black suffering is both omnipresent and complicated--both a reaction to and a result of the reality of white supremacy, its psychological and historical legacy, and its many insidious and fractured expressions within contemporary culture. Because Black suffering is so wholly disregarded, it must be named, discussed, and analyzed. Black Suffering articulates suffering as an everyday reality of Black life. Harris names suffering's many manifestations, both in history and in the present moment, and provides a unique portrait of the ways Black suffering has been understood by others. Drawing on decades of personal experience as a pastor, theologian, and educator, Harris gives voice to suffering's practical impact on church leaders as they seek to forge a path forward to address this huge and troubling issue. Black Suffering is both a mixtape and a call to consciousness, a work that identifies Black suffering, shines a light on the insidious normalization of the phenomenon, and begins a larger conversation about correcting the historical weight of suffering carried by Black people. The book combines elements of memoir, philosophy, historical analysis, literary criticism, sermonic discourse, and even creative nonfiction to present a "remix" of the suffering experienced daily by Black people.
This philosophical inquiry into the problem of human suffering is “insightful, informative and deeply humane . . . a genuine pleasure to read” (Times Higher Education). Suffering is an inescapable part of the human condition—which leads to a question that has proved just as inescapable throughout the centuries: Why? In Seven Ways of Looking at Pointless Suffering, Scott Samuelson tackles this fundamental question. To do so, he travels through the history of philosophy and religion, while attending closely to the world we live in. Samuelson draws insight from sources that range from Confucius to Bugs Bunny, and from his time teaching philosophy to prisoners to Hannah Arendt’s attempts to come to terms with the Holocaust. Samuelson guides us through various attempts to explain why we suffer, explores the many ways we try to minimize or eliminate suffering, and examines people’s approaches to living with pointless suffering. Ultimately, Samuelson shows, to be fully human means to acknowledge a mysterious paradox: we must simultaneously accept suffering and oppose it. And understanding that is itself a step towards acceptance.
This book seeks to explore C. S. Lewis's understanding of the why of human suffering.