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A love song between an angel and an accountant in the suburbs of London from Man Booker shortlisted Levy.
A Chicago cul-de-sac is about to get a new neighbor...of the demonic kind. Amy Foster considers herself lucky. After she left the city and moved to the suburbs, she found her place quickly with neighbors Liz, Jess, and Melissa, snarking together from the outskirts of the PTA crowd. One night during their monthly wine get-together, the crew concoct a plan for a clubhouse She Shed in Liz’s backyard—a space for just them, no spouses or kids allowed. But the night after they christen the She Shed, things start to feel . . . off. They didn’t expect Liz’s little home-improvement project to release a demonic force that turns their quiet enclave into something out of a nightmare. And that’s before the homeowners’ association gets wind of it. Even the calmest moms can’t justify the strange burn marks, self-moving dolls, and horrible smells surrounding their possessed friend, Liz. Together, Amy, Jess, and Melissa must fight the evil spirit to save Liz and the neighborhood . . . before the suburbs go completely to hell.
For decades the suburbs have been where art happens despite: despite the conformity, the emptiness, the sameness. Time and again, the story is one of gems formed under pressure and that resentment of the suburbs is the key ingredient for creative transcendence. But what if, contrary to that, the suburb has actually been an incubator for distinctly American art, as positively and as surely as in any other cultural hothouse? Mixing personal experience, cultural reportage, and history while rejecting clichés and pieties and these essays stretch across the country in an effort to show that this uniquely American milieu deserves another look.
Introduction: The new suburban history / Kevin M. Kruse and Thomas J. Sugrue -- Marketing the free market : state intervention and the politics of prosperity in metropolitan America / David M.P. Freund -- Less than plessy : the inner city, suburbs, and state-sanctioned residential segregation in the age of Brown / Arnold R. Hirsch -- Uncovering the city in the suburb : Cold War politics, scientific elites, and high-tech spaces / Margaret Pugh O'Mara -- How hell moved from the city to the suburbs : urban scholars and changing perceptions of authentic community / Becky Nicolaides -- "The house I live in" : race, class, and African American suburban dreams in the postwar United States / Andrew Wiese -- "Socioeconomic integration" in the suburbs : from reactionary populism to class fairness in metropolitan Charlotte / Matthew D. Lassiter -- Prelude to the tax revolt : the politics of the "tax dollar" in postwar California / Robert O. Self -- Suburban growth and its discontents : the logic and limits of reform on the postwar Northeast corridor / Peter Siskind -- Reshaping the American dream : immigrants, ethnic minorities, and the politics of the new suburbs / Michael Jones-Correa -- The legal technology of exclusion in metropolitan America / Gerald Frug.
His eyes are on the one eye of the rifle. His mouth splits open his brown beard. He throws up a hand, palm outward, in an unwilled, futile gesture to ward off death. A killer is hounding the seaside town of Old Tornwich. Residents are gripped by fear and suspicion, and the finger of blame is pointed in all directions. But the bodies keep falling and the crimes remain unsolved, the culprit at large. No mere whodunnit, The Suburbs of Hell—its story inspired by a real-life serial killer—is a profoundly disturbing psychological drama with a devastating conclusion, the final work of one of Australia’s greatest writers. Julian Randolph 'Mick' Stow was born in Geraldton, Western Australia, in 1935. He attended local schools before boarding at Guildford Grammar in Perth, where the renowned author Kenneth Mackenzie had been a student. While at university he sent his poems to a British publisher. The resulting collection, Act One, won the Australian Literature Society’s Gold Medal in 1957—as did the prolific young writer's third novel, To the Islands, the following year. To the Islands also won the 1958 Miles Franklin Literary Award. Stow reworked the novel for a second edition almost twenty-five years later, but never allowed its two predecessors to be republished. He worked briefly as an anthropologist’s assistant in New Guinea—an experience that subsequently informed Visitants, one of three masterful late novels—then fell seriously ill and returned to Australia. In the 1960s he lectured at universities in Australia and England, and lived in America on a Harkness fellowship. He published his second collection of verse, Outrider; the novel Tourmaline, on which critical opinion was divided; and his most popular fiction, The Merry-Go-Round in the Sea and Midnite. For years afterwards Stow produced mainly poetry, libretti and reviews. In 1969 he settled permanently in England: first in Suffolk, then in Essex, where he moved in 1981. He received the 1979 Patrick White Award. Randolph Stow died in 2010, aged seventy-four. A private man, a prodigiously gifted yet intermittently silent author, he has been hailed as ‘the least visible figure of that great twentieth-century triumvirate of Australian novelists whose other members are Patrick White and Christina Stead’. Praise for The Suburbs of Hell ‘Both a traditional murder mystery and a meditation on the random depredations of death.’ Australian Book Review ‘Poetic accuracy is only one aspect of a rich talent...Mr Stow has a narrative gift as well...He is, in fact a real novelist.’ Observer ‘A cleverly crafted whodunit... Stow is an example of the high calibre of Australian writers of yesterday. Many of these authors have been forgotten or perhaps overlooked. It’s pleasing to see that Text Publishing released this edition in 2015 and continue to foster some of Australia’s buried talents by re-publishing under Text Classics. For fans of the psychological thriller and those readers who enjoy a foray into a metaphorical tale, Stow delivers the goods.’ Salty Popcorn
One of the New Yorker's Best Books of 2022 Bill McKibben—award-winning author, activist, educator—is fiercely curious. “I’m curious about what went so suddenly sour with American patriotism, American faith, and American prosperity.” Like so many of us, McKibben grew up believing—knowing—that the United States was the greatest country on earth. As a teenager, he cheerfully led American Revolution tours in Lexington, Massachusetts. He sang “Kumbaya” at church. And with the remarkable rise of suburbia, he assumed that all Americans would share in the wealth. But fifty years later, he finds himself in an increasingly doubtful nation strained by bleak racial and economic inequality, on a planet whose future is in peril. And he is curious: What the hell happened? In this revelatory cri de coeur, McKibben digs deep into our history (and his own well-meaning but not all-seeing past) and into the latest scholarship on race and inequality in America, on the rise of the religious right, and on our environmental crisis to explain how we got to this point. He finds that he is not without hope. And he wonders if any of that trinity of his youth—The Flag, the Cross, and the Station Wagon—could, or should, be reclaimed in the fight for a fairer future.
When it appeared in 1670, Baruch Spinoza's Theological-Political Treatise was denounced as the most dangerous book ever published. Religious and secular authorities saw it as a threat to faith, social and political harmony, and everyday morality, and its author was almost universally regarded as a religious subversive and political radical who sought to spread atheism throughout Europe. Steven Nadler tells the story of this book: its radical claims and their background in the philosophical, religious, and political tensions of the Dutch Golden Age, as well as the vitriolic reaction these ideas inspired. A vivid story of incendiary ideas and vicious backlash, A Book Forged in Hell will interest anyone who is curious about the origin of some of our most cherished modern beliefs--Jacket p. [2].
A group of kids from hell come to Earth on one of the craziest nights of the year—Halloween—in this “entertaining, high-octane” (Kirkus Reviews) middle grade adventure about teamwork, friendship, shattering expectations, and understanding the world (or otherworld) around us. Malachi and his friends are just your regular average kids from hell. The suburbs that is, not the fiery pit part. But when Hell’s Bells ring out—signaling that a soul has escaped from one of the eternal circles, Mal and his friends can’t help but take the opportunity for a little adventure. Before they know it, they’ve somehow slipped through the veil and found themselves in the middle of Salem, Massachusetts, on Halloween night. And what’s even worse, they’ve managed to bring the escaped soul with them! As the essence of one of history’s greatest manipulators gains power by shifting the balance on Earth, Mal and his squad-mates—along with some new friends that they meet along the way—work desperately to trap the escapee, save the people of Earth from the forces of evil, and find the portal back to their own dimension. If they can’t manage it before their parents realize they’re gone, they’ll be grounded for an eternity. And an eternity in hell is a very, very long time.