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The Monograph Introduces The Remains Of A Legendary Stupa Of The Sunga Period (2Nd 1St Century B.C.) Which Once Stood Near The Village Bharhut In Madhya Pradesh . Since 1876 These Precious Antiquarian Gems Are The Prized Possession Of The Indian Museum, Calcutta. The Author In His Capacity As Director Of That Museum Had The Opportunity To Study Them Afresh And Reassess Their Cultural And Artistic Merits. The Renowned Scholar Dr. Mulk Raj Anand In His Capacity As Visitor To The Museum Suggested To Bring Out A Handy Pictorial Companion Which Could Be Useful To The Visitors To The Museum As Well As Lovers Of Early Indian Art. The Book Gives A Lucid Introduction Besides Several Interesting Interpretations About The Concept And Significance Of Stupa Tradition And Particularly The Socio-Religious And Artist Role Played By This Grand Edifice In The Pre-And Post-Christian Centuries. Important Sculptures Have Been Adequately Described And Projected Through Colour And Black And White Illustrations.
This volume provides the first comprehensive analysis and chronology of the earliest known stone sculptures from the north Indian city of Mathura, dating prior to the famous Kushan period. It includes numerous new attributions of objects based primarily on epigraphic and visual analysis. The sculptures attributable to these pre-Kushan periods reveal new evidence for the reasons behind the emergence of the anthropomorphic image of the Buddha at Mathura, the predominance of a heterodox sect of Jainism, and the proliferation of cults of nature divinities. This book provides a wealth of reference material useful for historians of early Indian art, religion, and epigraphy. The book is illustrated with over three hundred photographs, and it includes epigraphic appendices with complete transcriptions and updated translations.
Bringing together the latest research on stupas in South Asia, this volume includes new conceptual paradigms as well as new approaches to monuments, sculpture, material culture, and textual interpretation. The collection utilizes archaeological, art historical and epigraphic evidence in broader cultural and historical frameworks to enrich our understanding, not only of stupa monuments but also ancient Buddhism and the wider history to which they pertain.
The Umbrella As A Symbol Of Religious Sovereignty; The Evolution Of Stupa; Kerala Architecture And Himalayan Architecture.
1903. In this volume Rhys, the celebrated Buddhist scholar, attempts to describe ancient India, during the period of Buddhist ascendancy, from the point of view, not so much of the brahmin, as of the rajput. The two points of view naturally differ very much. Priest and noble in India have always worked very well together so long as the question at issue did not touch their own rival claims as against one another. When it did-and it did so especially during the period referred to-the harmony, as will be evident from the following pages, was not so great.
From the 3rd century BC, when Emperor Ashoka erected the famous pillar and stupa at Sanchi, Sanchi has been a favoured spiritual hub for Buddhists. Buddhist Circuit in Central India explores the architectural magic and historical importance of Sanchi with breathtaking images, as well as Buddhist sites around Sanchi Sonari, Satdhara, Andher and Murelkhurd which are historically significant, and yet off the beaten track. The guide covers some nearby destinations from Sanchi that make for exciting day-trips like Udaigiri Caves, Gyaraspur, Vidisha, and Udaypur. There is a well-researched section on Bhopal, the gateway to Sanchi, and two convenient excursions Bhimbhetka and Bhojpur. The guide will not only be an invaluable companion to Buddhist pilgrims, but to tourists, connoisseurs of Buddhist art and architecture and the armchair traveller.