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Excerpt from The Study of Music in Public Schools While it is right to expect Teaching to do most, if not all, of the kind of training necessary for the youth, it is unwise to expect it to supply obvious omissions in the previous training of the young child; it is equally foolish to ask it to give in advance that Culture which can only be attained through later agencies. Nothing, indeed, is more foolish than to impede the proper working of any human contrivance by vision ary requirements or merely theoretical principles. An illustration from another circle of experience than Teaching will serve to point this moral. Very few of the most ardent advocates of Protection us. Free Trade have ventured to plead for the discouragement of immigration; yet within the last half century the careless and uncontrolled importation of Asiatic laborers to the Hawaiian Islands has permanently and most shockingly afflicted the native population with leprosy. In like manner some vague general proposition about education, true enough as to some single part, may be applied wrongly to the whole work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Circulars of Information of the Bureau of Education No. 1, 1886: The Study of Music in Public School Practically, every word, living or dead, which has been used by any writer of Eng lish since the year 1200 to the time of publication, is or will be given, showing for each its present and past spelling, the best present pronunciation, every meaning, and every peculiar use of it; and all such meanings and uses are shown by quotations chronologically arranged, and specified by the title of the work in which each pas sage occurs, writer's name, and date. In 1879, when Dr. Murray became editor, the quotations for this dictionary in the possession of the Philological Society numbered more than two millions; by the time that Part I was issued another million of these quotations had been added, and further additions will be made as the work proceeds. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Music in the Public Schools: A Manual of Suggestions for Teachers Music in the public schools is a serious factor in the mental, {311333333 of physical, and emotional development of the child, and is as impor tant in character molding as any other subject in the school our riculum. The four essentials of this subject are conceptions of gaggle good music, voice training, sight singing, and musical interpreta tion, and in this manual they are developed side by side for each of the eight years of elementary school life. This development is presented in the form of weekly outlines, by means of which gag? Results commensurate with the importance and dignity of the outlines subject may be more easily obtained. These outlines are brief, definite, and free from irrelevant matter, and while they may be used advantageously with any series of music books, they are designed to be used with the New Educational Music Course. No special attention has been paid to written work in music, as it is more or less beyond the scope of this book. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Music in the Public Schools of North Carolina: A Tentative Course of Study, 1942 The past few years have been marked by increased public interest in music in North Carolina with corresponding support Of it in our schools. There is evidence of improved taste and appreciation of music among our people, both young and Old. TO make the most Of this trend in the thinking and efforts Of our people, we must expand our program Of music through the public schools. We are still in great need Of more and better music instruction in some Of our schools and, with this need in mind, a course Of study has been designed to Offer definite and practical aid to teachers in elementary and secondary schools. It is hoped that the contents of this bulletin will prove to be an effective guide to teachers in their efforts to help children succeed in the musical attainments best suited to their age and growth levels as they progress through our schools. The preparation Of this bulletin has been the responsibility Of Miss Hattie S. Parrott of the State Department Of Public Ih struction. Miss Parrott has called in the services Of a number Of music teachers and supervisors during the past three years, and as consultants and committee workers they have made excellent contributions to the curriculum studies in music. To each of these we Offer grateful acknowledgment for their cooperation and real service. Special acknowledgment is given to Miss Grace Van Dyke More and her associates at the Woman's College Of the University Of North Carolina for the splendid work they have done over a period of years in developing the very excellent course presented in this bulletin. We are greatly indebted to them for this fine professional service. It seems very fitting to mention here the names Of those who together with Miss More gave freely of their own time and effort: Miss Birdie Holloway of the School Of Music faculty at the Woman's College, Greensboro; Mr. Raymond Brietz, Director of Choral Music, Greensboro High School; Mrs. John 0. Wood, Instructor in Music, Raleigh City Schools; and Mrs. Adeline mccall, University of North Carolina. On behalf of the teachers of the State we wish to thank them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The New Public School Music Course In The First Reader assumes on the part of the pupils at sight-reading Readers knowledge of all combinations of the tones of the diatonic major scale in the several keys, and of measure up to and including the equal division of the best The Second Reader includes songs and exercises embracing the fractional division of the beat, a more extended use of accidentals, the minor mode, and two-part song. The Third Reader involves the sub-fractional division of the beat, a more remote approach of accidentals, an extension of the minor mode, and greater freedom of voice in the continuation of two-part song. The Fourth Reader introduces three-part song, which in the Fifth, with its two editions, the G Clef edition for girls' schools and the F Clef edition for boys' schools and mixed schools, afiords the largest possible opportunity for real interpretive work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Studies in Musical Education, History and Aesthetics: Papers and Proceedings of the Music Teachers' National Association at Its Fortieth Annual Meeting Report of Public School Music Conference Report of the Committee, karl W. Gausss, Oberlin Conservatory of Music, Oberlin, 0. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Private Reading of Public-School Teachers, And, General Suggestions Concerning the Teaching of Music in the Grades A study of literature by types is perhaps the best method of mak ing a first-hand survey of the general field of good writing. Within each of the two general divisions, prose and poetry, there are several definite forms, including the prose types known as history, oratory, biography, the letter, the essay, the novel, and the short story; and the poetic forms called the epic, the lyric, the drama, and the ballad.* The benefits to be derived from reading and reflecting upon some of the best examples of these eleven literary types are in most cases too obvious to need elaboration here; but there are certain large effects that the careful reading of literature of the right kind pro duces, and concerning these a few suggestions may well be made. Some literature is read primarily for entertainment, with the avowed purpose of driving dull care away. One reader may be entertained best by the short story, another by the novel, another by the letter, While still another may find that poetry of a certain type Will lead to the sessions of sweet, silent thought that will rest the mind and relieve it of the cares of the day. A word of caution may be inserted at this point. Let it be remembered that in choos ing material that will entertain there is no need to go outside the bounds of real literature. Many great works have a strong narra tive element, but to appreciate their greatness we must look beyond the story and find qualities that are products less of the imagination than of the intellect. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Report on Music Instruction in the Public Schools of Oakland, California, 1917, Vol. 6 The intermediate school idea, that of concentrating the seventh and eighth grades of the elementary schools in one building and calling it either an intermediate school or a junior high. School, has met with the approval of school authorities. The intermediate school as a school unit is usually considered the most expensive type of school to establish and maintain. To offset this item of expense, depart mental work has been established in the seventh and eighth grades of twenty-one of the forty-four grade school buildings in Oakland. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This report provides a comprehensive overview of music education in American public schools. It includes detailed information on the methods and materials used to teach music, as well as data on enrollment, teacher training, and funding. The report is an essential resource for educators, administrators, and policymakers who are committed to providing high-quality music education to all students. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.