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The Malay World (Alam Melayu), spanning the Malay Peninsula, much of Sumatra, and parts of Borneo, has long contained within it a variety of populations. Most of the Malays have been organized into the different kingdoms (kerajaan Melayu) from which they have derived their identity. But the territories of those kingdoms have also included tribal peoples - both Malay and non-Malay - who have held themselves apart from those kingdoms in varying degrees. In the last three decades, research on these tribal societies has aroused increasing interest.This book explores the ways in which the character of these societies relates to the Malay kingdoms that have held power in the region for many centuries past, as well as to the modern nation-states of the region. It brings together researchers committed to comparative analysis of the tribal groups living on either side of the Malacca Straits - in Indonesia, Malaysia, Thailand, and Singapore. New theoretical and descriptive approaches are presented for the study of the social and cultural continuities and discontinuities manifested by tribal life in the region.
This book contains a selection of non-academic materials on a wide range of topics related to Malaysian culture. Several of them deal with traditional Malay theatre genres, particularly mak yong, recognised by UNESCO as an item of the Oral and Intangible Heritage of Humanity in 2005, the shadow play and bangsawan. Others record the contributions of prominent personalities as practitioners, preservers, teachers and transmitters of oral traditions. The author touches upon issues related to the precarious situation in the arts in a rapidly changing Malay society which has in general neglected traditional performing arts forms under pressures exerted by modenisation and the simultaneous wave of Islamicisation. His own involvement in teaching, research, documentation as well as preservation of many of these arts provides unique personal insights into some of the problems and pertinent issues. Other essays of a more general nature, touch upon the continuing and at times controversial relationships between Malay cultural manifestations and those in neighbouring countries, contributions of the minority Indian-Muslim community in Malaysia, and upon the role of the administration in the preservation of heritage. The brief accounts contained in this volume are presented in a direct and readable manner for the non-expert enthusiast of culture and the arts from the perspective of someone deeply and passionately involved.
Traditional literature, or 'the deed of the reed pen' as it was called by its creators, is not only the most valuable part of the cultural heritage of the Malay people, but also a shared legacy of Malaysia, Indonesia, Singapore and Brunei. Malay culture during its heyday saw the entire Universe as a piece of literature written by the Creator with the Sublime Pen on the Guarded Tablet. Literature was not just the creation of a scribe, but a scribe himself, imprinting words on the 'sheet of memory' and thus shaping human personality. This book, the first comprehensive survey of traditional Malay literature in English since 1939, embraces more than a millennium of Malay letters from the vague data of the seventh century up to the early beginnings of the modern literatures in the late nineteenth century. The long path trodden by traditional Malay literature is viewed in historical and theoretical perspectives as a development of integral system, caused by cultural and religious changes, primarily by gradual Islamization. This changing system considered in the entirety of its genres and works, is seen both externally and internally: from the point of view of modern scholarship and through the examination of indigenous concepts of literary creativity, poetics and aesthetics. The book not only repesents an original study based on a specific historico-theoretical approach, but it is also a complete reference-work and an indispensable manual for students.
Have you ever wondered what life was like in a Malay kampong in the old days? Or why practically all your Malay friends are Muslims? Well, the Malay culture is just one of the many cultures that have developed through the centuries. Although it originated in Peninsula Malaya, it has spread throughout Southeast Asia and beyond. Most Malays are Muslims and live their lives guided by teachings found in the Quran, the holy book of Islam. As part of the Asiapac Culture series, this book offers an overall look at the various aspects of this colourful culture. It covers topics such as the history of the people, their lifestyle, religious and cultural activities, culinary practices, etc. Such knowledge is essential in promoting mutual understanding and respect. So, if you want to learn more about this fascinating culture, this is the book to read!