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"Celtic Mythology" is a study on ancient folk tales and legends of old Ireland, Wales and other Celtic regions, which remained a precious legacy to their illustrative history. The book deals with different aspects of folklore and mythology: myths of the creation, tales of gods and their position and behavior, the mythical creatures and animals, folk tales of the divine land and many more. Well grounded in history and sociology, the author relates these folk tales, legends and myths of Gaelic, Brythonic and Gaulish people to each other and explores the influence of Christianity on their development through the ages. "The Religion of the Ancient Celts" is an exhaustive and comprehensive study of the Celtic religion. It provides insights into Celtic religious practices, and comparisons geographically as well as with more familiar Roman and Christian pantheons. The author offers numerous interpretations and overlaps regarding the mythological roles of gods and goddesses. The Celts interacted with many cultures over the years and adopted their gods and combined with theirs. Roman and Greek gods were adopted as were Vikings' and Christianity later.
John Arnott MacCulloch's 'Celtic Mythology & The Religion of the Ancient Celts' is a comprehensive exploration of the religious beliefs and myths of the ancient Celts. The book delves into the rich tapestry of Celtic mythology, discussing the gods, goddesses, and sacred rituals that formed the core of Celtic spirituality. MacCulloch's writing style is scholarly yet accessible, making this book a valuable resource for anyone interested in Celtic culture and history. Drawing on a wide range of sources, including ancient texts and archaeological evidence, MacCulloch paints a vivid picture of the spiritual world of the Celts and its significance in their daily lives. This book is a must-read for anyone seeking to deepen their understanding of Celtic spirituality and mythology.
This collection contains writings on Irish politics, literature, drama, and visual arts, along with a series of dialogues with important cultural and intellectual figures. Previously unpublished pieces include essays on Joyce and on the Irish Hunger Memorial in New York City and a dialogue with Georges Dumézil on myth.
The history of science provides numerous examples of the way in which imagination, religion and mythology have sometimes helped and sometimes hindered scientific progress. While established ideas and beliefs clearly held back the discoveries of Copernicus, Galileo and Darwin, the intuitive knowledge found in mythology, art and religion has often proved useful in indicating new ways in which to explore or represent new knowledge of the world. Stories, fables and images have contributed to drawing a fuller picture of the past, understanding the present and imagining the future. The essays in this book, written by academics, writers and artists from various fields ranging from La Fontaine’s fables to nanotechnology and modern art, all point out the ways in which imagination works its way into all the fields of knowledge. At both ends of the spectrum, the hybrid nature of the chimera emerges as a pivotal symbol of both man’s predation instinct and a powerful symbol of his fear of extinction. This interdisciplinary book, weaving together visual representation, literature, mysticism, and science, will appeal to historians of science, philosophy, art and religion. It will also be of interest to scholars in cultural studies and anthropology. Drawing on recent scientific research and artistic production, the volume will additionally interest a wider audience wishing to learn more about man’s obsession and fascination with the potent symbolism of dinosaurs and dragons and all hybrid forms generated by the human imagination and recent technology.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.
The texts presented in Proportion Harmonies and Identities (PHI) - INTELLIGENCE, CREATIVITY AND FANTASY were compiled with the intent to establish a multidisciplinary platform for the presentation, interaction and dissemination of research. The aim is also to foster the awareness and discussion on the topics of Harmony and Proportion with a focus on different visions relevant to Architecture, Arts and Humanities, Design, Engineering, Social and Natural Sciences, and their importance and benefits for the sense of both individual and community identity. The idea of modernity has been a significant motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.
First published in French in 1988, and in English in 1992, this companion explores the nature of the literary myth in a collection of over 100 essays, from Abraham to Zoroaster. Its coverage is international and draws on legends from prehistory to the modern age throughout literature, whether fiction, poetry or drama. Essays on classical figures, as well as later myths, explore the origin, development and various incarnations of their subjects. Alongside entries on western archetypes, are analyses of non-European myths from across the world, including Africa, China, Japan, Latin America and India. This book will be indispensable for students and teachers of literature, history and cultural studies, as well as anyone interested in the fascinating world of mythology. A detailed bibliography and index are included. ‘The Companion provides a fine interpretive road map to Western culture’s use of archetypal stories.’ Wilson Library Review ‘It certainly is a comprehensive volume... extremely useful.’ Times Higher Education Supplement