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Excerpt from The Student's Harmony As implied by its title, the book is essentially designed for students; but, while primarily intended to ensure success in examination work, it claims to be equally adapted to give the student a knowledge of chord construction and progression sufficient to enable him to analyze the harmonic structure of the classics, and to solve the problems contained in some of the finer progressions of the great masters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Harmony for Students The author has aimed at producing a short Harmony for Students which shall contain only the really necessary informa tion in as practical and concise a form as possible, together with an adequate supply of exercises in which the Harmonization of Melodies occupies an important place throughout all the stages. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Text Book of Harmony AT the outset, it should be stated that a general knowledge of the rudiments of music is presupposed. For this reason the construction Of scales, which is often given in books Of harmony, is here omitted, as the author contends that that subject belongs to the rudiments, as does also the subject of intervals. As, however, a theoretical knowledge of intervals does not enter into all systems Of teaching the elements of music, and an exact knowledge Of intervals is a prerequisite to the study of harmony, a preliminary chapter on them is included for those who may need it. Those who are not thoroughly familiar with intervals should write them out in different keys. All the early examples should also be transposed to different keys till the student gains the power of readily recognising the chords and their progressions in all their varied appearances and disguises. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reproduction of the original: A Harmony of the Gospels For Students of the Life of Christ by A.T Robertson
Excerpt from Harmony Harmony is the grammar of tone language. The knowledge of Harmony is just as indispensable to anyone studying music, as the knowledge of grammar is to those who wish to gain more than a superficial understanding of a language. Since the exercises in Harmony (from very simple pedagogical grounds) not only can be resolved into their elements, but, for the most part, must be a combination of separate elements, the student can easily see in them the preparation for composing; they are such indeed in no other sense than are the orthographical and grammatical exercises preparatory to writing poetry - not less elementary, not less indispensable. All chords may be divided into two groups: - 1. Triad, or chord with three tones. 2. Sept chord, or chord with four tones. Every triad consists of a fundamental tone, its third and its fifth. Every tone of the scale may be used as the fundamental of such a triad, thus a triad can be formed on any tone of the scale by adding its third and its fifth. If one uses only the tones which belong to a certain scale he will find that part of the triads have a major third and a perfect fifth, while others have a minor third and a perfect fifth. The triad on the VII degree of any scale, as well as on the II degree of the minor scale, always has a minor third and a diminished fifth. The difference between these triads does not concern us at present. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Melody and Harmony: A Treatise for the Teacher and the Student Grieg's Violin Sonata, Op. 8. Sonata for 'cello, Op. 36. Pianoforte Concerto. Peer Gynt Suite. Ich liebe dich. Lyrische Stiickchen, Op. 43. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A Text-Book on Harmony Portions only of the (great) staff, namely, five lines of it, are used at a time, temporary additions being made when special notes are required, and signs (called clefs) used to indicate the section of the great staif then occupied. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Second Year Harmony: A Sequel to "First Year Harmony" In Part I, close posit1on 18 used, and all chords not pre sented in first year harmony are taken up for study. In Part II, open position is used, and the harmonization of a given soprano is required. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A Course of Harmony The present work is the outcome of a request, addressed to me by the Council of the Royal College of Music some years ago (as the Professor responsible for the teaching of Harmony and Counterpoint in that Institution), that I should prepare a Manual of Harmony for use in the College. Began then, its completion was unfortunately delayed by my many and growing engagements, and I found it necessary to ask the aid of my pupil and former assistant, Dr. Sawyer, who has had much experience in teaching this subject, in order that the desired task should be completed. I have thought it right to couple Dr. Sawyer's name with my own on the title-page, as only fair to one who has devoted so much time and rendered so much valuable assistance in the preparation of this work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.