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This interesting and unusual work examines the events, concepts, and interpretations that led to the emergence of the idea of freedom of the press in the United States and to the recognition of the concept of a free press in more than one hundred other countries. The calendar extends from the year 4000 BC to the present and chronicles the historical progress of freedom of the press, involving thousands of persons and thousands of publishing and media efforts, including newspapers, books, pamphlets, radio, television, and motion pictures. This in-depth study reports and examines the many events and circumstances which had considerable impact on creating freedom of the press, explores the subject in practical terms, and shows the idea of a free press as an ever-evolving and developing concept.
This book explores the relationship between truth and freedom in the free press. It argues that the relationship is problematic because the free press implies a competition between plural ideas, whereas truth is univocal. Based on this tension the book claims that the idea of a free press is premised on an epistemological illusion. This illusion enables society to maintain that the world it perceives through the press corresponds to the world as it actually exists, explaining why defenders of the free press continue to rely on its capacity to discover the truth, despite economic conditions and technological innovations undermining much of its independence. The book invites the reader to reconsider the philosophical foundations, constitutional justifications, and structure and functions of the free press, and whether the institution can, in fact, realise both freedom and truth. It will be of great interest to anyone concerned in the role and value of the free press in the modern world.
Over the course of a literary career that extended from the lingering Malthusian controversies of the late eighteenth century to the brink of the Reform Act of 1832, William Hazlitt produced a remarkable body of committed radical journalism. Against the view that partisan passion undermined his aesthetic judgment and compromised his celebrated disinterestedness, William Hazlitt: Political Essayist restores politics to the center of his achievement as a critic and essayist. In doing so Kevin Gilmartin explores his constructive relationship with the early nineteenth-century popular reform movement, while acknowledging his desire to reflect critically on radical politics and express his own doubts about social progress. Early chapters attend closely to his critical method and matters of style and form, focusing on the political development of his contradictory prose manner. Paradox and inconsistency are central to his attack on 'Legitimacy', a term he drew form the lexicon of post-Napoleonic political journalism. In treating legitimate government as a revived form of divine right monarchy, Hazlitt often produced harrowing visions of the perfect refinement of oppressive power and the complete elimination of any principle of liberty or resistance. At the same time he found ways to preserve his commitment to oppositional political expression and the redemptive necessity of what he termed 'a word uttered against'. Later chapters bring together the spiritual heritage of rational Dissent and emerging democratic developments in London to understand Hazlitt's distinctive mobilization of radical memory as a way of contending with present injustice and envisioning a political future.
Originally published in 1970. This book takes an extremely critical look at the British Press and explodes complacently held views of the time about the merits and virtues of British newspapers. From its polemical introduction by the editor it continues with chapters by a strong host of contributors to set the press in historical context, consider Fleet Street’s methods, and look at the effect of advertising. Particular aspects investigated are that of women’s journalism, sport, financial journalism and reviewing. Final chapters look at the underground, fringe press, provincial papers, and a comparison with other countries’ press.
Defining John Bull demonstrates that caricature played a vital role in the redefinition of what it meant to be British. The public's increasing interest in political controversies meant that satirists turned their attention to individuals and the issues involved. This long reign was marked by political crises, both foreign and domestic and caricaturists responded with an outpouring of work that led the era to be called the 'golden age' of caricature. These multitudinous prints, produced in response to public demands and sensitive to public attitudes, indicate the redefinition of existing ideals.
The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.
This book is the first overall survey of the British West Indian press in the early nineteenth century—a critical period in the history of the region. Based on extensive and ground-breaking archival research, this volume provides an in-depth history of early nineteenth-century British West Indian newspapers and potted biographies of the journalists who produced them. The author examines the economics underpinning newspapers, and a political spectrum, unique to the West Indian press, is also posited. Towards one end sat a small group of ‘liberal’ newspapers that outraged white colonists by arguing for civil and political rights to be extended to so-called free coloureds and for the abolition of slavery; scattered at various points towards the other end of the spectrum were newspapers still best collectively described as the ‘planter press’—the traditional term used in the literature. Starting from this basic conceptual framework, the volume shows how the press landscape in the British Caribbean at this time was more volatile and complex than has been previously thought. This volume will be of value to academics, undergraduates and postgraduates studying Caribbean and media history and those interested in modern history.
A lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.
Mini-set L: Sociology of Education re-issues 48 volumes originally published between 1928 and 1990. The books in this mini-set discuss: Teaching and social change, research processes in education, class, race, culture and education, marxist perspectives in the sociology of education, the family and education, the sociology of the classroom and school organization.
First published in 1973. This title aims to use contemporary documents to illustrate the attitudes and relationships of working men towards each other and against other groups in society in the years 1815 to 1850. The material comes under three headings; the analysis of class in terms of economic and political theory; class relations in the years between the end of the French wars and the move into mid-Victorianism; and finally, the response to the more disturbing aspects of class by the appropriate vehicles of social control. This title will be of interest to students of history.