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From the Pulitzer Prize–winning author Larry McMurtry comes the final book in the Lonesome Dove tetralogy—an exhilarating tale of legend and heroism, Streets of Laredo is classic Texas and Western literature at its finest. Captain Woodrow Call, August McCrae's old partner, is now a bounty hunter hired to track down a brutal young Mexican bandit. Riding with Call are an Eastern city slicker, a witless deputy, and one of the last members of the Hat Creek outfit, Pea Eye Parker, now married to Lorena—once Gus McCrae's sweetheart. This long chase leads them across the last wild stretches of the West into a hellhole known as Crow Town and, finally, into the vast, relentless plains of the Texas frontier.
Bestselling winner of the 1986 Pulitzer Prize, Lonesome Dove is an American classic. First published in 1985, Larry McMurtry's epic novel combined flawless writing with a storyline and setting that gripped the popular imagination, and ultimately resulted in a series of four novels and an Emmy-winning television miniseries. Now, with an introduction by the author, Lonesome Dove is reprinted in an S&S Classic Edition. Lonesome Dove, by Larry McMurtry, the author of Terms of Endearment, is his long-awaited masterpiece, the major novel at last of the American West as it really was. A love story, an adventure, an American epic, Lonesome Dove embraces all the West -- legend and fact, heroes and outlaws, whores and ladies, Indians and settiers -- in a novel that recreates the central American experience, the most enduring of our national myths. Set in the late nineteenth century, Lonesome Dove is the story of a cattle drive from Texas to Montana -- and much more. It is a drive that represents for everybody involved not only a daring, even a foolhardy, adventure, but a part of the American Dream -- the attempt to carve out of the last remaining wilderness a new life. Augustus McCrae and W. F. Call are former Texas Rangers, partners and friends who have shared hardship and danger together without ever quite understanding (or wanting to understand) each other's deepest emotions. Gus is the romantic, a reluctant rancher who has a way with women and the sense to leave well enough alone. Call is a driven, demanding man, a natural authority figure with no patience for weaknesses, and not many of his own. He is obsessed with the dream of creating his own empire, and with the need to conceal a secret sorrow of his own. The two men could hardly be more different, but both are tough, redoubtable fighters who have learned to count on each other, if nothing else. Call's dream not only drags Gus along in its wake, but draws in a vast cast of characters: -- Lorena, the whore with the proverbial heart of gold, whom Gus (and almost everyone else) loves, and who survives one of the most terrifying experiences any woman could have... -- Elmira, the restless, reluctant wife of a small-time Arkansas sheriff, who runs away from the security of marriage to become part of the great Western adventure... -- Blue Duck, the sinister Indian renegade, one of the most frightening villains in American fiction, whose steely capacity for cruelty affects the lives of everyone in the book... -- Newt, the young cowboy for whom the long and dangerous journey from Texas to Montana is in fact a search for his own identity... -- Jake, the dashing, womanizing exRanger, a comrade-in-arms of Gus and Call, whose weakness leads him to an unexpected fate... -- July Johnson, husband of Elmira, whose love for her draws him out of his secure life into the wilderness, and turns him into a kind of hero... Lonesome Dove sweeps from the Rio Grande (where Gus and Call acquire the cattle for their long drive by raiding the Mexicans) to the Montana highlands (where they find themselves besieged by the last, defiant remnants of an older West). It is an epic of love, heroism, loyalty, honor, and betrayal -- faultlessly written, unfailingly dramatic. Lonesome Dove is the novel about the West that American literature -- and the American reader -- has long been waiting for.
The Republic of the Rio Grande had a brief and tenuous existence (1838–1840) before most of it was reabsorbed by Mexico and the remainder annexed by the United States, yet this region that straddles the Rio Grande has retained its distinctive cultural identity to the present day. Born on one side of the Rio Grande and raised on the other, Beatriz de la Garza is a product of this region. Her birthplace and its people are the subjects of this work, which fuses family memoir and borderlands history. From the Republic of the Rio Grande brings new insights and information to the study of transnational cultures by drawing from family papers supplemented by other original sources, local chronicles, and scholarly works. De la Garza has fashioned a history of this area from the perspective of individuals involved in the events recounted. The book is composed of nine sections spanning some two hundred years, beginning in the mid-1700s. Each section covers not only a chronological period but also a particular theme relating to the history of the region. De la Garza takes a personal approach, opening most sections with an individual observation or experience that leads to the central motif, whether this is the shared identity of the inhabitants, their pride in their biculturalism and bilingualism, or their deep attachment to the land of their ancestors.
Set against the bitter frontier strife between Texans and the Comanche, Texas Rangers Gus McCrae and Woodrow Call battle Buffalo Hump, the enigmatic war chief, and Gus' long-time nemesis, Blue Duck.
Who knew that Paul McCartney originally referred to Yesterday as 'Scrambled Eggs' because he couldn't think of any lyrics for his heart-breaking tune? Or that Patti LaBelle didn't know what 'Voulez-vous couches avec moi ce soir?' actually meant? These and countless other fascinating back stories of some of our best-known and best-loved songs fill this book, a collection of the highly successful weekly The Life of a Song columns that appear in the FT Weekend every Saturday. Each 600-word piece gives a mini-biography of a single song, from its earliest form (often a spiritual, or a jazz number), through the various covers and changes, often morphing from one genre to another, always focusing on the 'biography' of the song itself while including the many famous artists who have performed or recorded it. The selection covers a wide spectrum of the songs we all know and love - rock, pop, folk, jazz and more. Each piece is pithy, sparkily written, knowledgeable, entertaining, full of anecdotes and surprises. They combine deep musical knowledge with the vivid background of the performers and musicians, and of course the often intriguing social and political background against which the songs were created.
The brutal journey of two American kids from normal teenagers to Cartel killers. At first glance, Gabriel Cardona was the poster boy American teenager: athletic, bright, handsome and charismatic. But the streets of his border town of Laredo, Texas, were poor and dangerous, and it wasn't long before Gabriel, along with some childhood friends, abandoned his promising future for the allure of the Zetas, a drug cartel with roots in the Mexican military, boosting cars and smuggling drugs. Within a few months they were to become some of the cartel's most-feared killers: Los Lobos, The Wolf Boys. Mexican-born detective Robert Garcia had worked hard all his life, struggling to raise his family in America. As violence spilled over the border into his adopted country, Detective Garcia's pursuit of the boys and their cartel leaders would place him face to face with the terrible consequences of a war he came to see as unwinnable. Through the eyes of these young boys, whose actions and lives blended teenage normalcy with monstrous barbarity, Dan Slater takes us from the Sierra Madre mountaintops to the dusty, dark alleys of small-town Texas on a harrowing, often brutal journey into the heart of the Mexican drug trade. An astonishing, immersive, non-fiction thriller informed by extraordinary research and vivid detail, Wolf Boys uncovers the dark truth about Mexico's cartels and the tragic failure of the 'war on drugs'.
James Stewart once said, "For John Ford, there was no need for dialogue. The music said it all." This lively, accessible study is the first comprehensive analysis of Ford's use of music in his iconic westerns. Encompassing a variety of critical approaches and incorporating original archival research, Kathryn Kalinak explores the director's oft-noted predilection for American folk song, hymnody, and period music. What she finds is that Ford used music as more than a stylistic gesture. In fascinating discussions of Ford's westerns—from silent-era features such as Straight Shooting and The Iron Horse to classics of the sound era such as My Darling Clementine and The Searchers —Kalinak describes how the director exploited music, and especially song, in defining the geographical and ideological space of the American West.
William Studwell has struck gold again! Providing a heterogenous mixture of songs that mirrors the diversity of the United States and its culture, The Americana Song Reader is an entertaining and informative collection of over 130 historical essays on various American and foreign songs that have had a significant impact on U.S. popular culture. The essays give you basic historical data on the work, refer to any related or affiliated works, and touch upon the cultural context of its creation and popular usage in the United States. Presented in an offbeat, somewhat irreverent, yet scholarly style, the author has once again compiled a reference book that is fun to read. In addition to presenting information useful for reference, The Americana Song Reader contains anecdotes, ironic sidelights, poetry, and allusions to parodies. For ease of use, the book is divided into several sections. These sections, with some representative songs listed, include: Dancing Songs: “After the Ball,” “The Hokey Pokey,” “Sleeping Beauty Waltz” Marching Songs: “March of the Toys,” “When the Saints Go Marching In” Rural and Western Songs: “The Big Rock Candy Mountain,” “Jessie James,” “The Streets of Laredo” Songs That Excite or Amuse: “An American in Paris,” “1812 Overture,” “The Sidewalks of New York” Songs That Soothe or Bring Tears: “Beautiful Dreamer,” “I'm Always Chasing Rainbows,” “My Wild Irish Rose” Children's Songs: “Hansel and Gretel,” “Pop Goes the Weasel,” “Sing a Song of Sixpence” Circus Songs: “Barnum and Bailey's Favorite,” “Be a Clown,” “The Flying Trapeze” Drinking Songs: “Auld Lange Syne,” “Little Brown Jug,” “Ninety Nine Bottles of Beer” College Songs: “Iowa Corn Song,” “Notre Dame Victory Song,” “The Whiffenpoof Song” Song title index and author/group index Whether the music comes from New York City, remote rural areas of the South or West, or from Vienna or Paris, all music having some sort of impact on the lives of everyday Americans is in a very true way part of Americana. In The Americana Song Reader, you'll see the songs both as small pieces of the American culture puzzle and, collectively, as a large segment of the music of the country. This newest addition to William Studwell's collection of song readers will delight the general public, musicians, and librarians.
Berlandier: A French Naturalist on the Texas Frontier tells the history of Jean Louis Berlandier (1805-1851), remembered as one of the most enlightened naturalists of the American Southwest. He was one of the first to investigate the natural history of the Gulf Coastal Plain, the Rio Grande Valley, the Balcones Escarpment and the Edwards Plateau. Students of Texas biology have learned about Berlandier through such species as the Texas Green-Eyed Sunflower, Texas Windflower, Texas Tortoise, and the Rio Grande Leopard Frog. Between 1826 and 1828, Berlandier collected these species for the Academy of Natural Sciences, Geneva, and studied the Indians of Texas for the Mexican Ministry of the Interior, resulting in his scholarly treatise, The Indians of Texas, in 1830. Berlandier's plant collections are in twenty-seven world herbaria, and many hundreds of his insects, mollusks, reptiles, birds, and mammals are in prestigious institutions such as the Smithsonian and the United States National Museum. Most of the Indian material collected by Berlandier is in the Gilchrest Museum, and the wealth of his writing resides in the libraries of Yale, Harvard, Texas A&M, and the University of Texas. His diary, the most important of his writings, consists of more than 1,500 pages, currently housed in the Library of Congress; it serves as the basis of this history of his life and work.
Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical. He also became the only star director of musicals of his era--a group that included Jerome Robbins, Gower Champion, Michael Kidd, and Harold Prince--to equal his Broadway success in films. Following his unprecedented triple crown of show business awards in 1973 (an Oscar for Cabaret, Emmy for Liza with a Z, and Tony for Pippin), Fosse assumed complete control of virtually every element of his projects. But when at last he had achieved complete autonomy, his final efforts, the film Star 80 and the musical Big Deal, written and directed by Fosse, were rejected by audiences and critics. A fascinating look at the evolution of Fosse as choreographer and director, Big Deal: Bob Fosse and Dance in the American Musical considers Fosse's career in the context of changes in the Broadway musical theater over four decades. It traces his early dance years and the importance of mentors George Abbott and Jerome Robbins on his work. It examines how each of the important women in his adult life--all dancers--impacted his career and influenced his dance aesthetic. Finally, the book investigates how his evolution as both artist and individual mirrored the social and political climate of his era and allowed him to comfortably ride a wave of cultural changes.