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WITH A NEW INTRODUCTION FROM NEW YORK TIMES BEST-SELLING AUTHOR TAYARI JONES “How can a novel’s social criticism be so unflinching and clear, yet its plot moves like a house on fire? I am tempted to describe Petry as a magician for the many ways that The Street amazes, but this description cheapens her talent . . . Petry is a gifted artist.” — Tayari Jones, from the Introduction The Street follows the spirited Lutie Johnson, a newly single mother whose efforts to claim a share of the American Dream for herself and her young son meet frustration at every turn in 1940s Harlem. Opening a fresh perspective on the realities and challenges of black, female, working-class life, The Street became the first novel by an African American woman to sell more than a million copies.
In this beguiling collection of short stories and memoirs, first published in 1969, Mordecai Richler looks back on his childhood in Montreal, recapturing the lively panorama of St. Urbain Street: the refugees from Europe with their unexpected sophistication and snobbery; the catastrophic day when there was an article about St. Urbain Street in Time; Tansky’s Cigar and Soda with its “beat-up brown phonebooth” used for “private calls”; and tips on sex from Duddy Kravitz. Overflowing with humour, nostalgia, and wisdom, The Street is a brilliant introduction to Richler’s lifelong love-affair with St. Urbain Street and its inhabitants.
A community's past sins rise to the surface in New York Times bestselling author Diane Chamberlain's The Last House on the Street when two women, a generation apart, find themselves bound by tragedy and an unsolved, decades-old mystery. 1965 Growing up in the well-to-do town of Round Hill, North Carolina, Ellie Hockley was raised to be a certain type of proper Southern lady. Enrolled in college and all but engaged to a bank manager, Ellie isn't as committed to her expected future as her family believes. She's chosen to spend her summer break as a volunteer helping to register black voters. But as Ellie follows her ideals fighting for the civil rights of the marginalized, her scandalized parents scorn her efforts, and her neighbors reveal their prejudices. And when she loses her heart to a fellow volunteer, Ellie discovers the frightening true nature of the people living in Round Hill. 2010 Architect Kayla Carter and her husband designed a beautiful house for themselves in Round Hill's new development, Shadow Ridge Estates. It was supposed to be a home where they could raise their three-year-old daughter and grow old together. Instead, it's the place where Kayla's husband died in an accident--a fact known to a mysterious woman who warns Kayla against moving in. The woods and lake behind the property are reputed to be haunted, and the new home has been targeted by vandals leaving threatening notes. And Kayla's neighbor Ellie Hockley is harboring long buried secrets about the dark history of the land where her house was built. Two women. Two stories. Both on a collision course with the truth--no matter what that truth may bring to light--in Diane Chamberlain's riveting, powerful novel about the search for justice.
In this riveting, ambitious novel from James A. Michener, the renowned chronicler of epic history turns his extraordinary imagination to a world he knew better than anyone: the world of books. Lukas Yoder, a novelist who has enjoyed a long, successful career, has finished what he believes to be his final work. Then a tragedy strikes in his community, and he becomes obsessed with writing about it. Meanwhile, Yoder’s editor fights to preserve her integrity—and her author—as her firm becomes the target of a corporate takeover; a local critic who teaches literature struggles with his ambitions and with his feelings about Yoder’s success; and a devoted reader holds the key to solving the mystery that haunts Yoder’s hometown. BONUS: This edition includes an excerpt from James A. Michener's Hawaii. Praise for The Novel “Michener explores some of the deepest issues raised by narrative literature.”—The New York Times “A good, old-fashioned, sink-your-teeth-into-it story . . . The Novel lets us see an unfamiliar side of the author, at the same time portraying the delicate, complex relationship among editors, agents and writers.”—The Philadelphia Inquirer “Michener loves literature, and his information about some of his favorite reading is almost as alluring as his explanation of how to handle a manuscript.”—Associated Press “So absorbing you simply will not want [it] to end.”—Charleston News & Courier
Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,5, language: English, abstract: Ann Petry, a female Afro-American novelist, published her novel The Street in 1946. The setting of this novel is Harlem in the 1940s. The story deals with the life and trials of the Mulatto woman Lutie Johnson and her struggle to find a place in this environment for herself and her son. Hence, The Street is also concerned with different aspects of urban life. Thus, one might also claim that Petry's novel is about portraying the difficulties a single coloured woman and mother had in Harlem, living on 116th Street in New York City. Apart from being an urban novel, Petry also captured the symbolic character of Harlem in The Street, namely that it is a "(...) symbol of the Negro's perpetual alienation in the land of his birth." Hence, this novel also touches upon the topic of disillusionment in city life. In the following analysis, we will primarily deal with the last chapters of the novel and in particular with the end of the novel, which shows Lutie Johnson leaving Harlem and moving to Chicago. On the one hand, we will be concerned with the reasons and motifs why Lutie is disillusioned and finally leaves Harlem. On the other hand, we will deal with the implications and possibilities that Lutie's movement to Chicago brings with it.
Before the Hot Boyz, there was only one. Son of the biggest criminal in history, Smooth was forced to enter the cruel and ruthless world of his family’s organization. The Vasquez Cartel. Yet, after having everything he loved ripped from his life, Smooth is determined to seek his revenge and take what is his. “Many rap and boast about the street life, but I didn't have a choice to be in this game. The streets chose me.” ---- Smooth T.L. Joys takes you inside the gritty story of The Streets Chose Me: The Hot Boyz Prelude! Get Part Two Of This Series called "Never Trust The One You Love" Here: http://bit.ly/1NaMSBg keywords: urban books, urban books free, urban, urban fiction, urban street fiction, urban african american, free book, freebie, free book, free ebook, free
A hidden history of the South emerges when a worldly teacher leads Threestep, GA, to reinvent itself, setting in motion events that lead to triumph and tragedy for the black teenager who happens to be the smartest person in Piedmont County, Georgia, in 1938–39. As an epigraph from The Souls of Black Folk by W. E. B. Du Bois reminds us at the start of this novel, "Throughout history, the powers of single black men flash here and there like falling stars, and die sometimes before the world has rightly gauged their brightness." Protagonist Theo Boykin is a genius, an artist, an inventor, a Leonardo DaVinci–type, whose talents are sought after by local blacks and whites alike, but even this is not enough to save him. He falls victim to "the tragedy of ignorance and the damage caused by fear," in the words of poet Rita Dove—the first African American to serve as U.S. Poet Laureate and a member of the jury that conferred on The Cailiffs of Baghdad, Georgia the 2011 Anisfield-Wolf Award for books that "make a significant contribution to our understanding of racism and our appreciation for the diversity of human cultures." You won't forget Theo Boykin, nor will you forget his friends the Cailiffs, especially Gladys, who tells this story with love and bewilderment, and the teacher, Miss Spivey, who changes all their lives.