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Sent to the prestigious Dunhammond Conservatory, Sing da Navelli must work with the mysterious Apprentice Nathan Daysmoor as her vocal coach, who is both her harshest critic and staunchest advocate. But Nathan has secrets of his own, secrets that are entwined with the myths and legends surrounding Dunhammond, and the great creature they say lives there.
A collection of poems that provide a look at some of the animals, insects, and plants that are found in ponds, with accompanying information about each.
WINNER OF THE NOBEL PRIZE IN LITERATURE A haunting book by a poet whose voice speaks of all our lifetimes Louise Glück’s thirteenth book is among her most haunting. Here as in the Wild Iris there is a chorus, but the speakers are entirely human, simultaneously spectral and ancient. Winter Recipes from the Collective is chamber music, an invitation into that privileged realm small enough for the individual instrument to make itself heard, dolente, its line sustained, carried, and then taken up by the next instrument, spirited, animoso, while at the same time being large enough to contain a whole lifetime, the inconceivable gifts and losses of old age, the little princesses rattling in the back of a car, an abandoned passport, the ingredients of an invigorating winter sandwich, a sister’s death, the joyful presence of the sun, its brightness measured by the darkness it casts. “Some of you will know what I mean,” the poet says, by which she means, some of you will follow me. Hers is the sustaining presence, the voice containing all our lifetimes, “all the worlds, each more beautiful than the last.” This magnificent book couldn’t have been written by anyone else, nor could it have been written by the poet at any other time in her life.
Reprint of the original, first published in 1873.
In the late 1870s, this gifted writer of hilarious, bad verse had a national following. Mark Twain even wrote that he always carried with him a copy of Julia's first book of poems, The Sentimental Song Book (1876). "I find in them the same grace and melody that attracted me when they were first published twenty years ago, and have held me in happy bonds ever since," he explained. Twain attributed the "deep charm" of Julia's poems to her innocent habit of making "an intentionally humorous episode pathetic and an intentionally pathetic one funny." Twain immortalized Julia's style in the writings of Emmeline Grangerford, a character in The Adventures of Huckleberry Finn. She also influenced the writing--in fact, the career--of the doggerel poet Ogden Nash, who reportedly said that her example convinced him to try to become "a great bad poet" rather than "a bad good poet." The late Walter Blair, a highly respected professor of American literature at the University of Chicago, put it like this in his introduction to the last published collection of Julia's poems in 1928: If these songs [as Julia called her poems] were only a little closer to the conventional modes of meter, rhyme, thought, and expression they would not impress us at all. Touched, however, by the magic wand of genius, the novel works of this great poet cause readers to slump down in their chairs, hold their agitated and aching sides, wipe tears from brimming eyes, and fill the air with the sound of distinctly raucous laughter. Mortal Refrains is the first complete, published collection of Julia Moore's work--poetry, short stories, songs (including sheet music), and newspaper interviews--compiled from the earliest published versions found in various public libraries, rare book collections, museums, and archives.
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.