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The Strange Death of Marxism seeks to refute certain misconceptions about the current European Left and its relation to Marxist and Marxist-Leninist parties that existed in the recent past. Among the misconceptions that the book treats critically and in detail is that the Post-Marxist Left (a term the book uses to describe this phenomenon) springs from a distinctly Marxist tradition of thought and that it represents an unqualified rejection of American capitalist values and practices. Three distinctive features of the book are the attempts to dissociate the present European Left from Marxism, the presentation of this Left as something that developed independently of the fall of the Soviet empire, and the emphasis on the specifically American roots of the European Left. Gottfried examines the multicultural orientation of this Left and concludes that it has little or nothing to do with Marxism as an economic-historical theory. It does, however, owe a great deal to American social engineering and pluralist ideology and to the spread of American thought and political culture to Europe. American culture and American political reform have foreshadowed related developments in Europe by years or even whole decades. Contrary to the impression that the United States has taken antibourgeois attitudes from Europeans, the author argues exactly the opposite. Since the end of World War II, Europe has lived in the shadow of an American empire that has affected the Old World, including its self-described anti-Americans. Gottfried believes that this influence goes back to who reads or watches whom more than to economic and military disparities. It is the awareness of American cultural as well as material dominance that fuels the anti-Americanism that is particularly strong on the European Left. That part of the European spectrum has, however, reproduced in a more extreme form what began as an American leap into multiculturalism. Hostility toward America, however, can be transformed quickly into extreme affection for the United States, which occurred during the Clinton administration and during the international efforts to bring a multicultural society to the Balkans. Clearly written and well conceived, The Strange Death of Marxism will be of special interest to political scientists, historians of contemporary Europe, and those critical of multicultural trends, particularly among Euro-American conservatives.
""In the elegant capital city of Warsaw, the editor Mieczyslaw Grydzewski would come with his two dachshunds to a cafe called Ziemianska."" Thus begins the history of a generation of Polish literati born at the ""fin de siecle,"" They sat in Cafe Ziemianska and believed that the world moved on what they said there. ""Caviar and Ashes"" tells the story of the young avant-gardists of the early 1920s who became the radical Marxists of the late 1920s. They made the choice for Marxism before Stalinism, before socialist realism, before Marxism meant the imposition of Soviet communism in Poland. It ended tragically. Marci Shore begins with this generation's coming of age after the First World War and narrates a half-century-long journey through futurist manifestos and proletarian poetry, Stalinist terror and Nazi genocide, a journey from the literary cafes to the cells of prisons and the corridors of power. Using newly available archival materials from Poland and Russia, as well as from Ukraine and Israel, Shore explores what it meant to live Marxism as a European, an East European, and a Jewish intellectual in the twentieth century.
This international bestseller plumbs recently opened archives in the former Soviet bloc to reveal the accomplishments of communism around the world. The book is the first attempt to catalogue and analyse the crimes of communism over 70 years.
Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.
A chilling account of an evil ideology and the man whose nefarious thoughts made it possible.
In the triumphant resurgence of capitalism, the one thinker who is vindicated is Karl Marx.
A noted cultural critic unearths the weird, the eerie, and the horrific in 20th-century culture through a wide range of literature, film, and music references—from H.P. Lovecraft and Daphne Du Maurier to Stanley Kubrick and Christopher Nolan. What exactly are the Weird and the Eerie? Two closely related but distinct modes, and each possesses its own distinct properties. Both have often been associated with Horror, but this genre alone does not fully encapsulate the pull of the outside and the unknown. In several essays, Mark Fisher argues that a proper understanding of the human condition requires examination of transitory concepts such as the Weird and the Eerie. Featuring discussion of the works of: H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christopher Nolan.
The aim of this book is to carefully reconstruct Marx and Engels's theory of freedom, to highlight its centrality for their vision of the communist society of the future, to trace its development in the history of Marxist thought, including Marxism-Leninism, and to explain how it as possible for it to be transformed at the height of its influence into a legitimization of totalitarian practices. The relevance of the Marxist conception of freedom for an understanding of communist totalitarianism derives from the historical fact that the latter came into being as a the result of a conscious, strenuous striving to realize the former. The Russian Revolution suppressed "bourgeois freedom" to pave the way for the "true freedom" of communism. Totalitarianism was a by-product of this immense effort. The last section of the book gives a concise analysis of the dismantling of Stalinism, involving not only the gradual detotalitarization but also the partial decommunization of "really existing socialism." Throughout, Marxism is treated as an ideology that has compromised itself but that nevertheless deserves to be seen as the most important, however exaggerated and, ultimately, tragically mistaken, reaction to the multiple shortcomings of capitalist societies and the liberal tradition.
The collapse of communism marked the close of an era of world history. What took place in the Soviet Union between 1917 and 1991, in the eyes of its proponents, constituted a "great experiment" in the application of new modes of organization to social life, the largest such experiment in history. The Strange Death of Soviet Communism, which first appeared as a special issue of The National Interest, brings together leading scholars of Soviet history, who show why the experiment failed and how it has destroyed the laboratory of socialist utopias.Francis Fukuyama considers the role of long-term social and intellectual modernization while Vladimir Kontorovich examines the related factor of economic stagnation. Myron Rush then analyzes the accidental and precedent-breaking accession and leadership of Gorbachev. Charles Fairbanks looks at the more general factors of change and rigidity within communist political culture. Chapters by Peter Reddaway and Stephen Sestanovich conclude this section by assessing respectively the role of internal pressure from Soviet citizens and external pressure from the West. The next chapters deal with why the West was surprised by the communist collapse. This involves a critique of Western Sovietology both for its scholarly failures and its ideological prejudices. Here, Peter Rutland and William Odom deal with social science interpretations of the Soviet Union while Robert Conquest and Richard Pipes reflect on historians' readings of Soviet history. Martin Malia then offers a comparative assessment of both. In the third section Irving Kristol and Nathan Glazer discuss communism in relation to the intellectuals in the West.Although the authors are united in their anti-communist stance, the volume is diverse in its perspectives and assessments of Soviet communism. Taken together, these contributions show that the debate on the legacy of communism and a subsequent rethinking of modern history is just beginnin
This exciting, ambitious work attempts to rework into the body of social science concerns that are now more often associated with philosophy. Richard Quinney presents a new paradigm, one that draws on metaphysics and Marx. Does a modern capitalist society require an irreligious, secular spirit to justify exploitation? Quinney believes the division between the secular and the sacred approaches, both of which divide the world into social life and spiritual life, is collapsing. This book is nothing less than an attempt to integrate the two. '...it deserves to be read; and its chapter notes, alone, are rich evidence of useful reading.' -- Contemporary Sociology, Vol 13 No 1, January 1984 'Quinney may not acquir