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First published in 1957 The Strange Case of Mr Pelham is Anthony Armstrong's masterclass in suspense, a slow-burning examination of one man's descent into paranoia. Filmed several times for television in both the UK for the BBC, and in the US as an episode of Alfred Hitchcock Presents, Armstrong’s Pelham eventually hit the big screen in 1970 as the movie The Man Who Haunted Himself, starring Roger Moore. Reissued here for the first time in more than half a century, this classic period piece is set to bring one of the great 20th century thriller writers to a new generation of admirers.
First published in 1957 The Strange Case of Mr Pelham is Anthony Armstrong's masterclass in suspense, a slow-burning examination of one man's descent into paranoia. Filmed several times for television in both the UK for the BBC, and in the US as an episode of Alfred Hitchcock Presents, Armstrong's Pelham eventually hit the big screen in 1970 as the movie The Man Who Haunted Himself, starring Roger Moore. Reissued here for the first time in more than half a century, this classic period piece is set to bring one of the great 20th century thriller writers to a new generation of admirers.
A New York subway train is taken hostage in this “high-voltage thriller with the kick of a third rail” (The Washington Post). A New York Times Bestseller After a New York City train leaves the Pelham station at 1:23 p.m., four armed men take control of it—along with seventeen passengers. Their demands are simple: deliver one million dollars, or the hostages will be killed one by one. Fast-paced and intensely psychological, this novel tells the story from the point of view of each of the hijackers—revealing each man’s motivations, desperations, and fatal flaws. The basis of a blockbuster 1974 movie that was remade in 2009 with Denzel Washington and John Travolta, this classic modern thriller will have you on the edge of your seat, and holding on tight. “Entertaining . . . Clever in its details, frequently quite funny, and witty in its comments on how New York City functions . . . [A] slam-bang ending.” —The New York Times “A wild ride.” —The Pittsburgh Press “Harrowing, terrifying, and so, so good.” —BusinessWeek
For millennia people have held folk beliefs about the existence of the doppelganger--"double walker" in German--a look-alike second self that is often the antithesis of one's identity and is usually considered an omen of misfortune or death. The theme of the double has inspired works by E.T.A. Hoffmann, Poe, de Maupassant, Dostoevsky and others, and has been the basis for many classic mystery, horror and science fiction movies. This critical survey examines the double in more than 100 films by such acclaimed directors as Alfred Hitchcock, Mario Bava, Roger Corman, David Cronenberg, George Romero, Fritz Lang, James Cameron, Robert Siodmak, Don Siegel, John Frankenheimer, Terry Gilliam, Brian De Palma and Roman Polanski.
This book is the first of its kind to trace the development of one of the largest and most important companies in British cinema history, EMI Films. From 1969 to its eventual demise in 1986, EMI would produce many of the key works of seventies and eighties British cinema, ranging from popular family dramas like The Railway Children (Lionel Jeffries, 1970) through to critically acclaimed arthouse successes like Britannia Hospital (Lindsay Anderson, 1982). However, EMI’s role in these productions has been recorded only marginally, as footnotes in general histories of British cinema. The reasons for this critical neglect raise important questions about the processes involved in the creation of cultural canons and the definition of national culture. This book argues that EMI’s amorphous nature as a transnational film company has led to its omission from this history and makes it an ideal subject to explore the ‘limits’ of British cinema.
At a time when internet dating is booming across all ages and classes and women are setting the agenda as never before, some things have not changed: You can’t always leave love to chance. And whether the search begins with an app in the 21st century or a visit to two young but savvy matchmakers in the 1940s, the desire for lifelong happiness with a perfectly suited partner remains the same. This is the remarkable true story of the Marriage Bureau; its successes, its rare failures and its many clients, told with wit and honesty in Mary and Heather’s own words.
Modern Bond retrospectives lazily tend to almost completely dismiss Roger Moore's tenure as James Bond. He is frequently called the 'worst' Bond and his movies are dismissed as Carry On style romps. Roger would even make light of this himself. The truth is though that Roger was a great Bond. Sure, he maybe made a couple of films too many and the comedic elements of his films sometimes got out of hand but the Roger Moore years constitute the most fun era of Bond. If you sit down and watch one of Roger's Bond films you are guaranteed to have a good time. Roger Moore's Bond is Christmas Day afternoon. John Barry, Ken Adam, Lewis Gilbert, Carly Simon, crazy stunts, quips, Caroline Munro in a helicopter, underwater bases, Jaws, Jane Seymour, the Lotus, parachutes, jet planes, space battles, crocodiles, ski chases, casinos, tuxedos, double-entendres. The Roger Moore era of Bond wasn't terrible or embarrassing. It was fantastic! In the book that follows we shall take a deep dive into the Roger Moore era of Bond and explore his tenure from start to finish. We'll assess the strengths and weaknesses of both Roger's Bond and his films but most of all this book is a celebration of Roger Moore's James Bond and the years he spent suavely karate chopping baddies in a selection of safari suits and cream flares. Roger's amazing contribution to the Bond franchise is far too often derided and mocked these days. This book will hopefully serve as an entertaining and robust defence of Roger Moore and his incarnation of James Bond.
Strap yourselves in, make sure the doors are locked, blow out the candles, and prepare to embrace the world of British horror films. A world of rural folk horror, megalithic stones, vampires, werewolves, escaped lunatics, nuclear war, Cenobites, zombies, spooky children, serial killers, cannibals, stone tapes, ghosts, elementals, killer cults, droogs, time loops, misty moors, nutty ventriloquists, graverobbers, rare and unusual objects of the occult, alien spaceships in the London Underground, Shakespeare inspired murders, and an archly eyebrowed Vanessa Howard.