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In the spirit of The Orphan Train and Before We Were Yours, a historical debut about a nurse who chooses to save a baby's life, and risks her own in the process, exploring the ties of motherhood and the little-known history of Coney Island and America's first incubators. A nurse's choice. A daughter's search for answers. New York City, 1926. Nurse Althea Anderson's heart is near breaking when she witnesses another premature baby die at Bellevue Hospital. So when she reads an article detailing the amazing survival rates of babies treated in incubators in an exhibit at Luna Park, Coney Island, it feels like the miracle she has been searching for. But the doctors at Bellevue dismiss Althea and this unconventional medicine, forcing her to make a choice between a baby's life and the doctors' wishes that will change everything. Twenty-five years later, Stella Wright is falling apart. Her mother has just passed, she quit a job she loves, and her marriage is struggling. Then she discovers a letter that brings into question everything she knew about her mother, and everything she knows about herself. The Light of Luna Park is a tale of courage and an ode to the sacrificial love of mothers.
“A mosaic mystery told in vignettes, cliffhangers, curious asides, and some surreal plot twists as Raffel investigates the secrets of the man who changed infant care in America.”—NPR, 2018's Great Reads What kind of doctor puts his patients on display? This is the spellbinding tale of a mysterious Coney Island doctor who revolutionized neonatal care more than one hundred years ago and saved some seven thousand babies. Dr. Martin Couney's story is a kaleidoscopic ride through the intersection of ebullient entrepreneurship, enlightened pediatric care, and the wild culture of world's fairs at the beginning of the American Century. As Dawn Raffel recounts, Dr. Couney used incubators and careful nursing to keep previously doomed infants alive, while displaying these babies alongside sword swallowers, bearded ladies, and burlesque shows at Coney Island, Atlantic City, and venues across the nation. How this turn-of-the-twentieth-century émigré became the savior to families with premature infants—known then as “weaklings”—as he ignored the scorn of the medical establishment and fought the rising popularity of eugenics is one of the most astounding stories of modern medicine. Dr. Couney, for all his entrepreneurial gusto, is a surprisingly appealing character, someone who genuinely cared for the well-being of his tiny patients. But he had something to hide... Drawing on historical documents, original reportage, and interviews with surviving patients, Dawn Raffel tells the marvelously eccentric story of Couney's mysterious carnival career, his larger-than-life personality, and his unprecedented success as the savior of the fragile wonders that are tiny, tiny babies. A New York Times Book Review New & Noteworthy Title A Real Simple Best Book of 2018 Christopher Award-winner
On August 9, 1963, the infant son of John and Jacqueline Kennedy, born premature at 34 weeks, died of a common lung ailment after 39 hours of life. This book tells, for the very first time, the entire story of those tense and desperate days from the viewpoint of Patrick's pediatrician and the team of doctors who tried to save him. It also chronicles the captivating history of newborn care and the way the death of the Kennedy baby, faced by his heartbroken parents with consummate courage and grace, triggered a worldwide medical response that ultimately led to major advances in newborn care that have saved the lives of millions of infants. Book jacket.
Alfred Hitchcock is not often associated with a social justice movement. But in 1956, the world's most famous director focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a wrenching and largely overlooked drama based on the false arrest of Queens musician Christopher “Manny” Balestrero. Despite a detective's assurance that the innocent have “nothing to fear,” Manny and his family faced ruin from false charges that he twice robbed an insurance office.Aspiring to documentary-like authenticity, Hitchcock and his team meticulously recreated one man's odyssey through the corridors of justice. In so doing, they opened a window into New York's history of mistaken identity cases. The Balestrero prosecution was not an isolated miscarriage of justice. Instead, Manny fell victim to the same rush to judgment and suggestive eyewitness identification procedures that had doomed innocent defendants in earlier cases. In this sense, his ordeal is part of a larger story of how New York's legal institutions failed to reckon with their role in other wrongful prosecutions in the first half of the 20th century.Attorney Jason Isralowitz tells this story in a fascinating book that situates both the real-life Balestrero case and its cinematic counterpart in their historical context. At the same time, The Wrong Man transcends its era. Isralowitz examines how Hitchcock fused striking visual motifs with social realism to create a timeless work of art. The film bears witness to the unreliability of identification testimony, the need for police lineup reforms, the dangers of investigative “tunnel vision,” and other issues that animate the contemporary innocence movement. When seen in light of the hundreds of exonerations of imprisoned defendants over the past thirty years, The Wrong Man's power reasserts itself.A genre-busting work of legal history and film analysis, Nothing to Fear: Alfred Hitchcock and the Wrong Men is a must-read not only for fans of Hitchcock, but also for anyone interested in the history and causes of wrongful convictions.
Elise, a young woman with a mysteriously ill son, returns to her childhood home years after running away with a lover. Now destitute, she begins to search for an object hidden somewhere in the house, which has been in a state of disrepair since her mother's untimely death. Her father, who fled political terror in in his youth, is frail and often dreaming. So it falls to Elise's older sister, who has never left home, to maintain family order. Unraveled by alcohol and her own longing for escape, "Aunt," as Elise's sister is simply known, is further disturbed by the child's illness and his mother's irresponsibility. To placate the child, she turns to the bedtime tale of the Three Little Pigs, which becomes increasingly corrupted with each telling. As Aunt struggles to take care of the child, she recalls -- with a mixture of jealousy and resentment -- the day her sister left home. Meanwhile, Elise continues her search, with consequences that will alter Aunt's life irrevocably. A writer of "obvious and extreme talent" (Los Angeles Times), Raffel uses starkly beautiful, stunningly precise language to etch this compelling portrait of a family torn apart by longing, miscommunication, and misdirected love. Meticulously crafted and utterly absorbing, Carrying The Body is ultimately about the inescapable emotional legacies passed from generation to generation, and our dreams of refuge and release.
Emily, a down-on-her-luck intern, is recruited by the State Department to solve the Palestinian problem. Only this time they want it handled as a divorce settlement. To pull off the most acrimonious divorce of all time, she must let go of the family trauma that has tainted her whole life... but what if it won’t stay in the past?
In the boldest expose on the nature of power since Machiavelli, celebrated Jungian therapist James Hillman shows how the artful leader uses each of two dozen kinds of power with finesse and subtlety. Power, we often forget, has many faces, many different expressions. "Empowerment," writes best-selling Jungian analyst James Hillman, "comes from understanding the widest spectrum of possibilities for embracing power." If food means only meat and potatoes, your body suffers from your ignorance. When your idea of food expands, so does your strength. So it is with power. "James Hillman," says Robert Bly, "is the most lively and original psychologist we have had in America since William James." In Kinds Of Power, Hillman addresses himself for the first time to a subject of great interest to business people. He gives much needed substance to the subject by showing us a broad experience of power, rooted in the body, the rnind, and the emotions, rather than the customary narrow interpretation that simply equates power with strength. Hillman's "anatomy" of power explores two dozen expressions of power every artful leader must understand and use, including: the language of power, control, influence, resistance, leadership, prestige, authority, exhibitionism, charisma, ambition, reputation, fearsomeness, tyranny, purism, subtle power, growth, and efficiency.
For anyone who's ever pondered what everyday life was like during the time of Jesus comes a lively and illuminating portrait of the nearly unknown world of daily life in first-century Palestine. What was it like to live during the time of Jesus? Where did people live? Who did they marry? And what was family life like? How did people survive? These are just some of the questions that Scott Korb answers in this engaging new book, which explores what everyday life entailed two thousand years ago in first-century Palestine, that tumultuous era when the Roman Empire was at its zenith and a new religion-Christianity-was born. Culling information from primary sources, scholarly research, and his own travels and observations, Korb explores the nitty-gritty of real life back then-from how people fed, housed, and groomed themselves to how they kept themselves healthy. He guides the contemporary reader through the maze of customs and traditions that dictated life under the numerous groups, tribes, and peoples in the eastern Mediterranean that Rome governed two thousand years ago, and he illuminates the intriguing details of marriage, family life, health, and a host of other aspects of first-century life. The result is a book for everyone, from the armchair traveler to the amateur historian. With surprising revelations about politics and medicine, crime and personal hygiene, this book is smart and accessible popular history at its very best.
This is my baby book, special for me. To jot down your thoughts and one day I'll see the challenges and obstacles I overcame with your prayers. This book will be something that one day we will share.
LUNA BABIES is a story of the popular premature baby exhibit that existed for forty years at one of Coney Island's largest amusement parks, Luna Park. From 1903 to 1943, 8,000 premature infants were cared for by Dr. Walter Baier and displayed to spectators who paid admission to view them. This is the story of Dr. Walther Baier and his family, chronicled through the narratives of the doctor, his wife, his daughter and his nurse. Was Dr. Baier showcasing the premature babies as freaks of nature, exploiting them for his own financial gain, or was he providing them with the highest level of healthcare which was their only hope for survival?